• Title/Summary/Keyword: 불사

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박홍규 전집과 추모논문집 출간을 보며

  • Yun, Gu-Byeong
    • The Korean Publising Journal, Monthly
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    • s.170
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    • pp.20-20
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    • 1995
  • 박홍규선생님은 50년 동안 오직 학문탐구의 외길을 걸었던 분입니다. 모든 학문은 구체적인 자료에서 출발해야 한다고 믿었던 선생님은 서양 고대철학에서 현대철학에 이르기까지 또 심리학과 인류학, 유불사상에까지 깊은 관심을 가지고 이 모든 사상의 흐름을 꿰뚫는 작업을 형이상학적 관점에서 줄기차게 해나갔습니다.

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A Study on the Sources of Creativity in Buddhist Mural Paintings of Muwisa and Geungnakjeon in Gangjin (강진 무위사 극락전과 후불벽화의 조성배경)

  • Bae Jong-min
    • KOMUNHWA
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    • no.58
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    • pp.119-136
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    • 2001
  • This study aims to analyze the sources of restoring of Geungnakjeon(極樂殿) and creation of the buddhist mural paintings(後佛壁畵) of Muwisa(無爲寺) in Gangjin(康津). Muwisa Geungnakjeon was constructed in 1430(in the twelfth year of King Sejong's(世宗)reign). At that

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A Study on the Memorial stone of the Sumanotap in Jeongamsa Temple (정암사 수마노탑 탑지석(塔誌石) 연구)

  • Son, Shin-young
    • Korean Journal of Heritage: History & Science
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    • v.47 no.1
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    • pp.116-133
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    • 2014
  • The memorial stones of Sumanotap were known to have been sequentially produced in 1719, 1773, 1874, 1653, 1874. However, after examining the chronological era (年號) and sexagesimal cycle (干支), it was found that the second and fourth memorial stones were both recorded in 1713. The reason why the records of the same period were divided into two is assumed that since the subject to repair was divided into main structure and flagpole of the temple, and it was recorded per each monk in charge and donator. On the fifth tablet of the memorial stone of Sumanotap contains all the names of monks who were in charge of repairing Sumanotap as well as the names of common donators. These people are not verified in detail though, through comparing the Buddhist names on the third memorial stone with Buddhist paintings and painting records, 12 monks were identified to be in the same names. Generally, they were active in Gangwon province, Gyeongsang province, Seoul and Gyeonggi province in the late 19th century and even after the Sumanotap repair, they took up other duties of various temples. The most notable name among the donators recorded in the memorial stones of Sumanotap was Kim Jwageun. He was the donator for the chest of gold and silver that was enshrined in the pagoda in 1874. His name was recorded with Mrs. Yang from Cheongsin and, at that time, was known just as a donator. However, actually, the donator was not Kim Jwageun but his mistress Mrs. Yang who used to be a gisaeng, called Na-hap and was from Naju. Kim Jwageun deceased in 1869 already. It is exceptional that Mrs. Yang who were the mistress of the prime minister Kim Jwageun personally participated in the Buddhist event in which king, queen, mothers of king and queen, noblewoman participated. Besides, the event of Sumanotap repair was carried out by royal family in order to celebrate the hundredth day of the prince, Sunjong and his grandfather, Heungseon Daewongun did not participate for political reason. In this situation, the domination of Mrs. Yang is considered remarkable. Meanwhile, the temples that frequently appeared among the 10 temples recorded in the memorial stone of Sumanotap are Gakhwa-sa temple in Bonghwa-gun, Gyeongsangbuk-do and Bodeok-sa temple in Yeongwolgun, Gangwon-do. Gakhwa-sa temple was a temple where the historical achievements were kept so was under the government's control. Bodeok-sa temple was the buddhist temple praying for the soul of the Danjong buried in the tomb and was managed by the government. Therefore, the face these two temples participated in the Sumanotap repair proves that Sumanotap was repaired by the supports form these two temples and the stature of Sumanotap at that time was as high as the temples where the historical achievements are store or the royal buddhist temples for praying for ancestors' souls.

The Sophisticated Causes in the Phaedo (『파이돈』에서의 세련된 원인들)

  • Chun, Hunsang
    • Journal of Korean Philosophical Society
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    • no.122
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    • pp.1-23
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    • 2018
  • In the final argument for the immortality of the soul in the Phaedo, Socrates establishes a new type of cause which he describes as 'more sophisticated' and on the basis of it attempts to show that the soul is immortal. In the process, he introduces three examples for the cause, i.e. three, fire, and snow. But there has been considerable controversy over the ontological status of the three and the soul. Some scholars think that they are all forms; others believe that neither of them is. In this paper I argue that in fact one of them is a form, while the others are not. I also argue that the fact that they do not have the same ontological status and the uncertainty in the nature of the soul itself weaken the cogency of the final argument as a whole.

