• Journal of Korea Entertainment Industry Association
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• v.13 no.7
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• pp.247-259
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• 2019

This study aims to develop Korean film music by using Korean traditional music with proper technique. As of 2019, current Korean film music is mostly modeled after Western music. The usage of traditional music instruments is significantly lower than the usage of western instruments and is merely used in Korean historical movies as embedded music. This supports the many views that Korean traditional music seems too difficult to appeal to the general audience in these modern times. Furthermore, there aren't any such cases to apply traditional music techniques to western instruments whereas there have been many occasions where traditional music instruments imitate western instruments with its tones. The suspected reason for this is due to the lack of proper understanding and techniques of traditional music that Korean film composers have utilized, and its limited exposure in popular music. However, traditions are special and unique way to represent the history, culture, lifestyle and characteristic of countries. Therefore, it is our duty to protect our own traditions. As both a Korean, and as a musician, new film music is needed which uses traditional music instruments and its techniques. When film composers create music with better understanding of Korean traditional music, this unique music will be able to transcend borders and spread throughout the world.

• Cross-Cultural Studies
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• v.42
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• pp.475-503
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• 2016

This paper explores the extent of the Christian influence of Liang Fa's Quanshiliangyan and Isaachar J. Roberts on Hong Xiuquan and the Taiping Movement. Hong's religious background was in Confucianism, but when he encountered Liang Fa's Quanshiliangyan, he identified with Christianity. Subsequently, he studied with Roberts for two or three months. The religious experiences of Hong served as motives for the establishment of the Society of God Worshippers and the Taiping Movement. Therefore, this paper develops Liang's key ideas and Roberts' main teachings, describes Hong's beliefs and the actual practices of the Taiping Movement, as found in official documents of the Taipings, and compares their similarities and differences. Hong and his leaders received the new ideas of Christianity at the expense of their traditional culture. Furthermore, they attempted to combine Chinese culture with Christianity, as well as believe in Christianity to the limits of their understanding. Finally, this study finds that even though the Quanshiliangyan and Isaachar J. Roberts may have given the Taiping Movement its religious form and driving force, the theological vision of both Liang and Hong that also emerged from their Chinese culture energized the Taipings. The Taiping Movement resulted from a deliberate synthesis of Christian ideas and native Chinese practices in China.

• The Research Journal of the Costume Culture
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• v.1 no.2
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• pp.181-198
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• 1993

The study is to analyze modesty of clothing motive of western costume during the 6∼12 th and 17th pilgrim's revolution period by Flugel's theory. these society of tow period maintained the moral and ascetic life under he control christianity and pilgrim. This study utilized terms of Freud's theory on human personality in defining the characteristics of periods. Two periods is to define as Super-ego period.

• 프린팅코리아
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• v.14 no.7
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• pp.74-87
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• 2014

최근 인터넷에서는 숫자 12의 비밀이 화제였다. 우리 일상생활에서 흔히 찾아볼 수 있는 숫자 12에 굉장히 많은 비밀이 있다는 것이다. 서양의 문화인 그리스 신화에 등장하는 신과 성경 속 예수의 제자는 각각 12명이다. 동양에는 12간지 12마리의 동물이 띠를 이룬다. 피아노의 건반은 한 옥타브가 12개의 반음으로 이뤄져 있다. 연필 한 다스에는 연필 12자루가 들어있고, 일반적인 축구공 한 개에는 12개의 정오각형이 들어 있다. 우리가 가장 많이 쓰는 컴퓨터 키보드는 F1부터 F12까지 12개의 기능키가 있다. 하루는 24시간으로 오전과 오후 12시간으로 나뉘며, 1년은 12개월이다.

• Proceedings of the Korea Contents Association Conference
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• 2019.05a
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• pp.407-408
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• 2019

일본의 게임문화에서는 서양 문화권과 달리 귀여움과 폭력성이라는 상반된 속성이 공존하며 성장하였다는 특징이 나타난다. 이는 일본의 전통적인 미의식과 연관되어 있다고 볼 수 있는데, 특히 게임 포켓몬스터 시리즈에서 이러한 경향이 두드러지는 것으로 보인다. 이 글에서는 포켓몬스터 시리즈와 페르소나 시리즈라는 두 게임 시리즈를 비교하여 귀여움이라는 속성이 게임에서 어떻게 기능하는 것인지 분석하도록 한다.

