• 주택과사람들
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• s.200
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• pp.82-87
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• 2007

상류층은 공기가 맑고 자연 환경이 쾌적한 도시 근교보다 도심의 가장 높은 곳에 위치한 펜트하우스(Penthouse)를 선택했다. 살면서 자부심과 남다른 주거 문화를 느끼게 하는 그 무엇을 펜트하우스에서 찾은 것이다. 펜트하우스의 가치와 상류사회의 주거 스타일을 짚어보았다.

• 주택과사람들
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• s.212
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• pp.72-77
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• 2007

• Proceedings of the Korea Society of Design Studies Conference
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• 1996.04a
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• pp.29-30
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• 1996

• Korean Architects
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• no.11 s.117
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• pp.10-20
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• 1978

• Korean Journal of Heritage: History & Science
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• v.4
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• pp.59-68
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• 1969

• Journal of the Korean housing association
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• v.15 no.5
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• pp.13-20
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• 2004

This comparative study on the confucian characteristics of the space for men on the upper-class house took two approaches. Firstly, even though Korea and China accepted same Confucianism, they developed their own Confucian cultures and differentiated house types. Therefore, the process of developing various type of house can be observed as to adopting Confucianism. Secondly, identification of each country can be appeared by looking into the house developing process. Preceding studies about traditional houses of Korea and China usually focused on style analysis. However, this study approaches to house arrangement through understanding the base of each culture and people.

• Proceedings of the Korean Institute of Interior Design Conference
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• 1999.04a
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• pp.114-117
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• 1999

The purpose of this study was to compare with the characteristics of Wumul-maru components in upper class Chosun dynasty. Physical trace method was used for this study. The samples were taken from the Sarang-taechong of 6 traditional Korean houses, Yunkyungdang, the ancient Chusa estate, Sunkyojand, Chunghyodang, Yangjindang, Unjoru. The major findings were summarized as follows; 1) Regarding to the scale characteristics, the number of changguit'ul(long board) was 1, chungguit'ul(middle-length board) 5, tongguit'ul(center board) 8m and maruno. 98, and the size of changguit'ul was 253$\times$4478mm, chungguit'ul 182$\times$2396mm, tongguit'ul 179$\times$2310mm, and marunol 247$\times$574mm. 2) Regarding to the proportion characteristics, the proportion of changguit'ul was 1:18.2, chungguit'ul 1:16.7, tongguit'ul 1:12.9, and marunol 1:2.62 and the proportion of components was 1:3:4:17.

• Proceedings of the Korean Institute of Landscape Architecture Conference
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• 2002.10a
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• pp.31-32
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• 2002

• Journal of the Korea Academia-Industrial cooperation Society
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• v.13 no.12
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• pp.6135-6142
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• 2012

This study is conducted to understand the different characteristic of the inner and outer spacing of Sarangche Numaru according to their geographical location conditions during its construction in 15-16th century. The results showed; first, for hill-type, the side of the Numaru that is in contact with the Sarang Madang makes a short side of Sarangche Numaru regardless of the Orientation and for flatland-type, the side of the Numaru in contact with the Sarang Madang makes a long side of Sarangche Numaru. Secondly, for hill-type, Sarang Madang is not focused as the main view, instead it supports the view of the mountains that are around however, for flatland-type, Sarang Madang is focused as the main view therefore, an inner garden is formed inside Sarang Madang. Lastly, for hill-type, Cho Shan is used as an appropriative landscape while for flatland-type, Sarang Madang is used as the main view and an inner garden is formed because of the diversification of Sarang Madang's function.

• 주택과사람들
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• s.192
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• pp.56-57
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• 2006

처음 만난 사람에게 건네는 악수. 어떠한 상황에도 'I'm OK'라고 대답하는 낙천적인 성격, 웃지 않는 것이 외려 힘들다는 쾌활함. 그녀의 이러한 점이 콧대 높은 미국 상류사회의 마음을 사로잡은 것인지도 모르겠다. 미국에서 활동하는 파티 리넨 디자이너 영송 마틴(Youngsong Martin)을 서울에서 만났다.