The Significance of Audience's Reception and the Imagination on Transcendental World in Yungyungdang Jinjak(演慶堂進爵) (연경당 진작(演慶堂進爵)의 관극 체험과 무대미학)

  • Sa, Jean Sill
    • (The) Research of the performance art and culture
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    • no.18
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    • pp.379-412
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    • 2009
  • According to "Jinjak-yigwe(進爵儀軌)", a special banquet was held at Yungyungdang(演慶堂, a kind of royal theatre) to celebrate the 40th birthday of Queen Soonwon(純元王后) in 1828. This banquet is famous for the presentation of nineteen new Jungjae(呈才) repertoires that the Crown Prince Hyomyung(孝明) created. In order to explore the theoretical basis for the reproduction and presentation of Yungyungdang(演慶堂) Jinjak(進爵, a type of royal banquets), in this article, the imagination and experience of the presentation of Yungyungdang Jinjak are pursued, while focussing on audience's reception. In Yungyungdang Jinjak, King Soonjo(純祖), Queen Soonwon and the prince were the special audience; they participated in the procedure of Ye(禮, etiquette of ceremony) and also were considered as the characters of certain repertoire of Jungjae. Hyomyung arranged the spectacles from the myths of Taoist gods and immortal hermits, as well as historic episodes of the past emperors' elegant tastes of music. These mythic and historic images lead the audience toward the imagination and experience on the transcendental world. Hyomyung, managing the administration as the representative of King Soonjo, tried to show absolute royal authority through the splendid performances of Yungyungdang Jinjak, so as to overcome the politicaly difficult situation. He set up the sacred world for his father King Soonjo, distinct from the secular ordinary world, and emphasized his position as the bridge between the two sides. He expressed his filial duty through the devotion of performing arts to display absolute royal authority.

The evolvement of new composition of painting in Gwaebul (Buddhist Ceremonial Painting) at late Joseon dynasty (조선 말기 괘불(掛佛)의 새로운 도상(圖像) 전개)

  • Yi, Un-hui
    • Korean Journal of Heritage: History & Science
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    • v.38
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    • pp.223-284
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    • 2005
  • Gwaebul, created during late Joseon dynasty, especially from 1885 to 1926, now exist 18 ones. And 12 of them are owned by Buddhist temples located in Seoul city and Gyeonggido province. Royal Tomb praised and Royal household praised Buddhist temples in early Joseon dynasty were supported by Royal Family. As a renovation of Buddhist temples by king Taejong's reign(1400-1418), they became impoverished with reduced Buddhist ceremony. But they maintained their lives in intimate connection with royal family, and went prosperous from late 18th century. At that times, a new trend in Gwaebul appeared, which have popular idea for wishing peace of the dead, the nation and the royal family. The new composition of painting expressed in Gwaebul starts in Amitabha-Triad paintings which carved in first volume of ${\ll}$Amita-yohaegyeong${\gg}$ made of wooden plate. And Gi-heoh(A.D. 1820-1872) carved it in 1853 at Naewonam Buddhist hermitage of Samgaksan mountain And a return of Suwolgwaneumdo which had been popularized in late Goryo dynasty is worth noticing as a new issue of late Joseon dynasty. It is related with a composition of Gwaebul that expressed 'a leading the dead to the good', a Buddhist consciousness of falsehood and fancy. The saturated and blurred style of painting, the fact that centralization-powered lineage of painter who used composition of multi-used basic pattern, are characteristics of this period.

A Study on the Ontological Meaning of Life in The Canonical Scripture (『전경』에 나타난 생명의 존재론적 위상)

