• Proceedings of the KSCN Conference
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• 1997.10a
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• pp.42-42
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• 1997

• Proceedings of the Korean Society of Crop Science Conference
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• 1997.10a
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• pp.26-27
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• 1997

• Journal of the Korean Society of Costume
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• v.44
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• pp.57-75
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• 1999

The purpose of this study is to infer the shape and change as auspicious symbolic meaning and figures of a peony pattern. For this study. I analyzed the example of a peony pattern, which is traditional Chinese pattern appeared on a ceramic and textile. The results of this study are as following. First, a peony has particular title, such as 'the king of flowers' and 'the most beautiful woman in country and the smell in heaven' originated in a verse of a poet at Dang's Dynasty. It is reputed to be the best of all flowers, representing beauty, and a beauty. Second, the basic meaning of a peony pattern used as auspicious pattern is prosperity and it has various meanings of it's similar kind through several auspicious objects and combination. Also, it was used for the purpose of adequating the desire of man's blessing mentality. Third, four kinds of characteristics of a peony pattern are as following. 1) A peony pattern has similar shape with 'Bosanghwamoon', which was used as a pattern at formerly period of peony flowers. It was used as realistic shape gave vividness to the characteristic of peony on the shape of 'Bosanghwamoon'. 2) 8-petaled, unique leaves and veins were described in detail by vivid sketching shape of real peony flower. 3) Laying stress on the characteristics of peony flower, which is large and magnificent, several folds petals were described abundantly by exaggerated shape or a shape of big honeycomb. And unique leaves were described realistically on these. 4) It was also expressed peculiar characteristic of peony flower composed of several pieces by weakened design shape.

• Conservation Science in Museum
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• v.12
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• pp.25-34
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• 2011

This study examined conservation process of white porcelain bottle with phoenix and peony design poly chrome, recovery of golden powder painted porcelain being damaged and colored, and recovery material and conservation methods by using a variety of experiments. Not only traditional method but also modern method can recover golden powder painted area being damaged and/or peel off, and suitable recovery was found out by using experiments. The golden powder paint of pattern edge was recovered not by traditional method but by modern method of golden powder paint with acrylic paint and binder.

• FLOWER RESEARCH JOURNAL
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• v.16 no.4
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• pp.309-312
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• 2008

A red grafted cactus of Gymnocalycium mihanovichii 'Red King' was bred by the Cactus Research Institute, Gyeonggi-do ARES. in 2007. A crossing between 'Redjewelry' and 'GG024824' in 2005 was obtained 135 seedlings. 'Red King' was finally selected through the test of specific growth and coloring characteristics in 2007. The color of body and tubercles is red. The shape of glove is flat round with 8~9 ribs. Spine is short length and light brown color. Growth is fast as 6 month after planting to reach 36.8 mm in diameter. Propagation ability is good as to set as many as 14.1 tubercles.

• FLOWER RESEARCH JOURNAL
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• v.16 no.4
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• pp.313-316
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• 2008

A yellow grafted cactus of Gymnocalycium mihanovichii 'Yellow King' was bred by the Cactus Research Institute, Gyeonggi-do ARES. in 2007. A crossing between 'GG0214319' and 'GG021295' in 2005 was obtained 338 seedlings. 'Yellow King' was finally selected through the test of specific growth and glove coloring characteristics in 2007. The color of glove and tubercles is yellow. The shape of glove is round with 8~9 ribs. Spine is short and brown color. Growth is fast as 6 month after planting to reach 34.1 mm in diameter. Propagation ability is good to set as many as 12.4 tubercles.

• Lettere Italiane
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• no.37
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• pp.31-72
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• 2012

In questa tesi ho focalizzanto sui due romanzi di Elsa Morante: Menzogna e Sortilegio e L'isola di Arturo, riferendo i fenomeni generali delle narratrici italiane. Le scrittrici si sono limitate a scegliere i temi e i sentimenti dei personaggi nell' ambiente sociale in cui si prevalgono i valori della famiglia patriarcale. Quasi tutti i personaggi dei romanzi di Morante sono figurati dall'esperienza propria della sua vita. Specialmente la protagonista della Menzogna e sortilegio, Elisa si identifica della Morante. La fantasia di Elisa ci esprime il sogno non realizzato dei suoi genitori. Arturo è preso dal velo fantastico di Maia, vivendo felicemente nell'isola di Procida. Questo mondo illusorio è quello psicologico creato dall'autrice e fa raggiunre alla vita totale dei suoi abitanti. In questi due romanzi ho messo in rilievo il mondo immaginario e letterario di Elsa Morante: nel primo romanzo, quello creato e ricordato da Elisa, nel secondo, quello infantile ricordato dalle memorie di Arturo. In questo mondo irrazionale i nostri personaggi possono trovare riposo dimenticando il dolore reale e ottenendo la totalità esistenziale, di cui parla Georg Luckás nel La teoria del romanzo.

