• KOMUNHWA
• /
• no.63
• /
• pp.43-64
• /
• 2004

Scholars have been discussed about Korean Family History till now, however it is very doubtful that the maternal mother's family was disregarded. Perhaps, the stem of Korean family is a patrilineal society so that the maternal mother's family was disregar

• Journal of Popular Narrative
• /
• no.26
• /
• pp.413-433
• /
• 2011

What this study aims is to analyze that how the stories of Prince Hodong are represented in modern historical fictions. The stories have been reproduced in many forms such as TV dramas, films, fictions, plays. It can be depicted that the narratives are indeed national and popular. Interestingly, however, the description of Hodong has not been found in pre-modern documents or fictions. The story began to appear and became popular in 1935 by Yoon Baek Nam. It can be explained that the narratives are the one of the example of the invented tradition since it became visible in modern period. Yoon, Lee Tae Joon, and Yu Chi Jin have constructed the character of Hodong what we are familiar with. Yoon depicted Hodong as a romatic lover with the motif of a lovers suicide. Lee and Yu put a context of nationalism by explaining Nakrang as a Nakrangkun of Hansagun(the four colonies of China). These are pure invention of the writers which cannot be found in The History of Three Kingdoms(三國史記). These characters are closely related with the surrounding of their own society. Yoon shows how the past can be seen as a nostalgic object by modern aesthetic perspective. Lee illustrates the ambiguous thought of a colonial intellectual who (anti)internalizes the ideology of militarism. Yu tries to find the way to recover the muscularity of the nation by re-colouring the memory of the past. These, the representations created in various contexts, make our common knowledges of Prince Hodong nowadays.

• Journal of The Geomorphological Association of Korea
• /
• v.18 no.4
• /
• pp.153-162
• /
• 2011

This study analyzed and examined the entries of natural disasters recorded in Samguk-sagi in relation to the mythological thoughts. In the ancient Korean view of nature thought the Three Kingdoms surveyed their view on nature in terms of natural calamities and terrestrial upheavals. In the first place, I came to know that the important natural disasters such as droughts, floods, hails, locusts, earthquakes, landslides, storms uprooting trees, tornado recorded in Samguk-sagi have something in common with the entries of natural disasters in the ancient Chinese histories. Accordingly, they interpreted natural disasters in terms of good omens and heavenly punishments. The king refrained from luxurious food and drink, released prisoners or reduced their sentence as a sign of his benevolence. they thought that natural disasters were caused by the heavenly instruction due to lack of virtue on the part of the king. I think that these were acts of ritual on the part of the king as a ruler to fulfill his responsibility for a benevolent administration.

• Proceedings of the Korean Society for Information Management Conference
• /
• 1997.08a
• /
• pp.183-186
• /
• 1997

고문헌의 텍스트와 이미지를 디지털 방식으로 축적하여 제공하는 사례가 많아지고 있다. 전자화된 고문헌은 기존의 보존방안이었던 영인본이나 마이크로필름의 단점을 극복하고, 네트워크와 발달된 정보기술을 통해 매우 효율적인 정보이용수단을 제공할 수 있다. 본 연구에서는 영국 Electronic Beowulf와 한글과컴퓨터사의 삼국사기 CD 96의 사례를 분석하여 고문헌을 디지털 방식으로 축적하고자 할 때 고려해야 할 사항을 제시하고, 이렇게 축적된 정보자원이 어떻게 이용자의 정보요구를 충족시킬 수 있을지 활용방안을 논하고자 한다.

• Bulletin of the Korean Space Science Society
• /
• 2004.04a
• /
• pp.23-23
• /
• 2004

우리는 삼국사기 (57 B.C.-A.D. 935)와 고려사 (A.D. 918-1392) 그리고 조선왕조실록 (A.D. 1392-1910)의 자료로부터 3861개 유성 기록과 31개 유성우 기록을 찾아 연구하였다. 먼저 이 자료에서 오늘날 알려져 있는 유성우들을 찾아본 결과 Perseid 유성우와 Orionid, north-Taurid, 그리고 Leonid 유성우들이 고려시대부터 조선시대까지 약 천년 동안 꾸준히 기록되어 있음을 확인하였다. 둘째로, 이 옛 자료에 유성우의 장기적 변화가 보이는지를 살펴보았다. (중략)

• Journal of Korean Classical Literature and Education
• /
• no.37
• /
• pp.217-252
• /
• 2018

In the [Samguk sagi], is the origin story of , a Pansori novel from the late Joseon period. is derived from an Indian folktale. This article examines the narrative changes from the Indian folktale. Through this, I attempt to examine how the short fable developed into a fascinating story with numerous variants like . The five kinds of stories that I have observed all indicate the development of a common narrative. They also have a common character: terrestrial animals, deputy, and aquatic animals. However, in the original story, the more the character is brought up, the greater the persuasiveness of the action. In addition, the scale of the conflict expands due to the reorganization of the incident. Moreover, the theme of the narrative has diversified by utilizing the space as a contrast. Discussions reveal that a single story or storyteller does not create a fascinating story. The implication being that several narratives and numerous people together make the narrative changes.

