• Proceedings of the Korean Society of Broadcast Engineers Conference
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• 1996.06a
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• pp.237-240
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• 1996

본 논문에서는 방향성을 갖는 새로운 공간적응 조절연산자와 비선형필터를 이용한 제한 반복적 영상복원 알고리듬을 제안하고 제안한 알고리듬의 수렴성에 대하여 분석을 하고 있다. 일반적인 제한반복적 영상복원 기법에서는 열화된 영상을 복원하는 과정에서 에지 및 경계부분의 재번짐이 지나친 잡음성분의 증폭에 의한 고리현상 등이 발생한다. 이러한 문제들을 해결하기 위하여 본 논문에서는 다음과 같은 기법을 도입하고 있다. 첫째는, 방향성을 갖는 새로운 공간적응 조절연산자를 적용하여 에지 등의 재번짐을 막고 고주파수 영역의 복원성능을 개선하고 있다. 둘째로, 적응적인 비선형필터를 사용하여 잡음성분과 같은 고주파수 영역의 지나친 증폭에 따른 문제를 해결하고 있다. 그리고, 제안한 논문의 안정성과 수렴성을 보장하기 위한 조건을 분석하고 있다. 열화된 영상에 대하여 실험한 결과, 기존의 다른 결과보다 우수한 성능이 있었고, 특히, 에지의 복원성능 및 고리현상의 제거에 두드러진 특징을 나타내었다.

• Journal of the Korea Society of Computer and Information
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• v.28 no.9
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• pp.105-111
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• 2023

Currently, most of content restoration using artificial intelligence learning is 2D learning. However, 3D form of artificial intelligence learning is in an incomplete state due to the disadvantage of requiring a lot of computation and learning speed from the existing 2 axes (X, Y) to 3 axes (X, Y, Z). The purpose of this paper is to secure a data-set for artificial intelligence learning by analyzing and 3D modeling the stone pagodas of ourinari by era based on the two-dimensional information (image) of cultural assets. In addition, we analyzed the differences and characteristics of towers in each era in Korea, and proposed a feature modeling method suitable for artificial intelligence learning. Restoration of cultural properties relies on a variety of materials, expert techniques and historical archives. By recording and managing the information necessary for the restoration of cultural properties through this study, it is expected that it will be used as an important documentary heritage for restoring and maintaining Korean traditional pagodas in the future.

• Journal of Conservation Science
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• v.31 no.2
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• pp.131-145
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• 2015

Cultural assets restoration is being considered highly as a practical way to extend the lifespan of damaged cultural assets and re-highlight their value. However, restoration process has been mostly dependent on the manual work involving the experience and skill of a person performing restoration, thereby requiring much time and effort. In recent, it became possible to apply a method allowing restoration to be performed more accurately and easily according to the material characteristics and shape of cultural assets. Namely, it is to use a method of printing out the 3D shape data computed in computer as real object by using 3D printer for the restoration that has been performed manually. The missing part of a cultural asset is computed into computer data first and is printed out by using 3D printer to undergo a simple shaping process. The result of 3D printer application showed that repetitive output and shape and figure revision of digital data were possible, and it was possible to improve the degree of completedness of restoration through test output using various types of restoration materials using various materials. For the purpose of verifying the possibility of applying 3D printer to restore missing part of earthenware, two pieces of modern reproductions, namely, the Seven Treasure Incense Burner and Earthenware with Wagon Wheel Decoration, were artificially damaged. The restoration result showed that compared to manual work, it showed better effectiveness in curtailing work time and reproducing accurate shape. On the other hand, secondary manual work was slightly needed for detailed binding and to vividly express surface texture.

• Conservation Science in Museum
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• v.27
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• pp.1-22
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• 2022

A chimi(a roof ridge decoration) excavated from the Busosan Temple Site in Buyeo was restored in 1978 at the Buyeo Museum. The gypsum restoration material had deteriorated over time and part of it was seriously damaged and unable to bear the weight of the chimi. The chimi features traces of emergency treatment revealing that the inside of the body and some portions of the tail were reinforced several times using epoxy resin. A condition survey performed in preparation for its transfer for an exhibition found the lower body and wings of the chimi to be highly vulnerable and it was determined that the chimi needed further restoration. The dismantling of the chimi for restoration revealed several elements that provide clues to the production techniques applied by its makers, so they were subjected to inspection. This study explores the production techniques used in the chimi from the Busosan Temple Site that were revealed during the process of dismantling it for restoration. The chimi was inspected using 3D scanning and its rigid vertical shape was restored to a natural form based on the production techniques identified during the dismantling process. The existing restoration material was replaced to improve durability. 3D printed elements were produced based on 3D modelling and were joined to the original chimi to correct its shape and fill in the missing parts, restoring the chimi to its original appearance.

• Journal of Conservation Science
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• v.25 no.3
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• pp.293-298
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• 2009

We fabricated the gap-filling material for antic-ceramics restoration which were made up polyvinyl butyral (butvar) base and silane system additive in iso-propyl solvent. This was made hardness control possible that user want. And it have very strong adhesion and shear strength properties and is shown the best properties for pigment filling, anti-contractibility, coloring as like epoxy system materials. Particularly, the yellowing and ir-reversibility problem in Epoxy restoration material were finally steadiness. So, there is guarantee in the eternity and stabilization of restoration for antic-celamics. And in order to show the reversible state of the restoration, we successfully dissolve this polyvinyl butyral gap-filling materials in solvent after perfect restoring the Punchong plate from sam-chun temple site subsequently.