• Journal of Distribution Science
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• v.9 no.2
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• pp.37-47
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• 2011

Our distribution industry still lacks legal and institutional supplementary frameworks. Therefore, we urgently need systematic supporting schemes for targeting small merchants, including those in traditional markets. In 2004, the scope of and target for traditional markets took shape through the enactment of the 'Special Act for Nurturing the Traditional Markets'. Though restricted to a single market, it expanded the target and scope to include markets and stores, market improvement districts, and business improvement districts. However, the Special Act for Nurturing the Traditional Markets, the criterion for the revitalization of and support for the traditional market, applies a uniform standard. Accordingly, the Special Act for Nurturing the Traditional Markets has revealed problems, such as the deficit of legitimate ideas about unregistered markets. This study identifies the problems with the Special Act for Nurturing the Traditional Markets. We take the Moranjang case as an example. This study offers the problems new insight. We discuss the problems in terms of their empirical reality. We focus on unregistered markets, which are not protected by law. Most previous studies have applied empirical methods, but this study also provides legal and institutional perspectives on the prospect for efficient outcomes by applying the normative study methods applicable in the field.

• Korean Journal of Heritage: History & Science
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• v.45 no.1
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• pp.52-69
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• 2012

This paper attempts to analyze the inner and outer structure of royal tombs that were built during the Joseon Period. This analysis is based on the relevant historical records and they were restored through visual composition in order to compare the features of Joseon royal tombs with those of Goryeo royal tombs and common tombs of the Joseon Period. Royal tombs of the Joseon Dynasty are structurally solid and contain a variety of artistic ornaments that symbolize guardian deities both inside and outside to protect the owners of the tombs for a long time. According to historical records such as Sejong sillok oryeui (Five Rites of State from the Annals of King Sejong) and Gukjo oryeui (Five Rites of State), it is presumed that the inner structure of royal tombs dating back to the early Joseon Period consisted of a stone chamber and that the byeongpungseok and nanganseok were built outside of the tomb. However, ever since King Sejo left it in his will not to make a stone chamber in his tomb, the royal tombs began to follow a new pattern, a burial pit outside the coffin filled with lime powder. Gukjo sangnye bopyeon (Supplement Book of the State Funeral Rites), which was compiled during the reign of King Yeongjo, is a book that shows how the royal tombs were formed in the late Joseon Period. The book explains in detail how lime powder was used to fill the burial pit of royal tombs. The byeongpungseok used during the late Joseon Period were engraved with peony flowers, while those previously made were engraved with twelve spirit warriors. Peony designs were frequently used to decorate the items of royal families, and the use of peony designs in tombs reflects the idea of regarding the royal tombs as an everyday living space for the deceased.

• KOREAN POULTRY JOURNAL
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• v.48 no.10
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• pp.192-195
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• 2016

본고는 양계와 한평생을 함께 한 오봉국 교수(서울대 명예 교수)가 그 동안의 인생여정을 정리하여 출간한 '축산의 비전을 심으며 살아온 나의 인생여정' 자서전 내용 중 '양계와 함께 걸어온 나의 회고' 내용을 발췌, 게재한 것이다. 오봉국 교수는 1925년 평안남도 진남포에서 태어나 1956년 서울대학교 축산과에서 농학석사과정을 거친 후 미국 미네소타대학과 호주 시드니 대학에서 석, 박사과정을 마친후 서울대학교에서 후학양성은 물론 양계산업 발전을 위해 많은 공을 세웠다. 1969년에는 (사)한국가금협회장(대한양계협회 전신)을 역임하고 현재까지 대한양계협회 고문으로 활동하고 있다. 1991년에는 국민훈장 모란장을 수여한 바 있으며, 현대 가금학 등 16편의 주옥같은 저서를 남겼다.