  • Baek Choon-hyoun
    • Journal of the Daesoon Academy of Sciences
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    • v.45
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    • pp.1-35
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    • 2023
  • This study aims at determining the meaning of Life in The Canonical Scripture of the Daesoon Thought upon the ontological bases of occidental philosophies; especially upon those of Plato and Bergson. In western philosophy, the word ontology designates investigating the meanings of being, which is derived from the Greek 'onto (being)' and 'logia (logical discourse).' The various meanings of life have been sought from ancient times all over the world, for these are the critical and vital questions that pertain to the nature of human existence. Plato had asserted that life, in his word, soul, had three different kinds of aspects of meaning. Immortal, reciprocal, and divine. Plato scheme was such that the soul could die, but after death it could became reborn into another various forms of living creatures. The real inner life of humans, the soul, would live eternally. Henri-Louis Bergson, a famous French philosopher from the 20th century, claimed that life had three different kinds of aspects. Self-identity, Élan vital (vital impetus) and liberty. Bergson insisted especially the real meaning of life had been characterized by "unité multiple et multiplicitéune," "unity as something multiple and multiplicity something singular." The meaning of life in Daesoon Thought could be said to have three different characteristics, solidarity, earthly immortality and grievance-resolution. Some similarities can be found between certain western ontological meanings of life and those of Daesoon Thought. Namely, the qualities of eternity, reciprocity, and divinity.

Anti-inflammatory Effect of Conditioned Medium From an Immortalized Adipose-derived Stem Cell Line by SV40 T Antigen (SV40의 T항원으로 불사화한 지방줄기세포주로부터 생산한 배양액의 항염증 효능)

  • Ye Jin Lee;So Yeong Lee;Min Gyeong Jeong;Seong Moon Park;Dong Wan Kim
    • Journal of Life Science
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    • v.34 no.3
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    • pp.170-178
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    • 2024
  • Adipose-derived stem cells (ADSCs) are capable of differentiation into multiple lineages of cells, which has attracted attention for clinical therapy. However, ADSCs have poor proliferation capacity and a short life span in culture, which is an impediment in the application to clinical use. Previously, to overcome growth disadvantages, we had established an immortalized ADSC line (ADSC-T) by introducing the SV40 T antigen coding gene into primary human ADSC. In the present study, we evaluated the differentiation potential of this cell line and assessed the anti-inflammatory effect of its conditioned medium (CM). ADSC-T appeared to maintain the differentiation potential into adipocyte and chondrocyte. The CM of ADSC-T suppressed the NF-κB activity and its target gene expression of COX-2 and iNOS. Furthermore, the phosphorylations of MAPKs, including ERK, JNK and p38, were suppressed by the ADSC-T CM. The expressions of pro-inflammatory cytokines such as TGF-β, TNF-α, IL-6, and IL-13 were also suppressed by the CM of ADSC-T. In the Nc/Nga atopic model mice, the CM showed therapeutic effect on DNCB-induced atopic dermatitis. These results indicate that the immortalized ADSC-T maintains the beneficial properties of primary ADSC and could be a versatile cell source for not only research into ADSC but also for production of CM suitable for clinical application.

정책이슈 - 한미FTA 동향과 한농연 대응활동

  • Kim, Gwang-Cheon
    • 월간 한농연
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    • s.81
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    • pp.14-17
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    • 2009
  • 6월 임시국회가 여야간 입장차이로 표류하고 있다. 한나라당에서는 민생현안 처리를 등원카드로 민주당의 압박하면서 단독 국회개원 불사방침을 밝히고 있고 노무현 전 대통령 서거 이후 지지율이 급상승한 민주당은 대통령 사과와 국정쇄신을 강력하게 요구하면서 한나라당의 법안 강행 처리시도에 대비해 국회를 점거하면서 대립하고 있다. 이로 인해 농업계가 가장 크게 우려하고 있는 한미FTA비준안 처리시도는 지연이 불가피할 것으로 보인다. 한농연과 한여농은 국회비준을 앞두고 각 시군구 차량집회를 개최하여 정치권에 비준반대 입장과 요구사항을 전달하는 등 적극적인 활동을 전개했다.

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디카$\cdot$폰카 인화자판기 마케팅 전쟁

  • 한국자동판매기공업협회
    • Vending industry
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    • v.4 no.3 s.11
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    • pp.27-33
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    • 2004
  • 최근 디카$\cdot$폰카 인화자판기 마케팅 전쟁이 불붙고 있다. 이제는 억지로라도 시장을 만들어 나가야 하는 상황에서 관련 업체들은 시장 활성화를 위해 사활을 건 마케팅을 펼치고 있다. 시장 확대를 위해서라면 서로간의 사업제휴를 불사하고 있고, 유망 로케이션 개척을 위해 기발한 마케팅 방법들이 속출하고 있다. 과연 시장은 업체의 의지와 노력만큼 활성화 될수 있을 것인가. 시장을 주도하는 업체들의 다양한 디카$\cdot$폰카 인화자판기 마케팅 현황을 살펴보기로 한다.

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