• River and Culture
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• v.1
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• pp.38-39
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• 2005

서울 청계천 복원 사업으로 인해 문화재 복원 등을 놓고 서울시와 시민단체가 갈등을 빚어 사업진행이 수월치만은 않은 가운데 소설가 박경리씨가 복원방식에 문제를 제기하는 기고문을 동아일보에 보냈으며 2004년 3월6일자 동아일보에 실렸던 기사를 하나의 보탬없이 동아일보의 양해를 얻어 그대로 수록하였다.

• Proceedings of the KAIS Fall Conference
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• 2010.05a
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• pp.527-530
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• 2010

본 논문에서는 가상현실을 이용한 가상현실의 기술을 활용하여 유적지와 문화재를 반 영구적으로 보존할 뿐만 아니라 우리의 문화재를 널리 알리는 데에 있어 활용성 또한 효과적이며 그 활용방법이 다양하고 효율성을 높여 주는 문화 유적지 디지털화 복원 컨텐츠를 제작하는데 그 목적이 있다.

• 한국HCI학회:학술대회논문집
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• 2006.02b
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• pp.536-542
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• 2006

세계 각국은 자국의 문화재를 보존하기 위해 많은 노력을 기울이고 있다. 디지털 복원 기술을 이용하여 문화재를 영구히 보존하려는 시스템 개발 또한 그 중 하나이다. 그러나 문화재는 유형의 물체뿐만 아니라 그에 얽힌 전설과 정신 또한 중요함에도 기존의 시스템들은 형태적인 복원에 치중한 것이 대부분이었다. 본 논문에서는 예술적 상상으로 가상현실 시스템을 이용해 문화콘텐츠 개발을 위한 예술기획 기법을 설명한다. 제안된 기법은 문화원형을 선정하고, 문화적, 예술적 분석과정을 거쳐, 그 결과를 가상현실 시스템에 적용한다. 기획된 내용은 문화콘텐츠 체험 시스템에 적용되었다. 예술기획 기법은 형태적인 측면에서의 문화재뿐만 아니라 그 동안 부재되었던 정신적인 측면 또한, 과제 삼아 문화재 복원의 진정한 의미를 가상현실 시스템에 담도록 하였다.

• Journal of Biosystems Engineering
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• v.28 no.2
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• pp.143-150
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• 2003

전분 완충재의 물리적, 기계적 특성을 개선하기 위한 노력들이 많이 이루어지고 있지만 기존의 플라스틱 완충재와 비교하면 더 많은 노력이 요구되어진다. 그래서 본 연구에서는 전분 완충재의 물리적 기계적 특성에 대한 유연제(plasticizers)와 첨가제(additives)의 영향을 규명하였다. 전분과 합성수지 그리고 여러 유연제 또는 첨가제를 혼합한 뒤 Brabender사의 일축 압출기를 이용하여 여러 축속도(60~120 rpm)에서 압출 가공한 후 물리적, 기계적 특성을 조사하였다. 전분 완충재의 밀도(bulk density)와 압축성(bulk compressibility)은 혼합물에서 물의 비율이 증가함에 따라 증가하였지만, 복원성(bulk resiliency)은 조금 감소하였다. 측정되어진 전분 완충재의 특성은 변형전분(hydroxypropylated starch)의 사용으로 향상되었다. 또한, glycerol, glycerol monostearate 그리고 alkylglucosides의 첨가도 전분 완충재의 밀도와 압축성을 증가시켰다. 염화철(II) 0.5%을 포함한 전분 완충재는 첨가제를 포함하지 않은 전분 완충재에 비하여 밀도 42%와 압축성 58%가 각각 감소한 반면, 복원성은 13%포인트 증가하였다. 변형전분과 염화철(II)이 첨가된 전분 완충재는 기존의 플라스틱 완충재에 비하여 밀도와 압축성은 떨어지지만, 대체 사용되어질 수 있는 것으로 판단되었다.

• Journal of the Korea Society of Computer and Information
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• v.26 no.1
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• pp.77-84
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• 2021

Today, the restoration of cultural properties is done by applying the latest IT technology from relying on existing data and experts. However, there are cases where new data are released and the original restoration is incorrect. Also, sometimes it takes too long to restore. And there is a possibility that the results will be different than expected. Therefore, we aim to quickly restore cultural properties using DeepLearning. Recently, so the algorithm DcGAN made in GANs algorithm, and image creation, restoring sectors are constantly evolving. We try to find the optimal GAN algorithm for the restoration of cultural properties among various GAN algorithms. Because the GAN algorithm is used in various fields. In the field of restoring cultural properties, it will show that it can be applied in practice by obtaining meaningful results. As a result of experimenting with the DCGAN and Style GAN algorithms among the GAN algorithms, it was confirmed that the DCGAN algorithm generates a top image with a low resolution.