• The Journal of the Korea Contents Association
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• v.12 no.1
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• pp.185-196
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• 2012

This study of the emotional image of the package design of Tea drink. Above all, Collects the packages of tea drink in the Chinese market. Investigate the taste adjectives with about the package design of Tea drink. And 'Sweet. Bitter, refreshing, sour 'four major taste adjectives were deduced. Next, Investigate the level with the taste adjectives of the package design of tea drink and the affinity of package design of tea drink. Finally, Analyzed the distinction of visual elements with the taste adjectives of the package design of tea drink. And, Analyzed the distinction of visual elements according to impact of preference of the package design of tea drink.

• Archives of design research
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• v.11 no.1
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• pp.229-236
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• 1998

It is the most important technological progress for the computer graphics when computer has incorporated the color system. However, color system used in computer is totally different from traditional color system like printing ink or painting color because it is exist only in the form of wavelengths of light on the computer screen. Therefore, some compatible problems are still remains with traditional design process or color matching in photography. It is important to produce precise representation and management of color in the current design system which is controlled and managed by computer to merge design process. In this study, I have discussed the merits of color, technological characteristics, designer's approach to color and traditional color system. Also I analyzed the aesthetic characteristics of computer color system which are found in computer graphics technology and compared them to traditional color system to try to find some opportunity and possibility for new method of development.

• Proceedings of the Korean Society of Computer Information Conference
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• 2014.07a
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• pp.41-42
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• 2014

본 논문에서는 스마트폰 케이스에 제품디자인에 있어서 패턴 디자인 활용사례를 알아보고 주조색 분석을 통해 패턴디자인 트렌드를 살펴보는데 그 목적이 있다. 주조색 추출에 사용된 스마트폰 케이스는 +D프로젝트에 출시된 자료를 활용해 9명 디자이너 별 대표제품 2개를 분석했으며, 분석은 한국 표준색 색채분석, KSCA (Korea Standard Color Analysis) 프로그램을사용하여 각각의 이미지에서 5%이상 쓰인 주조색을 추출 하였고, Hue&Tone 분포를 통해 스마트폰케이스 패턴디자인에 사용된 색채 트렌드를 알아보고자 한다. 스마트폰케이스에 사용된 전체 주조색들을 살펴보면 색상에 있어서는 붉은색(R) 과 보라색-파랑색(PB) 의 분포가 상대적으로 높게 나타났고, 색조에 있어서는 밝은(B), 옅은(P) 톤이 가장 많이 사용 된 것을 알 수 있다. 향후 연구에서는 색채를 통한 감성분석을 연구해 스마트폰 케이스 제품디자인에 있어서 색채와 감성 간의 상관관계를 알아보고자 한다.

• Science of Emotion and Sensibility
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• v.12 no.3
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• pp.351-356
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• 2009

The study is about how the difference in education levels can affect the subjects' use of color and find out the features of the effect. This experimental study focused on the differences in color expression using the outline picture of a painting before and after being exposed to a full-color picture of the original painting. Differences between two conditions with two different stimuli were observed and the cause of the differences was analyzed based on the number of colors and the quantity of colors and composition of the colors used by the subjects. The study precedes an experiment based on how the level of education though experience can affect the use of colors. This study is focused on the various effects of color usage by children and adults who have various degrees of visual experience. In addition, the study analyzes how design majored subject differed in the use of color from non-design majored subject and compares the use of colors by the two groups. The results showed that design majored subject tended to use less coloring patterns after seeing the stimulus of the Monet picture with more colors, and included the colors from the stimuli they were exposed to. The non-design majored subject who viewed the Mondrian painting demonstrated opposite results by using less number of colors than before seeing the stimuli. In comparison to design majored subject, the variations in selected colors and the quantity of color by non-design majored subject were not consistent.

• Archives of design research
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• v.16 no.3
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• pp.161-174
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• 2003

Choice and use of color are very important field for designer. Present color sprang by central field of design business unlike past. Color is used mainly by three fields of sensitivity, administration, mind. But, do substantial design including all of three fields at use. Practical research field that is based on basic research when see as actuality of domestic color design is been behind real condition. Specially, color sensitivity field and color management field are very important field, it can speak that color name arid related area are most important among two. Because collar name includes sensitivity and color management. This research constructs correct data because investigate and analyze and search all compatible color names that is announced in existing or is recorded in public cosmopolitanly. As a result, it is to promise accuracy when produce creation of idea and result of design using color name. Examined laying stress on color that domestic data that is used in research is basis with Korean industrial Standard, connection literature, on-the-spot probe. International data investigated American ISCC-NBS to base. Other abroad color name data examined official data of each country all systematically with Japan, Europe. Findings about 11,000 basis color names and 33,000 application color names sorted collection. Collection method and classification system follow in international standard and arranged for user's tile convenience. Also, use frequency did laying stress on Munsell that is high color system so that can aid in industrial design business. Improved to write all international standard color values sue as RGB, CMYK, XYZ and can be applied all in each field of design. Is applying and get along with continuation improvement and development in homepage of present KIDP, it may become more worth research.

