• Journal of Broadcast Engineering
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• v.13 no.3
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• pp.380-387
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• 2008

This paper presents a karaoke system employing a vocal region detection algorithm based on the vocal characteristics. In the proposed system, an input song is classified into vocal and instrumental regions using the vocal region detection algorithm. Then, a vocal removal method is applied only to the vocal region. To detect vocal region, a classification algorithm is designed based on the vocal characteristics in the TICFT (twice iterated composite Fourier transform) domain. For vocal removal, vocal components are extracted from a band pass filtered vocal region and they are subtracted from the original song, yielding a vocal removed song. The performance of the proposed method is measured on four different songs.

• The Journal of the Acoustical Society of Korea
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• v.30 no.6
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• pp.353-359
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• 2011

This paper proposes a vocal enhancement technique for improving the performance of vocal pitch detection in polyphonic music signal. The proposed vocal enhancement technique predicts an accompaniment signal from the input signal and generates an accompaniment replica signal according to the vocal power. Then, it removes the accompaniment replica signal from the input signal, resulting in a vocal-enhanced signal. The performance of the proposed method was measured by applying the same vocal pitch extraction method to the original and the vocal-enhanced signal, and the vocal pitch detection accuracy was increased by 7.1 % point in average.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2010.10a
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• pp.268-270
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• 2010

Recently, According to increasing interest to original sound Karaoke instrument, MIDI type karaoke manufacturer attempt to make more cheap method instead of original recoding method. In this paper, we developed how to create MR from AR, recorded in stereo, by using the energy difference in the frequency domain and how to implement in DSP(TMS320C6713) were developed. At the output of the DSP board, 6-channel audio output interface designed for real-time stereophonic generating original sound, vocals removed MR, and separated vocals simultaneously. Real-time listening test using DSP show vocal separating and removal task successfully.

• The Journal of the Korea institute of electronic communication sciences
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• v.10 no.1
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• pp.1-6
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• 2015

Recently, According to increasing interest to original sound Karaoke instrument, MIDI type karaoke manufacturer attempt to make more cheap method instead of original recoding method. The specific method is to make the original sound accompaniment to remove only the voice of the singer in the singer music album. In this paper, a system to separate vocal components from music accompaniment for stereo recordings were proposed. Proposed system consists of two stages. The first stage is a vocal detection. This stage classifies an input into vocal and non vocal portions by using SVM with MFCC. In the second stage, selective frequency subtractions were performed at each frequency bin in vocal portions. Listening test with removed vocal music from proposed system show relatively high satisfactory level.

• Journal of Korea Multimedia Society
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• v.16 no.10
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• pp.1171-1179
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• 2013

Interactive audio service provide with audio generating and editing functionality according to user's preference. A spatial audio object coding (SAOC) scheme is audio coding technology that can support the interactive audio service with relatively low bit-rate. However, when the SAOC scheme remove the specific one object such as vocal object signal for Karaoke mode, the scheme support poor quality because the removed vocal object remain in the SAOC-decoded background music. Thus, we propose a new SAOC vocal harmonic extranction and elimination technique to improve the background music quality in the Karaoke service. Namely, utilizing the harmonic information of the vocal object, we removed the harmonics of the vocal object remaining in the background music. As harmonic parameters, we utilize the pitch, MVF(maximum voiced frequency), and harmonic amplitude. To evaluate the performance of the proposed scheme, we perform the objective and subjective evaluation. As our experimental results, we can confirm that the background music quality is improved by the proposed scheme comparing with the SAOC scheme.

• Journal of Broadcast Engineering
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• v.20 no.3
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• pp.408-413
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• 2015

Recently, According to increasing interest to original sound Karaoke instrument, MIDI type karaoke manufacturer attempt to make more cheap method instead of original recoding method. The specific method is to make the original sound accompaniment to remove only the voice of the singer in the singer music album. In this paper, a system to separate vocal components from music accompaniment for stereo recordings were proposed. Proposed system consists of two stages. The first stage is a vocal detection. This stage classifies an input into vocal and non vocal portions by using SVM with MFCC. In the second stage, selective frequency subtractions were performed at each frequency bin in vocal portions. In this case, it is determined in consideration not only the energies for each frequency bin but also the phase of the each frequency bin at each channel signal. Listening test with removed vocal music from proposed system show relatively high satisfactory level.

• The Journal of the Acoustical Society of Korea
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• v.32 no.3
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• pp.227-236
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• 2013

In this paper, we present a vocal suppression algorithm that can enhance the quality of music signal coded using Spatial Audio Object Coding (SAOC) in Karaoke mode. The residual vocal component in the coded music signal is estimated by using a cross prediction method in which the music signal coded in Karaoke mode is used as the primary input and the vocal signal coded in Solo mode is used as a reference. However, the signals are extracted from the same downmix signal and highly correlated, so that the music signal can be severely damaged by the cross prediction. To prevent this, a psycho-acoustic disturbance rule is proposed, in which the level of disturbance to the reference input of the cross prediction filter is adapted according to the auditory masking property. Objective and subjective test were performed and the results confirm that the proposed algorithm offers improved quality.