• 한국호스피스협회지
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• s.91
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• pp.4-7
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• 2006

윤리란 인간이면 누구나 지켜야 할 도리를 말하며, 비 윤리라 함은 정상적인 범주를 벗어나는 행위를 지칭한다. 문제는 사람에 따라서 정상의 범위가 다르다는 점이다. 사람마다 저마다의 가치관이 있고 자라온 배경이 있기에 윤리적이냐 비윤리적이냐의 기준이 때론 모호할 수가 있다고 본다. 대다수의 종교인들은 변하지 않는 윤리적기준이 있다고 믿기에 다분히 절대주의적 관점을 가지고 있으며 상황주의자들은 이 세상에 절대란 존재하지 않으며 상황에 따라 얼마든지 선악의 기준이 달라질 수 있다고 신봉하고 있다. 우리는 이러한 다양한 사람들이 함께 사는 세상에서 모두가 공감할 수 있는 윤리적 기준을 모색하여 이를 공유함으로써 적절한 윤리적 가이드라인을 만들어 내는 것이 시급한 일이라 생각된다.

• The Journal of the Korea Contents Association
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• v.11 no.4
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• pp.140-154
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• 2011

Through this thesis, I intended to analyze superhero action thriller through that achieved in art and box office after the film release. I would to access about it centering around directing viewpoint. of Christoper Nolan is evaluate as 'upgraded excellent action thriller'that have remarkable theme and excellent visual. Analysis of directing'll classify both contents and form. See about contents... theme of existential dilemma about the good and the evel, characters who is grew more powerful, and deeper than Batman series in old times. the fifth plot, especially dramatic plot by Joker's game, and various irony and motif. About form... efficient use of IMAX camera, prominence of action directing about car chase and fighting... better editing and music and art than former super hero series. The most important merit of is it's a philosophical theme. It is dipicted very seriously and successfully. First of all, the film has more advanced technique power and new directing style.

• The Journal of the Korea Contents Association
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• v.22 no.4
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• pp.468-478
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• 2022

'True education', which was the core ideology of 'the Korean Teachers & Educational Workers Union', is re-appropriated in the new media era. This word, which is actively used by young people, means 'punishment against the object of social condemnation'. One of the characteristics of 'true education contents' commonly seen on the Internet is that it shows a tendency to 'fragmentation'. True educational contents are short in length, and the contents are very local. This reflects the characteristics of a postmodern society where totality disappears and small stories are consumed. Second, the standard for dividing good and evil is extremely 'arbitrary'. Whereas the existing stories of rewarding virtue and punishing vice had universal values such as love, consideration, and peace, the content of true education distinguishes good and evil with an extremely narrow perspective. The way to justify arbitrary standard is to incite public outrage. Third, 'humour' is added. Here, humor is combined with the emotion of hatred, causing the problem of weakening people's critical consciousness.

• Journal of the Daesoon Academy of Sciences
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• v.37
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• pp.297-328
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• 2021

This paper aims to find out from what perspective Joseon Dynasty Confucian scholars evaluated and understood Yang Xiong's guiding principles and literature at the micro level and to reveal the academic trends of Joseon Dynasty Confucian scholars. This topic is approached as follows: first, an evaluation of Yang Xiong's way of living as a 'senior state official of Wang Mang (the controversial Emperor of the short-lived Xin Dynasty)'; second, Yang Xiong's literary character and his literary works; third, Yang Xiong's writing style; and fourth, Yang Xiong's view of good and evil. These can be summarized in three main ways: One is to agree with Zhu Xi's criticism of Yang Xiong as a 'senior state official of Wang Mang' and dismiss his guiding principles, academic achievements, literature, and other accomplishments. Most of these negatives have been found in Confucian scholars who are especially enthusiastic about theology. Examples include Hong Jikpil, Wi Baekgyu, Kim Wonhaeng, and Lee Sangjeong. In the case of kings such as King Yeong-Jo, the assessment of Yang Xiong is quite similar. The following assessments of Yang Xiong are positive though. Positive assessments are presented from two different views. One is a balanced approach that covers both the positive and negative aspects of Yang Xiong. For example, Heo-Kyun's understanding. Another positive view can be analyzed from three perspectives. The first case is when the scholars assessing Yang Xiong were not deeply influenced by Zhu Xi's criticism of him. Seo Geojeong and Seong-Hyeon are examples. The second case are those that broke away from theology or adhered to Silhak [Practical Studies]. Yi-Ik is an example. Third, assessments from scholars who posited that truth was of a pluralistic nature. Jang-Yu is an example of such scholars. Regarding theories of human nature; however, there was consensus among Confucian scholars that Mengzi held that human nature is good, and thereby it was common to criticize Yang Xiong's theory that human nature was a mixture of good and evil. From an ideal micro perspective, Joseon Dynasty Confucian scholars' different assessments of Yang Xiong show that their understanding and evaluation of Yang Xiong differed in accordance with their own differing worldviews and ideas.

