• 한국의상디자인학회지
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• 제25권1호
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• pp.153-168
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• 2023

Non-representation creates difference and change that can be used as a creative design method that satisfies contradictory requirements for similarity and differentiation. This study drew upon the characteristics of the concept of non-representation expressed in contemporary art and architecture, in which Gilles Deleuze's philosophical thinking was reflected, and analyzed the non-representation depicted in contemporary fashion. The non-representation expressed in contemporary art and architecture is as follows. Non-representation of delaying becoming focuses on reverting to preexisting objects and redefining traditional meaning, thereby delaying the representation of latent meaning. Non-representation of non-becoming removes existing values and typical forms and expresses amorphousness. Non-representation of becoming by repetition or reiteration realizes the difference caused by the passage of time by repeating or overlapping shapes. Non-representation of becoming expresses the transformation of space by flowing through time rather than by actual movement. Non-representation in contemporary fashion shows the following expression characteristics. First, the non-representation of deferring becoming deconstructs the traditional values and forms of clothing and expresses designs by displacement or juxtaposition. Second, the non-representation of non-becoming is expressed concepts unrelated to the body and focus upon amorphous objects that do not become concretized forms. Third, generative non-representation by repetition and overlap expresses the possibility of change by overlapping clothing items or details expressed by repeating segmented objects. Fourth, generative non-representation by movement reproduces the meaning of space and time by moving the shape of the clothing or visually changing the surface of the material of clothing. As a result of the study, the non-representation shown in contemporary fashion aims for versatility to conform to social changes. This study provides new insight into the fashion design method by increasing the understanding of the cocnept of non-representation and showing its potential.

• 한국재난정보학회 논문집
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• 제7권1호
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• pp.43-50
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• 2011

숏크리트의 보강재료로 사용되고 있는 강섬유는 강성이 크고 중량이 무거워 압송호스의 마모손상 및 파열 등 안전관리의 어려움이 있으며, 강섬유의 부식으로 인한 내구성 저하 및 높은 반발률 등이 개선사항으로 요구되고 있다. 이와 같이 2009년 개정된 규정에 의해 강섬유 외의 재료보강이 가능해짐에 따라 숏크리트 보강 재료로서 강섬유 이외의 다양한 섬유의 적용성 검토가 필요한 실정이다. 강섬유는 기타섬유에 비해 강성이 크고, 섬유의 형상에 따라 부착성능이 개선되지만, 유기섬유의 경우 강섬유에 비해 일반적으로 탄성계수 및 인장강도가 낮고 섬유의 뭉침 현상이 발생하여 숏크리트에서 재료보강으로 시용하기 어렵다. 이러한 관점에서 본 연구에서는 직경 $20{\mu}m$의 미세섬유를 다발형 단일 개체로서 공기압출성형을 통해 부착 비표면적을 크게 하여 역학적 성능을 고려하고, 섬유의 표면을 계면 활성제로 개질하여 분상성을 향상시킨 폴리아미드섬유와 강섬유, PP섬유를 혼입한 콘크리트를 비교하여 현장 활용을 위한 기초 자료를 제시하고자 한다.