• Monthly Duck's Village
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• s.68
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• pp.48-56
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• 2009

현대와 같이 산업사회로 발달되기 이전의 자연생태계는 행복하였다. 청정한 태양 빛 아래 맑은 공기, 물, 흙과 나무가 어우러진 자연의 환경에서 엄연한 먹이사슬질서 속에서 살아 왔었는데, 인구증가와 산업사회로 발전하면서 대량수요가 요구되면서 그들은 점차 행복한 삶의 터전이 없어지고, 강제로 억제시킨 극도의 열악한 집단사육환경에 적응하면서 살아갈 수밖에 없게 되면서 먹이사슬에서 부작용과 역기능이 발생되기 시작하였다. 집단사육장환경을 획기적으로 개선해야 된다. 태양빛이 완전 차단되고 밀폐된 공간에서 집단사육시키고 있는 닭, 오리, 돼지가 정상적으로 생장할 수 있도록 적어도 자연환경에 가까운 밝고 청정한 환경으로 개선시켜야 된다. 사육동물들이 정상적으로 생장할 수 있도록 자연환경과 버금가는 생태환경으로 개선시켜 주어야만 오리들이 건강하게 성장하고 면역력이 증강되어 조류인플루엔자와 같이 원인불명의 질병에 감염되지 않을 것이다. 현실적으로 모든 실내 생태계의 성장을 활성화시키면서 면역력을 증강시킬 수 있는 생명에너지 빛(Bioenergetic Rays)을 방사하는 차세대 조명기술로 집단사육장의 실내를 획기적으로 밝게 하고, 실내의 탁한 공기가 신선한 외부공기로 충분히 순환이 될 수 있도록 반 밀폐구조로 개조해야 한다. 그리고 한 마리 당 활동공간을 넓혀 주어야 한다.

• Proceedings of the Korea Information Processing Society Conference
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• 2024.05a
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• pp.440-443
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• 2024

한의학의 증상을 파악하는 한의 변증 진단에서 혀의 형태와 색상을 파악하는 것에서 설질과 설태의 색상을 파악하는 것이 핵심이다. 혀 촬영 장치로 촬영하더라도 조명의 빛 종류와 빛 강도, 위치에 따라 컬러가 변환됨에 따라 혀 취득장치의 컬러교정이 필요하다. 컬러교정을 하지만, 오버피팅, 측정 오류와 노이즈 또는 색상 공간의 불균형으로 컬러의 왜곡이 발생할 수 있다. 이 연구에서는 24개의 patch 중에서 오류를 최소화할 수 있는 patch를 선정하는 최적화의 방법을 제시하려 하였다. 24개 patch 중 몇 개의 선택한 patch의 평균값을 구하여, 기준 값으로 변환시키는 변환 행렬을 구하고, 교정 값을 구하고, 교정된 24 patch 값의 평균과 기준 값과의 오차를 구하여 최소가 되는 변환 행렬을 구하였다. 이 방법은 컬러 챠트의 개수를 줄여 장치의 부피를 줄이는데 활용될 수 있다. 또한 이 방법은 외부의 빛이 차단된 촬영장치에서 활용되었지만, 조명조건이 안정된 개방된 공간에서도 스마트폰을 이용하여 촬영하는데 활용 가능할 것으로 예상된다.

• Korean Journal of Environment and Ecology
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• v.34 no.1
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• pp.63-71
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• 2020