• (The) Research of the performance art and culture
• /
• no.32
• /
• pp.701-738
• /
• 2016

The Geomungo(거문고) is a instrument of Gogureoy(高句麗). The instrument had covered a lot of Korea, so it have become a important musical instrument in Korea. Hayasi Genjo(林謙三), Japanese scholar, had maintained his opinion that the Geomungo of Gogureoy is the Wagonghu(臥??), and the Geomungo was formed later, the record of Kimbusik, wrighter of the History of Three Kingdom(三國史記), was incredible. Lee-Hyegu refuted his hypothesis because the introduction on the Wagonghu of Japan have been inaccurate. Since then, many scholars of Korea have studed on the Geomungo of Gogureoy. But their study of the Geomungo was inclined to the topic, relation of the Geomungo and the Wagonghu, or the Wagonghu, the origin of the Geomungo. And They have thought that the record of Kimbusik's was truth. Kimbusik had recorded that Wangsanak(王山岳) had made the Geomungo from the Chilheoyn-Geum(七絃琴, Seven stringed Zither. 古琴). But the Geomungo was different from Geum(琴), but similar to Wagonghu. Many ancient tomb have been unearthed in the old land of Gogureoy, and the were many tomb painting of Gogureoy Geomungo. They were many different style, the form, the size, the number of strings and the position of the musician. So I think that many various type of the Geomungo had been exsited in Gogureoy they had become a prestyle of the Geomungo. The Geomungo was originated from the Wagonghu, its form was similar to the Geomungo. The many scholars considered that it is truth, the Wagonghu was handed down from China, and was spreded to Japan. But there were the Wagonghu in the early Joseon(古朝鮮), The song of the early Joseon, Gongmudohaga(公無渡河歌). The song was accompanied by the Wagonghu. We can read off, at the Song, the Wagonghu had exsisted in the early Joseon. So I think cautiously on that point, the Wagonghu of the Early Joseon was old than that of China, and thd Geomungo of Gogureoy was originated from the Wagonghu of the Early Joseon.

• Journal of The Geomorphological Association of Korea
• /
• v.19 no.4
• /
• pp.73-81
• /
• 2012

This study analyzed and examined the entries of natural disasters recorded in Samguk-sagi in relation to the natural thoughts. In the ancient Korean view of nature thought the Unified Shilla dynasty surveyed their view on nature in terms of terrestrial upheavals. In the first place, I came to know that the important natural disasters such as droughts, floods, hails, locusts, earthquakes, thunderstroke, storms uprooting trees, tornado etc. recorded in Samguk-sagi have something in common with the entries of natural disasters in the ancient Chinese histories. Accordingly, they interpreted natural disasters in terms of good omens and heavenly punishments. The king refrained from luxurious food and drink, released prisoners or reduced their sentence as a sign of his benevolence. They thought that natural disasters were caused by the heavenly instruction due to lack of virtue on the part of the king. I think that these were acts of ritual on the part of the king as a ruler to fulfill his responsibility for a benevolent administration.

• Journal of the Korean Home Economics Association
• /
• v.32 no.5
• /
• pp.125-134
• /
• 1994

The Purpose of this study is to explore the conceptions of childhood and the practices about childrearing in the period of the Three States. The method used for this study is the historical method and the literatures of analysis are The Chronicles of the Three States and The Heritage of the Three States. According to the results the conceptions of childhood in its boundary were that the point at which childhood in its boundary were that the point at which childhood ended was the age of 15. And the conceptions of childhood in its demension were that the age of 10 was important demension epitemologically and the age of 15 was important in political dimension. Also there were several practices of childrearing in the Three States. First the sweddling clothes were in use. Second a child was carried on adult's back. Third parents paryed for giving birth to their child and had a dream of conception. finally there were th child welfare works. Through this study we can have access to the understanding about cultural transmission process of childrearing in Korea.

• The Bulletin of The Korean Astronomical Society
• /
• v.42 no.2
• /
• pp.47.3-47.3
• /
• 2017

한국과 중국에는 오랜 천문 역사와 함께 많은 유물과 유적이 남아 있다. 한국은 삼국시대부터 천문학 전반에 걸쳐 중국 천문학의 영향을 받아왔다. 그러나 한국의 고대 천문학에 대한 연구가 부족한 탓에 역사시대 이전의 두 나라의 천문학 특징과 상호 교류에 대해서는 잘 알려지지 않았다. 다만, 청동기 시대 고인돌 덮개돌에 새겨진 별자리와 고구려 고분 벽화의 별자리와 삼국사기에 기록된 독자 천문 기록의 검증 등으로부터 고대부터 이어진 우리의 고유한 천문 지식과 문화에 대해 짐작할 수 있을 뿐이다. 한편, 중국은 고고천문 연구를 통해 중국 여러 지역에서 발굴된 천문유물과 유적의 내용과 특징을 밝히고 있다. 지금까지 알려진 중국의 고고천문 자료들은 역사시대 이전 고대의 문화 지역인 하모도문화(河姆渡文化), 앙소문화(仰韶文化), 대문구문화(大汶口文化) 그리고 홍산문화(紅山文化)와 하가점하층문화(夏家店下層文化) 지역을 중심으로 발견되고 있다. 본 연구에서는 이들 문화지역에서 발견된 고고천문 자료를 지역별로 분류하여 그 특징을 살펴보고 한반도와 인접한 홍산문화와 하가점하층문화의 고고천문 유적을 중심으로 중국 다른 지역의 고고천문 유적과 비교하였다.