• Journal of the Korea Convergence Society
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• v.12 no.10
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• pp.177-188
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• 2021

In South Korea, with the advancement of the 'Port' project, the regeneration industry adapted to the modern economic development has been promoted, leading to construction around the port was also redefined. Therefore, through regeneration, the problem of image construction of buildings around the port has been re-examined, in which color is an important content of image construction. In this study, the exterior walls of abandoned factory buildings in the port area of Bongnaedong, Pusan were selected as the color research object and evaluated according to the characteristics of the regenerated factory buildings combined with the building color function. Technically, KSCP color analysis system is used for color analysis. In this way, the color plan for the exterior walls of the factory buildings is proposed to visually enhance the image of abandoned factory buildings and attract more attention, thus driving the regional economic development. The results of this study show that in order to adapt to the regional, industrial and commercial characteristics of the regenerated port space, the color hue, lightness, chroma and use area of the building can be changed to enhance the aesthetic value and enhance the inductivity and security.

• Korean Institute of Interior Design Journal
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• no.5
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• pp.99-102
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• 1995

• Archives of design research
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• v.14
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• pp.163-178
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• 1996

"Color" education aimed at cultivating creativeness and expressive techniques in the education of visual art, in the college of art and design, should be balanced with "form" education; nevertheless, the present situation at Korean universities is such that the overall environments of "color" education are far too inferior to those of "form" education.The problem is, among other things, that the curriculum of visual art education is centered around formal education; in addition, color education courses consist mostly of theoretical issues, not experimental, first-hand-experience-oriented activities that are best suited for the characteristics of the language of color as a visual language, thereby making it difficult to expect the efficiency of education.Particularly, it is a serious problem that the courses dealing with color are not offered in a step by step fashion, from the most elementary, to the intermediate, working up to the most advanced level. Another problem is that those people involved in color education seldom have an expertise in their area; furthermore, the educational environment, educational tools, and the content of the texbooks are far from being ideal.Moreover, it is a grim reality that most color theory courses that have been offered end up being a lecture of "general, basic" color theories, ignoring the students' diverse specialization areas.As a way of normalizing color education, rationalizing the curriculum and initiating the professorship exclusively teaching color education have to be introduced, so that we can increase the depth of color education and individualize the contents of color education according to the students' needs. It is believed that the introduction of the "color-education-only" professorship will greatly facilitate our effort to devise an efficient educational method, to determine the scope of individualized color education, and to improve the ovarial educational environment (such as facilities, instruments, and teaching materials) necessary for an in-depth education.ments, and teaching materials) necessary for an in-depth education.

• Science of Emotion and Sensibility
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• v.1 no.2
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• pp.55-63
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• 1998

섬유 패턴 디자인을 체계적이고 객관적으로 기술할 수 있는 도구를 패턴 디자인의 지각적 속성에 기초하여 개발하였다. 세 단계로 이루어진 연구의 첫 단계에서는 패턴 디자인의 단계를 실제 디자인 과정에 기초하여 'PP의 디자인', 'RPU의 디자인', 'RPU의 배열'의 순서로 개념화한 후, 이 데 영역에 걸쳐 30개의 지각적 특징들을 추출하였고, 섬유 패턴 디자인을 충실히 기술할 수 있다는 것을 확인하였다. 다음으로 추출된 30개의 지각적 특징들을 'PP의 모양에 의한 돌출성', 'PP의 색채에 의한 돌출성', 'PP들 모양의 다양성'. 'PP들의 변화도', 'PP들 색채의 다양성', 'RPU의 돌출성', 'RPU의 다양성'이라는 7개의 상위 특징으로 수렴시킨 후, 이 7개의 상위특징들을 다시 'PP에 의한 다양성', 'RPU의 돌출성' 'RPU의 다양성'이라는 4개의 최상위 특징으로 수렵시키는 방식으로 위계화 하여 섬유 패턴 디자인 요소 분석체계를 구성하였다. 또한 대표적인 섬유 패턴 디자인에 대한 이 체계의 기술 가능성을 검토함으로써 본 체계를 수정·보완하였다.

• Science of Emotion and Sensibility
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• v.13 no.2
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• pp.371-380
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• 2010

In this paper, we study the bus stop shelters, one of the public facilities, revised by the development plan of Seoul city. Dark gray and brown are dominant colours for the shelters. As representative colours, designated by Seoul city, dark gray and brown can be harmonious naturally with urban environment. However, in view of universal design, those colours have some problems to be recognized and to be used for handicapped groups, olds and childens especially. For analysis, investigating proposition and circumstance of two groups living in the city is the first place. This study is for building proper colour domains of universal design for public facilities and for recognizing that the way of public facilities should be that the ambit of public space is not regarded as a facility but recognized easily in accordance with environment including a facility. we hope that this paper is practically used as a reference for coming studies are the purposes of this study.