This study characterized the spatial and seasonal patterns of light pollution in the Deogyusan National Park and examined the potential effects of light pollution on ecosystems in the park using light intensities derived from VIIRS (Visible Infrared Imaging Radiometer Suite) DNB (Day and Night Band) nightlight images collected in January and August 2018. Results showed that the Muju Deogyusan resort had the greatest light intensity than other sources of light pollution in the park, and light intensity of the resort was much higher in January than in August, suggesting that artificial lights in ski slopes and facilities were the major source of light pollution in the park. An analysis of an urban-natural light pollution gradient along a neighboring urban area through the inside of the park indicated that light radiated from a light pollution source permeated for up to 1km into the adjacent area and contaminated the edge area of the park. Of the legally protected species whose distributions were reported in literature, four mammals (Martes flavigula, Mustela nivalis, Prionailurus bengalensis, Pteromys volans aluco), two birds (Falco subbuteo, Falco tinnunculus), and nine amphibians and reptiles (Onychodactylus koreanus, Hynobius leechii, Karsenia koreana, Rana dybowskii, Rana huanrenensis, Elaphe dione, Rhabdophis tigrinus, Gloydius ussuriensis, Gloydius saxatilis) inhabited light-polluted areas. Of those species inhabiting light-polluted areas, nocturnal species, such as Prionailurus bengalensis and Pteromys volans aluco, in particular, were vulnerable to light pollution. These results implied that protecting ecosystems from light pollution in national parks requires managing nighttime light in the parks and surrounding areas and making a plan to manage nighttime light pollution by taking into account ecological characteristics of wild animals in the parks.

• Korean Journal of Optics and Photonics
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• v.13 no.5
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• pp.400-407
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• 2002

Two dimensional solitary waves are stably propagated in a saturable medium which has a saturable nonlinear index as input intensity. However, in the case of low intensity. a negative fifth-order nonlinear medium has properties of a saturable medium. So a Gaussian beam travels stably. The propagation process into the fifth order nonlinear medium of the Gaussian beam with a weak intensity is investigated by using the computer simulation of the two-dimensional nonlinear Schrodinger equation. As a result, it is confirmed that the two-dimensional spatial solitary waves are stably propagated in this medium when the incident powers are self-trapping powers. In the condition of the phase difference and collisional angle between two input beams of 180 degree and 0.05 degree, respectively, we can confirm that all optical switching is as simple as controlling the incident power of one input beam.

• Journal of Korean Philosophical Society
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• no.116
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• pp.105-128
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• 2017

The main purpose of this study was to explore the possibility of the mimetic reconstruction of artistic space through works of Hwang, Jai Hyoun. His work shows a new world that is not reduced to his life and experiences. But his work has drawn the world with an unpredictable way. This world I call artistic space, and try to interpret the processes that space is created by mimesis. To this end, I first suggest a way to communicate with his work at the intersection of light and darkness(2). I also look at the inside and outside of his art space restructured with mimetic reactions(3). Then I finally critically discuss the artistic space that has time(4), and then get out of the way(5).

• Journal of the Korea Convergence Society
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• v.11 no.7
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• pp.137-144
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• 2020

Based on the basic concepts and roles of the Science Museum, the research and development of the "Sound Light" interaction exhibition contents and experience exhibition space aimed at providing the exhibition, education and experience of scientific principle directly related to daily life will be implemented in the "Sound Light" exhibition space of the Gwangju National Science Museum. The scope of the research is to define the conditions and elements of the museum's hands-on exhibition by examining the case and status of the existing science museum's experience-type content prior research, and research and development of experience-type exhibition scenarios and contents for children based on them. The results of this research and development content are firstly developed with the theme of light and sound as interactive hologram experience content. Second, by multi-faceted media facade through projection mapping by multiple projectors, visual wide and spectacular screen composition and animation are realized. Third, visitors-oriented exhibitions and experiences that can interact with visitors by moving various colors and sounds together. Finally, interactive content is provided through hologram interfaces through hologram screens to encourage active participation of many visitors in viewing rather than simply delivering exhibition information and to promote revisiting the exhibition. Through a series of studies, it was possible to research and develop contents and experience exhibition spaces with theme park characteristics, which are the trend of science museums.

• The Journal of the Korea Contents Association
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• v.13 no.7
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• pp.91-101
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• 2013

At the age of uncertainty, the contemporary architecture has been changed by various design approaches as a result of the development of the media. Especially, being issued Phenomenology by Merleau-Ponty the tendency of visual interpretation on the architectural space has been studied positively. This research is to understand a Phenomenological approach to design the interior and architectural space. The phenomenological architectural space is based on knowing about the perception from a body and experience as a contents of the world. The touch from the space designed by Phenomenological architectural express by various way of the Phenomenological light is one of the concept of Phenomenological experience.

