• Title/Summary/Keyword: 베이스 스캣

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A study on the Improvisation for Jazz vocal starter - Practice and analysis using root position in chord and chord-tones (재즈 보컬 입문자를 위한 즉흥연주에 관한 연구 - 코드의 근음과 코드 톤을 이용한 연습방법 및 연출 분석)

  • Kang, Eun-Mi;Cho, Tae-Seon
    • Journal of Digital Convergence
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    • v.15 no.6
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    • pp.377-383
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    • 2017
  • In this thesis, Improvisation of Jazz Vocal that can be characterized as Jazz music, namely practice of Scat suggest that way of applied approach that root position of chord and chord tones. Scat plays a solo using reproduced tunes of meaningless scat syllable that is not use the lyrics and melodies, which are written in a score. For this, Using the root position of chord is a reference point that Jazz vocal constructs a musical melody. Singing person can develop that reference point from simple scat to develop increasingly complex scat and can express that musical expression and communion. It analyzed the music functionally with a standard Jazz music 'All of me' as the center from composition of chord tone that improvise song to bass line, bass scat, analysis of chord tones arpeggio and expression. In this thesis, the improvisation of a Jazz vocal that may seem somewhat abstruse and complex could be relatively easy to construct through a gradual approach.