• Proceedings of the Korean Society of Disaster Information Conference
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• 2015.11a
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• pp.113-116
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• 2015

일반적으로 인간은 외부로부터 정보의 85% 이상을 '시각'을 통해 얻고 있으며 색(色)-형(形)-Texture(質感)의 순으로 사물을 인식한다. 그래서 인간은 예전부터 위험상황에 대응하기 위해 대상의 정보를 신속하게 전달하는 수단으로 색채를 활용해 왔으며, 안전색채는 이러한 색의 속성을 이용 위험으로부터 안전을 확보하기 위해 적용되어왔다. 현재 안전에 관한 정보를 제공하는 시스템에는 언어나 문자사용을 가능한 한 사용하지 않고 안전표지를 국제적으로 표준화하여 사용하는 것이 바람직하며 실제로 국제표준기구(ISO)가 제정한 '안전색채 및 안전표지(ISO3864)'를 채택하거나 자국의 실정에 맞춰 일부 변경 사용하고 있다. 또한 안전표지는 색만이 아니고 그것을 표시하는 형까지 포함 사용되며 형태는 표시 물건에 따라 다양하며 또한 색채가 일으키는 심리 작용을 이용하여 주의를 환기하거나 위험을 경고하며 위험방지 및 긴급사태에 대한 대응을 목적으로 하고 있다. 안전색채 및 안전표지의 목적은 안전 및 건강에 영향을 미치는 대상물 및 장소에 신속하게 주의를 촉구하는데 있다. 따라서 본 연구에서는 안전색채와 안전표지에 대해 알아보고 이를 사용한 실례를 통하여 안전색채와 안전표지의 색채 및 디자인에 대해 알아보고자 한다.

• Journal of the Korean Society of Floral Art and Design
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• no.42
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• pp.117-132
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• 2020

The study aimed at trying to contribute to domestic floral designers by analyzing colors' images of 60 floral designs of British floral designers, Shane Connolly and Paula Pryke, as the basis for color scheme of floral space design. The result of color analysis, Shane Connolly uses colors in the frequency of color order of the GY>Y>RP>YR>P>P>PB and Paula Pryke uses colors in the frequency of color order of the GY>RP>P>YR,Y>G>PB. The result of coordinate analysis of hue, value, chrome, Shane Connolly's works showed high frequency in the YtoGY color, the middle and high of value and the middle and high of chrome. Paula Pryke's works showed high frequency in the GY color and PtoRP color, the wide areas of the 3.8 ~9 stages of value, and the middle and high of chrome. The result of adjective image scale, Shane Connolly's works were found to be in between soft and static adjective zone, and Paula Pryke's works were distributed in between soft and active zone.

• Proceedings of the Korea Contents Association Conference
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• 2013.05a
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• pp.409-410
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• 2013

본 연구조사결과 영유아 세치제 패키지 디자인의 중요도는 포장디자인(일러스트, 패턴)는 약간중요가 28%, 포장디자인(라벨) 약간중요가 42%, 제품의 신뢰성 약간중요 46%, 제품의 안정성 약간중요 46% 로 나타났다. 영유아 세치제 패키지디자인에 색채 분석결과 유기농 제품의 경우 KS 6.25Y 2/2라는 안정된 색상을 45.37%사용하였고 딸기 ? 세치제는 KS 1.25YR 7/2 색상, KS 계통색 연한 자줏빛 분홍을 43.2% 사용하여 캐릭터와 딸기라는 것을 패키지 디자인으로 드러냈다. 본 연구 결과 영유아 세치제 패키지 디자인 색채분석을 통해서 영유아 세치제의 구매 동향 분석과 포장디자인의 개선을 위한 후속연구가이루어 져야 할 것이다.

• Archives of design research
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• v.20 no.1 s.69
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• pp.5-20
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• 2007

The aim of this research is to find out the flows of mega-trends and design trends by analyzing the factors that influence trend and design trends in the late 20th century. Moreover, it is to forecast and recommend design color trends by evaluating color trends in design trends for the near future. Secondary and primary research were used in parallel. In the late 20th century, mega-trends were analyzed from secondary research based on PEST. Design trends were analyzed from case studies in fashion, space, product and visual design. On this basis, design color trends were analyzed. Also, color trends were forecast for the near future. The results are as follows. Firstly, the main trends in the late 20th century were 'female thinking', 'back to the nature' and 'heaven of peace'. Second, main design trends in the 1970s were modernism, post-modernism and high-tech. In the 1980s, with those of the 1970s, ecology was introduced In the late 1980s. In the 1990s, modernism rose again and ecology had an influence. The trends of 'female thinking' and 'back to the nature' controled the design in the early 2000s. Third, design colors in the late 20th century changed from Red to Purple Blue. Tones changed from 'grayish' to 'dull' Finally, it was forecast that Purple Blue, Yellow Red and Green colors with 'grayish', 'dull' and 'deep' tones were going to be used mainly in the near future. Also, achromatic colors with female and warm nuances would be reflected in design parts. This research will be very useful in that it has built a concrete database reflected on design trends forecasting in the near future by organizing academically a methodology to identify trends reflected on design and identifying relation between mega-trends and design trends based on analyzing factors that influence trend.

• Archives of design research
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• v.11 no.3
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• pp.199-206
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• 1998

Though development of semantic ratings of color image which is objective, concrete and reflecting our realities is urgent, researches on the area has not been active. To develop concepts and methods on semantic ratings of color image, study subjects, sampling, stimulating tools, analysis methods, and evaluation scale were critically reviewed on the literatures on color image. Planning color of costume commodity requires research on various themes and expanding study subjects into a variety of social strata. According to the context of study, stimulating tools should be selected prudenly, and analysis methods should be scrutinized. Factor analysis was used frequently as analysis method to extract factors associated with color image.