• Proceedings of the Korean Society of Computer Information Conference
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• 2023.01a
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• pp.399-402
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• 2023

본 논문에서는 빛에 영향에 따른 유화의 변화를 보여주기 위해 2D 이미지 재조명과 색채변화를 반영한 회화적 렌더링 방법을 제안한다. 이 방법은 2D 이미지를 재조명하고 해당 음영 값을 가중치로 하여 색채변화를 반영해 렌더링한다. 이때 재조명의 경우 2D 이미지를 3D 이미지로 근사 추정하여 노말값을 결정하고 해당 값과 조명 위치값 사이의 각을 음영 값으로 추출하여 반영한다. 조명 위치는 사용자가 지정 가능하며 빛에 영향에 따른 색채변화 결과는 기존에 연구된 결과를 참조한다. 본 논문에서는 기존의 로컬 이미지에 근사한 자동 회화적 렌더링이 보여주는 단순하고 평면적인 결과에 비해, 재조명을 통해 빛바랜 색과 양감을 반영함으로써 현실에 존재하는 작품처럼 생동적이고 입체적인 렌더링 결과를 제공하여 문화예술작품으로의 표현 및 색채변화 예측-복원에 기여하고자한다.

• Proceedings of the Korean Society for Emotion and Sensibility Conference
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• 1998.11a
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• pp.183-188
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• 1998

지역이나 국가에 따라 사람들의 색채감성에는 조금씩 차이가 있다. 색채감성에 영향을 미치는 자연환경의 요소로는 생태조건, 기후조건, 자연광조건 등으로 나뉘며, 자연광조건은 자연광의 세기와 색온도, 생태조건은 토양과 식생, 기후조건은 온도와 습도, 쾌청지수 등으로 나눌 수 있다. 이들은 인간이 지각하는 색의 색상·명도·채도와 관련을 갖고 있다. 각 지역의 풍토조건의 차이로 생기는 색채감성의 구조를 자연광의 세기에 따른 명도 변화, 대기중의 습도에 따른 채도변화, 온도차에 따른 색상변화로 나누어 파악하였다. 또한 한국과 일본을 사례로 풍토색과 도시환경색채를 통해 색채감성의 차이를 비교하여 분석하고 그 주원인을 파악하여 지역별 색채 감성을 분석하는 기틀을 마련하고자 한다.

• Proceedings of the Korea Society of Costume Conference
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• 2004.05a
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• pp.54-54
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• 2004

검정색은 죽음, 절망 등을 상징하는 부정적인 색채이미지를 가졌지만 고대부터 현대에 이르기까지 복식에 다양하게 표현되어 왔으며, 검정색에 대한 색채정보와 색채심리의 계속적인 변화에도 불구하고 패션컬렉션에는 검정색을 사용한 디자인이 매 시즌 소개되고 있다. (중략)

• Proceedings of the Korean Society of Precision Engineering Conference
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• 2004.05a
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• pp.299-299
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• 2004

우리 주변에는 항상 다양한 색채들이 존재하고 있으며 이 색채 안에서 살아가고 있다 또한 생체는 늘 빛을 요구하는데 빛의 강약이나 색채에 의하여 나타나는 감성 변화를 객관적으로 나타내고자 하는 연구가 오래 전부터 있어 왔다. 다양한 색채가 인체에 미치는 영향에 대해서는 심리학분야에서 정성적으로 보여지고 있으며. 색채심리학의 한 분야로서 감각기관의 기능분석에 관한 연구들이 일부 진행되었고 기초의학분야에서도 그 치료효과는 검증이 안 되었으나 점차로 응용하고 있는 실정이다.(중략)

• KOREAN POULTRY JOURNAL
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• v.28 no.7 s.321
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• pp.108-114
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• 1996

• Archives of design research
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• v.12 no.3
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• pp.249-254
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• 1999

The constituent element of the city is various and extensive, but buildings are representation of it. A cllaracter of building have evaluation to form, color, volume, but the color is the most effective element to change of the city. Therefore, important of the studies on tile color of the city get on the increase. The purpose of this study was to present a line of apartment color, based on the traditional color.

• The Journal of the Korea Contents Association
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• v.11 no.6
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• pp.155-166
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• 2011

This study will be conducted to verify that color programs and entertainment programs affect undergraduates' psychology(Obsessive-compulsive, anxiety and hostility). The results of this study can be summarized as follows. First, the experimental group's psychology(Obsessive-compulsive, anxiety and hostility) participated in color programs than did all the pre-investigation levels decreased post-mortem examination, statistically significant at 95% appeared to be. Second, after watching entertainment programs, pass through cognition process of color, undergraduates' color representation worked perception of red and blue respectively. This results is that the reason of white and the suppression of black what to do now with a sense of responsibility can be considered as a change process. In conclusion, after watching entertainment programs take advantage of color programs that a positive impact on undergraduates' psychological state, as they can provide bright colors with a variety of ways that make sense to suggest.

• The Journal of the Korea Contents Association
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• v.9 no.4
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• pp.162-171
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• 2009

In directing a film, aesthetics are use for visual manifestation of narratives to audiences. Especially, colors have important roles in that process to express emotions and to convey the story. For 3D animation, they may play even more important roles due to the nature of colors being generated by computers. This paper studies the relationship between narratives and colors by analyzing how colors change by the rise and fall of tensions in narratives, and by investigating how emotional expressions are affected due to color changes.

• The Journal of the Korea Contents Association
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• v.21 no.3
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• pp.143-156
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• 2021

In this study, the Bookstore Block of Historical and Cultural Street in Kaifeng City is taken as the object, which makes analysis on the landscape color features appearing in the elements of the bookstore block landscape. Through literature, it obtains the contrast list for the landscape composite elements of the historical and cultural street. After mastering the general characteristics of architectural colors and basic analysis methods of landscape colors in the Qing Dynasty, it conducts the site survey on the landscape composition elements and colors of the bookstore block. According to the conclusion, it is found that the landscape color of bookstore block is composed of R series, PB series, Y series and achromatic (N) series, in which the overall color shows relatively high integrity. However, it exists some deficiencies in the use of colors in signs, facilities and modeling objects. Therefore, it is necessity to increase the color plan of landscape elements such as signs, modeling objects and facilities, enhance the recognition possibilities of visual information.

• Journal of Korea Entertainment Industry Association
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• v.13 no.4
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• pp.131-138
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• 2019

The film enters the color film from black and white, and the screen image changes qualitatively. The color in the film not only has the reproduction function of the restoration object like the objective appearance, but also has the function of conveying different subjective emotions. It can express the color and can't express it. The artistic effect conveys the information content that the story itself can't convey, so the color of the film becomes an important part of the film language. The color in the film is presented on the screen in the form of single-screen color, scene color, full-color color tone, and various color chains designed according to different contradictions and conflicts. Because the film art and art means are assembled by montage, he colors in the picture also form a montage form. People call it "color montage". People's subjective nature of color criticism and acceptance of color language also depend on various local tones. The accurate expression of the relationship, the unique attribute of color determines that the color must enter the structural state in order to express its unique charm. The color of the film only has the real aesthetic value when it enters the level of "color structure". This paper studies the color of Chinese and Western films from the differences between the color thinking of Chinese and Western film directors and the cultural implication of Chinese and Western film colors. The western film director emphasizes the structure of color and pays attention to the use of tonal montage to convey the characters. Emotions reflect the characteristics of a subjective color. Beginning with the "fifth-generation" director of Chinese film, the new journey of film color language has been opened. In the process of blending love and scenery, the film style of "image-in-one" has been achieved.