• KLA journal
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• v.46 no.3 s.358
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• pp.44-45
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• 2005

한미화씨를 이어 이번 3월호부터 최성일 씨와 함께 '도서관이 알아야 할 출판과 책 이야기' 지면을 맡게 된 김준목 씨는 1991년 무역업종사와 더불어 고서수집을 시작한 이래, 2001년에는 서양고서 전문사이트 안띠꾸스(www.antiquus.co.kr)를 개설하였으며 최근 인문학 교양잡지 <안띠꾸스>(2005년 2월 창간, 격월간지) 주간으로의 활동을 시작하였다. 저서로는 「감각의 순례자 카사노바」(2002) 등이 있다.

• The Science & Technology
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• no.7 s.410
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• pp.90-95
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• 2003

보이는 하늘이야 같았겠지만, 문화적인 배경이 다른 민족이나 국가, 그리고 종교가 각기 다른 방식으로 우주를 이해해 왔을 것이다. 이들이 구체화되어서 설화나 신화 또는 종교의 우주관을 형성하는 과정이 달랐으리라는 것도 쉽게 상상할 수 있을것이다. 이글에서는 현대우주론이 형성 되는 과정을 서양 우주론의 관점에서 살펴보고 현대표준우주론인 대폭발 우주론에 대해서도 알아보기로 한다.

• Proceedings of the Korea Contents Association Conference
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• 2019.05a
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• pp.201-202
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• 2019

'환상'이란 현실에 대한 전복적인 기능을 하는 비현실적인 것이다. 서양에서는 이것을 'Fantasy'라고 하고, 고전소설에서는 '신이(神異), 기이(奇異), 괴이(怪異)'와 같은 한자어가 주로 사용되었다. <박씨전>은 인물, 사건, 배경에서 환상성이 드러난다. 이 논문에서는 <박씨전>의 환상성을 활용하여 문화콘텐츠의 원형적 소재로 활용할 수 있는 가능성을 검토해보았다.

• The Journal of Art Theory & Practice
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• no.2
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• pp.75-120
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• 2004

Studies on western art in Korea has been caught in a dilemma that they could deal with only those things which had been arranged according to their 'historical generalization' in their contexts because of the bounds of time and space. It is not trivial that such conditions affect art studies in Korea. Access to the original texts and to their contexts of production is so restricted that the studies on them are prone to he superficial. And it is not independent on the politics of Korean art scene. Such factors are on the background of Korean art's excessive 'assimilation or accordance' with western art. The domestic studies on western art history and art theory have failed to notice the differences in context and Korean art has simply mediated or reproduced the restricted information by those studies. Also the studies on western art in Korea have been made use of as a justifying method of one's own academic domains. In such situations we should lead the studies on western art history and western art theory to a more reflective direction and confirm that the studies should not have any privileges of the realities. And we should try to reform a scholarship which participates in our life and existence. The field of domestic studies on western art history and western art theory should free itself from the invention of objectivity or the neutrality of mechanical reading and turn its eyes to the realities of life where events happens. Constantly suggesting which way Korean art and world art should go has to be the field's new coordinates.

• Korean Journal of Culture and Social Issue
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• v.8 no.2
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• pp.137-170
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• 2002

The present paper reviews the development of democracy in the West and Korea. The first part of the paper provide a cultural framework for understanding the development of democracy in West and Korea. In the second part of the paper, an empirical study conducted in Korea will be presented. A survey questionnaire was developed to assess respondents' conception of political participation, political efficacy, trust, leadership, and social relations and it has been administered to national stratified sample in Korea (n=1,000). The results indicate that Korean respondents support the basic ideas of liberal democracy, such as the right to vote, participate in political organization, freedom of speech, and criticize government. At the same time, Korean respondents supported collective values, such as harmonious family life, harmonious social relations, and governmental welfare programs. Although Koreans trusted close ingroup members, such as family members and friends, they were less likely to trust their colleagues and outgroup members and were not likely to trust political and governmental institutions. Moreover, Korean respondents showed a low degree of political participation and efficacy and a high degree of political alienation. As for leadership, Koreans preferred moral and strong leaders. The overall results indicate that in Korea, although the basic ideals of democracy are valued, the method of implementing these ideals is different from the West. Detailed analysis of the results and implications of the study will be presented.