• CDE review
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• v.2 no.1
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• pp.26-32
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• 1996

신규 차종의 개발시 차량의 exterior/interior의 design concept은 운전석주변의 driving package layout을 어떻게 구성하느냐에 따라 좌우되는 경향이 있다. 그것은 user가 그 차량의 선악의 판단함에 있어서 운전석 주변의 design 및 상품성이 큰 요인으로 작용하여 운전석 주변의 부품과 인간과의 적절한 조화를 이루어야 차량의 concept와 일치하는 최적의 design으로 user의 감성을 얻을 수 있는 것이다. 따라서 본 고에서는 신규 차종의 초기 개발 단계에서 최적의 design 및 상품성을 얻기 위한 보다 효과적인 driving package layout을 설정하기 위해 1차적 3차원 인체모형(3DM, 3-Dimensional Manikin)을 구성하고자 한다. 3DM은 human engineering에 의한 인체 치수와 각 관절의 운동방향 및 범위를 이용하여 인체의 동적 해석을 model을 도상 구현하고 이러한 3DM을 활용하여 조작성, 편의성 등의 package layout을 가시화 해 보고자 한다.

• Proceedings of the KAIS Fall Conference
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• 2004.06a
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• pp.285-287
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• 2004

$100\%$천연향을 이용하여 제작, 개발된 해충기피제의 기피력을 테스트하였다. 해충기피제를 착용한 그룹과 착용하지 않은 그룹으로 구분하여 실험실에서 사육한 모기와 서해안에 위치한 몽산포 해수욕장, 동해안에 위치한 낙산 및 선악 해수욕장과 천안에 있는 태조산에서 해충에 대한 기피력을 측정하였으며, 각 그룹별로 5명씩 5회에 걸쳐 각 회당 1시간동안에 흡혈개체로부터 물린 갯수를 확인하여 이들의 평균값을 계산하였다. 그 결과, 실험실에서는 $91\%$, 몽산포 해수욕장에서는 $78\%$, 낙산 및 설악 해수욕장에서는 $93\%$, 태조산에서는 $90\%$의 기피력을 보여주었으며, 이는 상당히 탁월한 기피 효과를 나타내었다.

• Journal of Korean Classical Literature and Education
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• no.33
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• pp.5-44
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• 2016

This study focuses on Ko woo-young (1939-2005), a Korean representative cartoonist. I analyzed his work Nolbudyeon (1988), which is a retelling of Heungbu and Nolbu, a traditional Korean story. I consider Ko woo-young a creative observer who has popularized his perspective in modern society. His work is a good example of how a traditional folktale can be made relevant in modern society. I used three methods of adaptation to differentiate Nolbudyeon from Heungbu story: construction of events, characterizing, and space-time background. First, to aid character development, Nolbudyeon includes a prologue that focuses on conflicts between brothers with different personalities. At the same time, the ambiguous ending could be a response to Heungbu story, which has a didactic theme. Second, I found that the new characters, Nolsun and Yeonsaengwon, enhanced the differences between Heungbu and Nolbu by playing the role of mediators. Also, in Nolbudyeon, both Heungbu and Nolbu had positive as well as negative elements, in contrast with the original story's traditional point of view on good and evil. Finally, by exploring the space-time of Nolbudyeon, we can see that its world is combined with the contemporary world. In other words, Nolbu and Heungbu, though outwardly traditional, have a modern outlook. Therefore, readers can recognize that Nolbudyeon is a metaphor for modern life rather than just an old story.

• The Journal of Korean Philosophical History
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• no.42
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• pp.233-258
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• 2014