• Korean Institute of Interior Design Journal
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• v.16 no.2 s.61
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• pp.339-346
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• 2007

This thesis has purpose of explaining that light is not only appreciated but also physically percepted in contemporary space design and examining effects of space experience through the physical perception. In keeping with such developments, light has been perceived as the object of another architectural tool in modern space design and has provided men with new experience by providing space image and function different from previous ones. With the expansion of the area of light, light has changed a space that is not a simple architectural factor into the essential concept that gives the architectural space image ! by combining it with architectural space, structure, form and materials throughout the whole process from the beginning to the completion. Through phenomenological approach, light is percepted and experienced by body movement, intervention of senses and memories, and passing of time. The percepted and experienced light brings increase of mutual understanding in space, activation and continuance of user's sensation, recreational experience by event occurrence and space experience effect thorough information from media.

• 한국HCI학회:학술대회논문집
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• 2007.02b
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• pp.484-488
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• 2007

연극이라는 것은 복합적인 표현예술장르로 하나의 요소가 아닌 여러 가지의 요소들아 합쳐져 연극이라는 예술작품을 만들게 되어 있다. 현대의 연극공연에서 영상의 비중은 날로 높아지고 있다. 무대 공간의 공간감, 협소함, 표현의 제약 등을 따져 볼 때 그것은 당연한 이유일지도 모른다. 연극이라는 것은 최종적으로 배우와 관객과 함께 호흡할 때 완성되는 것으로 배우의 연기에 따라 영상도 실시간으로 반응할 수 있어야한다. 이러기 위해서는 영상뿐만 아니라 배우와 인터렉션할 수 있는 영상의 제어 또한 상당부분 생각하지 않을 수 없다. 그리고 무대의 뜨거운 조명과 그 아래의 영상은 같은 빛으로 만들어진 작품이기 때문에 빛이라는 환경적 요인에서 벋어나지 못한다. 그 밖의 스크린의 존재와 무대의 조형물과의 조화 등도 생각해야 한다. 하지만, 연극의 성공은 관객의 몰입정도에 따라 결정된다. 몰입요소는 음악, 배우, 무대 등의 기존 연극요소가 있으며 여기에 영상 활용은 관객을 더욱 연극으로 몰입시킬 수 있는 또 다른 중요 표현방법이 된다. 그 영상의 활용방안과 문제점은 현재 여러 기술과 방법으로 해결되어지고 있으며, 연극에서 사용되는 영상은 더욱 발전 가능성과 활용 가치를 가지고 있다. 본 논문 이러한 대중문화인 연극에서 공간에서의 영상 미디어 활용의 중요성과 관객의 몰입에 관한 발전 가능성에 대한 연구이다.

• Korean Institute of Interior Design Journal
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• v.23 no.3
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• pp.48-55
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• 2014

Luis Barragan is a representative Mexican architect. He designed architectural space as a local architect in consideration of the Mexico's harsh Mediterranean climate. His manifestation of the regionality can be found mainly in his precise expression of light. Such method and concept of using light in Barragan's architecture made a huge impact on later architects but detailed studies on this issue have not been made actively. Hence, this paper intended to suggest a starting point or an orientation by illustrating the characteristics of using and expressing light in architecture through his cases of housing works. The study method was as follows. First, the general characteristics of light were identified by analyzing the elements of architectural space that dealt with light and the characteristics of expressing light shown in the architectural space. Second, the architectural background of Luis Barragan and the architectural space elements of the light expressed in his architectural space were extracted to form a hypothetical ground. Third, five of his works on the houses in his prime (after the year of 1945) were analyzed to explore the characteristics of relational representation between light and the architectural space elements in his architecture. Through this process, it was learned that, in his architectural works, light was the embodiment of the location-related, time-based, daily and illusionary experience into architecture. In addition, meditative light could be experienced by contrasting the soft and dispersed light and shadow of the inside space of Barragan's houses with the strong external light. Therefore, through the process above, this study is hoped to provide an opportunity for the contemporary architects of our era to rethink the fundamental correlation between architecture and light.