• Proceedings of the Korea Society of Design Studies Conference
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• 2005.05a
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• pp.138-139
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• 2005

• 중국학논총
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• no.61
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• pp.341-363
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• 2019

作者在本文中主要探讨了李泽厚的"西体中用"论所具有的政治思想含义以及支撑它的"度"本体论的技术哲学意义. "西体中用"论在政治思想上主要反对教条主义的马克思列宁主义和儒学复兴论, 他认为现代化基本上是西化, 在这一点上, 更接近于全盘西化论. 但他又认为马克思主义與儒学在现代化的历程中可以发挥出积极的作用, 这一点则与全盘西化论不同. 论"西体"时, 李澤厚强调合乎大工业生产的生产力與科技. 论"中用"时, 他认为生活方式的现代化可以消除过去社会主义社会和儒家文化的不合理因素, 但還认为我們可以用马克思主义和儒学中的合理思想来克服现代社会的各种弊病. 另外, 2000年以后, 李澤厚還提出了"度"本体論. 論它時, 一方面他强调工商性劳动, 为人服务的技术, 数学, 逻辑, 理性等. 这是"西体"论的基础. 另一方面, 他把传统中庸概念重新解为工业技术使用恰当, 却批評现代大工业技术不是"恰到好處"的技术. 这是"中用论"的哲学基础. 总之, "西体中用"论揭示了中国现代化的正确方向, "度"本体论在技术哲学上也较好地支持了這一社会理论. 可惜的是, 他未能找到现代社会的种种弊病产生的"体"上的原因, 因此也未能探索新的"体".

• The Journal of the Institute of Internet, Broadcasting and Communication
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• v.8 no.6
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• pp.159-163
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• 2008

Recently, typography in Korea has been varied. Among them, after 2005 a new trend caligraphy has appeared and in reality people discussed that this has been occurred as a coincidence. However, as a view of one who is interested in Hangeul typography, born of Hangeul caligraphy is not a coincidence. It is because computerizing of Hangeul has been later than U.S. or Japan. Korea was colonized by Japan and experienced the Korean War and economical independence got late and cultural independence got late as well. Our language, Hangeul was independenced in the beginning of 1990's after computer was introduce and original letter of Hangeul was scanned and basic standard was built. From the end of 80's there were many efforts for independence of Hangeul but there were problems on hardware side than software side. In the beginning of 90's basic fonts such as Myungjo or Gothic of Choi Jung-ho's fonts were set for computer hardware, but later 90's can be called as a time for distributing designed fonts for that new fonts that were planned and applying new ideas on fonts were done. In 2000 the two major font company in Korea Sandoll Communication and Yoon Design Institute made a fonts such as When branding had to be done by designer, typo must be written so adjusting size and moving baseline made old style and caligraphy fonts to be born. These cycling process has been natural motive for nowadays' caligraphy and these two major companies' role has made caligraphy to be popular.

• Archives of design research
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• v.21
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• pp.149-158
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• 1997

Since Macintosh computer was introduced in 1984, important technological evolution has not only changed the computer graphics field but had a significant effect in the graphic design field for its judgement of aesthetic value. In Korea, the development of digital typeface and electronic pre-press business became active due to computer design system since Macintosh computer was introduced in 1987. Currently there are many digital type foundries in Korea and they have produced over 500 typefaces of the Korean alphabet. However, a few technological limitations and aesthetic problems still exist in the development of the Korean typeface. In this study, I have examined the role and function of computer technology in typography. Also I analyzed the aesthetic elements which are found in computer technology and compared them to traditional typography to try to find some opportunity and possibility for new method of development.

• The Transactions of the Korea Information Processing Society
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• v.4 no.8
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• pp.2017-2024
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• 1997

The main focus of this paper is the recognition of printed Hangul documents in terms of typeface, character size and character slope for IICS(Intelligent Image Communication System). The fixed-size blocks extracted from documents are analyzed in frequency domain for the typeface classification. The vertical pixel counts and projection profile of bounding box are used for the character size classification and the character slope classification, respectively. The MLP with variable hidden nodes and error back-propagation algorithm is used as typeface classifier, and Mahalanobis distance is used to classify the character size and slope. The experimental results demonstrated the usefulness of proposed system with the mean rate of 95.19% in typeface classification. 97.34% in character size classification, and 89.09% in character slope classification.