This article investigates the concept of the xing(性) used by Hu Hong. Hu Hong's philosophical system considered to top priority for xing is called xingbunlun(性本論), and he suggested the characteristics of xing as follows. First, Hu Hong regarded xing as the fundamental of whole world and related to the specific individual things, so he constructed the concept of xing in the perspective of ontology. Namely while xing is ti(體) the root of all the world, it is the realization of the uniqueness of the individual things. Also he considered xing which of the ontological aspect developed various psychological aspect contained xin (心), qing(情), yu(欲), etc. Seond, As Hu Hong regulated that wei fa(未發) is xing and yi fa(已發) is xin, he defined the ideal relation between xing and xin as xingtixinyong(性體心用). And he considered that the sage and the ordinary peoples are equal in the xing's aspect of wei fa, but they are not equal in ability of the xin in the aspect of wei fa. Hu Hong thought that the only sage realized the ideal relation between xing and xin in this world, because he keep his mind silent. So Hu Hong suggested the possibility of moral cultivation to the ordinary peoples, expressing that human nature realized the function of the mind(成性), in order that they realized ideal relation by following ren(仁). Third, unlike the traditional notion, Hu Hong understood the meaning of xing in the aspect of ontology. He interpreted the shan(善) of xingshan(性善) as the meaning of exclamation, which implied that "the innate goodness of human nature(性善)" meant "Human nature is good." Because Hu Hong thought that the meaning of xing transcended the relative concept of good and evil, and accepted the whole world affirmatively. In the opinion of Hu Hong, as the concept of xing had two ways of intentionality; likes and dislikes(好惡), things formed relationship with other in this world. Then the concept of good and evil of the ethical value judgement occurred.

• (The) Research of the performance art and culture
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• no.23
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• pp.105-158
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• 2011

Due to the system of sending selected hyanggi(local entertaining woman) to the government office in Seoul after the abolition of the system of gyeonggi(entertaining woman in capital area) during the reign of King Injo(1595~1649), the kyobang-jeongjae(local dance performed for the provincial government office) had gotten into the court to be performed at the royal banquet as gungjung-jeongjae(court dance), one of which was seonyurak(dance of boating). It used to be performed for finale of the royal banquet in the late Joseon Dynasty and appeared in several uigwes(record for royal banquet) since its first appearance in the wonhaeng-eulmyo-jeongri-uigwe, documented in 1795, the 19th year of the reign of King Jeongjo. Considering that the yeoggi(female entertainer) responsible for the court dance, seonyurrak was the seonsanggi(selected entertaining woman from provinces) from the northwestern provincial villages such as Euiju, Ahnju, and Seongcheon etc., we can assume that the baettaragi, one of kyobang-jeongjaes whould have been getting into the court to become the seonyurrak as court dance. The baettaragi, kyobang-jeongjae of northwestern province that affected the development of the court dance, seonyurak was created as performance executed by entertaining women of kyobang(local supervisory office for entertaining women) on the basis of the fact that the envoy of Joseon dynasty to the Ming dynasty could not help but taking a sea route when Amaga Aisin Gurun had a grip on the northeastern area of China during the shift of power from Ming to Qing. There had been a lot of banquets for envoys in the northwestern province because of its geographical feature as gateway to trip to China and the baettaragi used to be performed by entertaining women belonged to local provincial office to consolate the sadness of separation with those who destined to depart to China and to hope for their safe return. The kyobang-jeongjae, baettaragi of northwestern province is recorded as performance with sorrowful song to put the pain of parting into work, according to many related documents. It puts together painted boats as props, the march of a couple of dancer dressed up as soldier with marching music called gochiak, the song and musical accompaniment before getting on boat, the dramatic expression of sailing, and the farewell song praying for safe return etc. It turns the situation of dispatching envoys for China by sea into performance with combination of music, song and dance. Created in this way, the kyobang-jeongjae, baettaragi had been performed at the various banquets for envoys departing for China and it affected the formation of court dance or gungjung-jeongjae called seonyurak through the activities of selected local entertaining women. It also exerted influence on other similar performance in provincial area because of the returning home of the selected local entertainers who finished their performance in Seoul and it had been performed with different variation at local banquet including locality in it.

• Annual Conference on Human and Language Technology
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• 1996.10a
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• pp.489-496
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• 1996

자연어 처리에서 언어에 대한 지식은 전자사전과 문법규칙으로 구성되어 서로 상보적 관계에 있고, 각 어휘에 대한 품사 및 기타 자질-값에 의해 매개된다. 이러한 언어지식을 전통적인 방법에서는 국어자료의 분석에 경험이 많은 언어전문가의 직관에 다분히 의존하여 정의하였고, 말뭉치를 이용한 자동 획득 기법에서는 태그세트를 먼저 설정하고, 이 태그를 원시 말뭉치에 부착하여 태깅된 말뭉치로부터 자동으로 통계적 분석을 통하여 획득한다. 그런데 두가지 접근방법이 가지고 있는 공통적인 문제점은 품사나 자질-값의 정의 및 할당기준, 선악의 평가기준, 튜닝에 대한 적극적 대처 등이 마련되어 있지 않다는 점이다. 이 연구에서는 이러한 문제점의 발생원인을 말뭉치 분석 과정에서 살펴보고, 품사 및 자질-값의 설정과 할당기준을 마련하는 방법론 및 이를 적극적으로 지원하는 도구를 설계한다.