• Proceedings of the Korea Society of Design Studies Conference
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• 1996.04a
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• pp.45-46
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• 1996

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2011.05a
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• pp.619-620
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• 2011

When we choose a car, must first choose the performance, design, price, reliability, ete. of the car regardless of the probability of occurrence of traffic accidents. This paper proposes the color of car that accident occurs in color from the highest probability to lowest probability. This is talking about the color difference of advancing color and receding color. The color of the accident-prone is many receding color that actually seem to be far more. Advanced color that seem to be closer than the actual color find out that accident is less.

• Proceedings of the Korea Information Processing Society Conference
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• 2010.04a
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• pp.570-571
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• 2010

본 연구는 색, 색감, 색의 조화론 등 예술과 감성으로만 다루어지던 전문 분야의 내용을 과학적인 방법으로 해석하고, 계산해 낼 수 있는 연구들에 대한 관련 연구들의 동향을 분석하고, 정량적인 색의 조화 및 매치의 판단 방법을 제안한다. 이때, 과학적인 방법이란, 수치와 컴퓨터과학을 사용하여 색의 조화 이론을 체계화하여 빠르게 처리하는 근원적인 방법으로 정의한다. 또한, 색의 정량화를 위하여 기존의 대표적인 색채계들의 특징 및 성격을 분석하며 이를 통해 색채계에 기반하여 색을 수치화 한다. 색의 조화 및 매치에 대한 정량적 판단은 컴퓨터를 사용하는 일반 사용자들의 색과 색감을 향상시킬 뿐만 아니라, 시각, 영상, 산업 디자인에의 효과적 적용, 색을 통한 정신적 분석 및 치유, 색감 향상 교육, 유사색및 유사디자인 검색, 개인 맞춤형 색채 마케팅 등 다양한 분야에 활용될 수 있다.

• Proceedings of the ESK Conference
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• 1995.10a
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• pp.192-200
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• 1995

본 연구에서는 점차 사용이 증가하고 있는 GUI 환경의 작업에서, 인간의 감 성인석을 색에 적용하고 이에 대한 수행도를 분석하고자 하였다. 실험은 우선 텍스트만 있는 윈도우와 색이 있는 윈도우와의 검색 시간을 비교하였다. 그리 고 색의 세 가지 속성인 색상, 채도, 명도와 검색 시간과의 관계를 알아보기 위해 색상, 채도, 명도, 거리를 독립변수로 하고 검색 시간을 종속변수로 하여 실험을 하였다. 그리고 색에 대한 인간의 감성 인식을 알아보고, 감성 인식을 고려한 색의 실질적인 수행도에 대해서도 분석하였다. 통계분석 결과, 색이 있는 환경에서의 검색 시간은 악 50.31% 향상되었으며, 색상과 채도의 수준 차이는 검색 시간에 유의한 것으로 나타났다. 색상의 경우는 녹색,적색 순 으로 검색 시간이 좋았으며, 채도의 경우는 회색이 적게 포함된 경우 검색 시간이 향상되었다. 그리고 감성을 고려한 색도 검색 시간이 향상된 것으로 나타났다. 본 연구는 여러 산업환경과 디자인 측면에 인간의 감성을 고려하 고 적용하는데 있어, 실질적인 수행도를 향상시키는 감성구현 방법과 이에 대 한 검증을 제시하고자 한다.

• Journal of Digital Convergence
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• v.16 no.5
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• pp.445-454
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• 2018

The purpose of this paper is to present the direction of emotional lighting design of a new concept suitable for the user's living environment based on the experiment and the result of the recognition of the cognitive effect of the color of the lighting on the user's sensibility. As a research method, we collected meaningful results of color temperature and emotion of light through literature research and experimented with users in their twenties. Based on this, we presented the design direction of emotional lighting. As a result, we designed emotional lighting that can transform the shape of the four joints freely to realize the user's demand. We also derive the color temperature of light that can be optimized for the user's work and environment, Concentration, mood, and relaxation. The result of this paper is meaningful and worthy of suggesting emotional lighting design with user - oriented new perspective, deviating from previous method of planning lighting.