• Journal of Digital Convergence
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• v.17 no.11
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• pp.493-499
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• 2019

Seal is a tool to prove an individual or group. Guk-Sae and Eo-Bo uses typeface to represent their names or titles, which change from tensile to tensile and have varied from time to time. Although the Korean alphabet currently uses Hangul, it had used Chinese characters before Hun-Min-Jeong-Um was created in 1443. All seals and royal seal before the Korean Seal of State were made in Chinese characters. This thesis analyzes the concept of typography through the royal seal, and the subject of this study is 'Sugang Emperor' which is the only eight-letter version seal of the Joseon Dynasty's various royal seal. Bo-Yeong, which is shown in Bo-Myeon has artistic value with beautiful typeface and proportions, which is worth research. It examines the features of the Korean seal, analyzes and studies the typeface shape and features from the typographic perspective of the "Sugang Emperor Bo-Yeong," or writing.

• Archives of design research
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• v.20 no.3 s.71
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• pp.315-324
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• 2007

The fast development of the information technology makes Korea one of the most advanced countries in information communication in the world in a short period of time. However, the gap between the aged and the young has been seriously increased. Those who are less than 10% of the older adults are using the internet at present. It means the elderly has many difficulties in using the internet because of their physical and cognitive differences. The purpose of this study is that the aged can easily achieve and use information by developing a guidelines for the Korean typography in the web interface. A literature search was conducted on the web interface design guidelines for older adults. These guidelines were classified by interface component and the study subjects needed for the Korean internet environment were selected. The subjects are a more comfortably readable typeface according to the sizes, a proper text size of Gulim and Batang, a more comfortably readable leading size, the appropriate letter spacing, the proper line length of body, the suitable size proportion between a title and a body, and a more comfortably readable text alignment. Survey questions were made and these Questions were improved after the pretest. Both online and offline survey programs were written and the aged and the young were tested with these programs. The result of this survey shows that there are satisfaction differences between the aged and the young in the readability and legibility of the web contents. Therefore these universal guidelines to be used in the Korean typographical environment for the future aged population were specified. It is expected that this study will be used as basic data for the universal web interface where the older adults can easily use and acquire information.

• Proceedings of the ESK Conference
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• 1997.04a
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• pp.150-155
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• 1997

VDT의 한글 화면을 탐색하는데 있어 가독성에 영향을 주는 요인에 대한 연구는 한글 VDT 화면의 표준지침 선정의 기초자료로서 중요하게 활용될 수 있으나 그 연구가 부족한 실정이다. 영어와 한글의 글자체계에는 차이가 있어 외국의 연구결과 및 표준지침을 적용하는 것은 무리가 있기 때문에 한글 글 자체계에 대한 쳬계적이고 인간공학적 연구가 시급하다 할 수 있다. 이에 본 연구에서는 글자크기와 서체(font)를 선정하여 사용자의 시각성능과 관련하여 최적의 수행도 및 피로도를 경감하여 주는 서체와 글자크기 수준을 실험을 통하여 제시하였다. 그 결과는 다음과 같다. (1) VDT 화면에서 한글 고딕체가 명조체보다 사용자의 시각성능 및 수행도가 우수하다. (2) 초적의 수행도를 주는 글자크기는 명조체의 경우 35.4' .approx. 55.5', 고딕체의 경우 시각 39.8 .approx. 52.6'이다. (3) 우수한 수행도를 보이는 글자크기에서 피로도 저하율이 낮게 나타난다.

• 프린팅코리아
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• s.18
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• pp.83-83
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• 2003

• 프린팅코리아
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• s.3
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• pp.38-41
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• 2002