• Proceedings of the KAIS Fall Conference
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• 2011.05a
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• pp.134-137
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• 2011

본 연구의 주제지인 북촌은 600년의 역사를 지닌 서울의 유일한 한옥지역이다. 1999년 북촌의 경관이 훼손되기 시작하자 지역 내 주민단체의 요청으로 '북촌 가꾸기'가 시작되었다. 과거 북촌을 보존하기 위한 여러 정책들이 있었지만 이는 단지 한옥보존을 위한 정책이었기 때문에 북촌의 정책은 지역적 가치가 결여되어 있었다. 2001년부터 2006년까지 실행된 북촌 가꾸기는 북촌을 변화시켰으며 아직 까지 남아 있는 보완해야 할 점은 현재 북촌의 가로경관은 보차분리가 되어있지 않아 보행환경이 열악하거나 석재와 전돌 등을 사용하여 보차분리가 되어있는 상태이다. 이러한 점을 더욱 보완한다면 보다 낳은 북촌의 모습을 기대해 볼 수 있을 것이다.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.30 no.2
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• pp.110-118
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• 2012

This study aimed to research theoretical reviews of streetscape and to analysis the correlation between visual properties and preference of streetscape in Bukchon around Gahoe-dong which is a dense Hanok area. Therefore we analyzed a relation between visual quantities and preference intended Samcheong-dong 35 street, Gahoe-dong 31 street and Gahoe-dong 11 street the representative streetscape in Bukchon. Also we extracted common factors of images of the streetscape in Bukchon and figured out a relation between the visual image evaluation and the preference by regression analysis. The result of the analysis is as follows. First, it was the streetscape of Gahoe-dong 31 street which get more scores than any other streetscape in preference. And we figured out that the higher the ceiling and the visual quantities of planting the more preference. Second, streetscape in Bukchon was explained by 'aesthetics', 'amenity' and 'orderliness' in psychological view. And there was noticeable difference in aesthetics aspect between Gahoe-dong 31 street the highest preferred place and the Samcheong-dong 35 street the lowest preferred place. Third, as a result of regression analysis on preference and factor scores about psychological variables, we figured out that the factor which explains aesthetics effects most on the preference.

• 건강소식
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• v.36 no.1
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• pp.32-36
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• 2012

빼곡히 들어찬 마천루 속 서울 하늘 아래. 그 한복판에 전통과 현대가 어우러진 북촌이 자리해 있다. 특히 도심 속 북촌이 더욱 빛나는 이유는 바로 사람들이 살고 있는, 여느 다를 바 없는 삶의 현장이기 때문이다. 어디부터 어디까지 선을 그어 한옥마을로 지정해놓은 게 아니라, 동시대를 사는 사람들이 함께 살 부대끼며 살고 있는 곳이다. 추운 날, 멀리 나갈 것도 없다. 전통과 현대가 어울린 독특한 멋과 매력에 빠지고 싶다면 지하철 3호선 안국역 3번 출구에서 찬찬히 출발해보자.

• Korean Architects
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• s.491
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• pp.18-18
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• 2010

중앙간선도로망을 구축하려는 서울시에 교통영향평가만 할 것이 아니라 문화영향평가도 해보자고 제안해 본다. 유서깊은 정독도서관 건물은 문화 전문 도서관으로 탈바꿈시키고 축대를 없애고 접근이 용이한 북촌의 중앙공원 역할을 해주기 바란다.

• Journal of the Economic Geographical Society of Korea
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• v.9 no.1
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• pp.23-38
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• 2006

This study attempts to investigate the spatial characteristics of cultural economies of Bukchon in Seoul, where abundant cultural assets exist. This area has been the administrative-political core locale since 14C, therefore, a lot of traditional- and contemporary-cultural facilities are remains, This area possessed unique place characteristics by coexisting traditional and modern cultures, and thus attracted to culture demanders. Recently many economic activities have increased in this area, and most of them are related with the cultural elements of the region, In particular creative retail shops, which produce goods by flexible-specialized production system, have been agglomerated in this area, The goods are designed, produced, and sold at the shop place. Most of them are uniquely designed hand made products, and produced a few amount. The economic value of these products related with the cultural environment of Bukchon. These creative shops emerged at the front of Samcheongdong street in the beginning, and then have diffused into the inside of Samcheongdong street and Hwagae street. The shops have very unique exteriors related with traditional houses in this area, and located on roadsides where are not many passerby. Most owners of the retail stores are highly educated and studied design, and produce goods by themselves at the shops. The reason that they opened their shops in Bukchon is directly related with the unique cultural environment of this area. They hope that more unique and artistic stores join this area so that developed this area as culture and fashion combined area.

• The monthly packaging world
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• s.245
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• pp.82-85
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• 2013

• The monthly packaging world
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• s.57
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• pp.168-173
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• 1998

• The monthly packaging world
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• s.215
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• pp.75-79
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• 2011

• 프린팅코리아
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• s.9
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• pp.110-113
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• 2003

• The Journal of the Korea Contents Association
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• v.21 no.12
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• pp.713-727
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• 2021

This paper want to examine how Gwanghwamun and its surrounding areas work in the cinematic spaces for Korean films of the 1950s-2010s. First, in Korean films of the 1950s-1960s, Myeong-dong(Namchon), Bukchon, Seochon, and Dongchon are the primitive, perceptual, existential spaces that show the underground world and tragic pathos in the splendid city through intense desires and fatal frustration, the shadows and conflicts of modernization. Second, in Korean films of the 1970s-1990s, Myeongdong·Jongno(Namchon·Bukchon), Seochon and Dongchon are the perceptual, existential spaces that show public revenge and private alienation through the dichotomy of freedom/evil and the dichotomy of wealth/poverty. Third, in Korean films of the 2000-2010s, Gwanghwamun(Seochon), Bukchon, Namchon, and Dongchon are the perceptual, existential spaces that show civil society ethos and gloomy requiem through national agendas, resistance movements, desires and losses, miserable reality and death.