• Title/Summary/Keyword: 바톤 핑크

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A Study on Characters and Space Expression in Coen Brothers' Films (코엔 형제 작품에 나타난 캐릭터와 공간 표현 방법 연구)

  • Yun, Soo-In
    • The Journal of the Korea Contents Association
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    • v.22 no.7
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    • pp.635-651
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    • 2022
  • This study focuses on the characters and spacial expressions from the film , one of the representative works of the Coen brothers. The esoteric narrative of the film could be analyzed by understanding the symbolic expressions present throughout the film. The unrealistic characters, spaces, and props that appear along with the main character contain a symbolic meaning and adhere to the artist's worldview. These expressions contribute to creating a unique world for the Coen brothers and significantly impacted later films. Coen brothers' other films and , similarly display the unrecognizable world that coexists with the real world and the powerful presence that dominates it within the world. This study examines the use of symbolic characters and spacial expressions shown in the representative works of the Coen brothers.

Open Ending and Incomprehensibility in Film: Focused on the Films of the Coen Brothers (영화의 열린 결말과 불가해성: 코엔 형제의 영화를 중심으로)

  • Chang, Woo-Jin
    • Proceedings of the Korea Contents Association Conference
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    • 2013.05a
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    • pp.83-84
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    • 2013
  • 이 연구는 코엔 형제 영화의 열린 결말이 작품의 주제와 어떻게 연관되는지, 그리고 그러한 열린 방식으로 내러티브를 종결시킬 수 있게 하는 서사 논리가 무엇인지 논의한다. <바톤 핑크>(1991), <노인을 위한 나라는 없다>(2007), <시리어스 맨>(2009) 등 코엔 형제의 열린 결말 영화들은 모두 '불확실성'에 관한 영화이다. 이 불확실성은 부조리하고 아이러니컬한 세상의 불가해성과 그것에 대한 캐릭터의 이해 불능으로 나타난다. 코엔 형제의 영화들은 바로 이러한 세계의 불가해성에 대한 논증의 내러티브이며, 이들의 열린 결말은 플롯과 논증의 중층 구조에서 스토리 문제의 해결이 아니라 논증의 완결을 추구한 결과이다.

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Analysis of Coen Brothers's Directing Style: Centering around Crime Movies (코엔 형제의 연출 스타일 분석 :범죄 영화를 중심으로)

  • Lee, Jeong-Gook
    • The Journal of the Korea Contents Association
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    • v.10 no.6
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    • pp.236-248
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    • 2010
  • Through this thesis, I analyzed Coen brothers's directing style centering around Crime movies: Blood simple, Barton Fink, Fargo, The man who wasn't thers, No country for old man. About directing style of Coen brothers, plot is an epic depiction, habitual use of narration, refusal of happy ending. They concern subject matters about human original nature and tragedy by greed. And as motifs, they often use misunderstanding, crossing over, chase. Also they likes characters of ordinary people who is destroyed by greed. How about their technical style? They usually use steady-cam and wide lens in camera, and in his early crime movies he used expressionistic lights, but after that they usually used realistic natural lights. About sound, they likes more sound effects than music. Also they directed realistic acting and emphasized actor's personality. Coen brothers has been directed many crime movies and comedy films. But their unique directing style was particularly outstanding in the crime movies

A study on Director of Photography Roger Deakins - Focusing on , , (촬영감독 로저디킨스의 촬영스타일 연구 -<노인을 위한 나라는 없다>, <비겁한 로버트포드의 제시제임스 암살>, <블레이드러너 2049>를 중심으로)

  • Yoo, Jae-Eung
    • The Journal of the Convergence on Culture Technology
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    • v.5 no.1
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    • pp.275-280
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    • 2019
  • Roger Deakens is one of the best director of photography in the world. He has been worked with Joel Coen & Ethan Coen since (1991). He was nominated for Academy award 13 times. At last, he won the 2018 Academy Award for Best Pictures of the Year. This article aim to look at his style of photography, which he has consistently pursued, and how he controls and implements light. Focusing on The Assassination of Jess James by the coward Robert Ford>,, .