• Journal of the Daesoon Academy of Sciences
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• v.33
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• pp.351-379
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• 2019

In this paper, the approach to 'Place' and 'Experience' typically adopted by anthropogeographers will be reconsidered in light of the Taoist perspective to these phenomena. In order to develop the discussion more specifically, this exploration will be based on Jeff Malpas's philosophical theories rather than geography, and the Lao-Zhuang (Laozi and Zhuangzi) perspective will also come into pace as place and experience are examined. In this paper, I have divided place and space on the basis of their dictionary meanings and have reconsidered each via Malpas and Lao-Zhuang views. I then discuss place in terms of 'Place' and 'Place experience.' Experience is what Malpas emphasizes as having Place in regards to place. Through this, I check the placing of place and examined the characteristics of place, while comparing the views mentioned in Lao-Zhuang with those of Malpas and considered their meanings. In this study, I look at why a place should be a place, what experience in a place means, and what view and position Lao-Zhuang Thought has on this matters. Place is a meaningful subject for both the East and the West. Based on this work, I hope that Asian place theory can emerge anew.

• 전기의세계
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• v.46 no.5
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• pp.33-38
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• 1997

석기로부터 동기로 ,그리고 철기로, 소재의 변혁은 개벽이래 언제나 문명의 역사에 새로운 메르크마아크를 세워왔다. 그리하여 수 천년에 이르는 철의 시대를 거친후, 지금 새로운 소재의 시대가 다가오고 있다. 뉴세라믹(new ceramics), 플라스틱(plastic), 아몰파스금속(amorphous)등등, 새로운 재료는 새로운 기술을 가능케 하고, 새로운 기술은 새로운 재료를 낳는다. 자연계의 제약으로부터 해방되어, 필요한 소재를 자유로이 합성하는 시대가 도래한다. "철은 국가이다"라는 슬로건은 이제는 진부해졌으나 "재료는 제조업을 제압하고, 제조업은 사회의 경쟁력을 제압한다"라는 말은 여전히 진리이다.quot;라는 말은 여전히 진리이다.

• Monthly Korean Chicken
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• v.63 no.57 s.123
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• pp.118-121
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• 2005

육계농장을 방문할 때마다 자주 듣는 이야기가 병아리가 층아리가 많다, 이번 파스는 적다라는 이야기다. 육계에서 층아리를 발생시키는 대표적인 질병이 흡수불량증후군이다. 흡수불량증후군은 빈혈이 도는 닭, 황색 분변, 장내용물고 분변내에 소화가 되지 않은 사료가 보이며 비정상적인 날개(헬리콥터병). 위축, 구루병, 대퇴골두괴사증, 근위염 등의 질병이 한가지 이상 또는 복합적으로 나타나는 질병으로 주로 육계나 백세미에서 증체 지연과 사료효율 감소 등으로 인한 피해를 일으키는 질병이다. 흔히 말하는 층아리 발병이 많게 되는 질병이라 하겠다. 이 병은 레오바이러스, 곰팡이 독소, 아데노바이러스, 엔테로바이러스, 파보바이러스, 혐기성 미생물과 여러 밝혀지지 않은 유전적인 요인까지 복합적으로 원인체가 작용하는 질병이다. 따라서 그 원인을 밝히기가 어려우며, 명확한 대책의 수립도 쉽지 않은 질병이다. 그러나 이 중에서 개연성이 높은 질병인 레오바이러스 감염증을 위주로 해결책을 찾아보기로 하겠다.

• Journal of KIISE:Software and Applications
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• v.27 no.7
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• pp.784-793
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• 2000

The conventional morphological analysis of Korean language presents various morphological ambiguities because of its agglutinative nature. These ambiguities cause syntactic ambiguities and they make it difficult to select the correct parse tree. This problem is mainly related to the auxiliary predicate or bound noun in Korean. They have a strong relationship with the surrounding morphemes which are mostly functional morphemes that cannot stand alone. The combined morphemes have a syntactic or semantic role in the sentence. We extracted these morphemes from 0.2 million tagged words and classified these morphemes into three types. We call these morphemes a syntactic morpheme and regard them as an input unit of the syntactic analysis. This paper presents the syntactic morpheme is an efficient method for solving the following problems: 1) reduction of morphological ambiguities, 2) elimination of unnecessary partial parse trees during the parsing, and 3) reduction of syntactic ambiguity. Finally, the experimental results show that the syntactic morpheme is an essential unit for reducing morphological and syntactic ambiguity.

• Journal of Science and Technology Studies
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• v.7 no.1
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• pp.67-90
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• 2007

Could STS throw another-colored light on the Hwang's Affair, the scientific fraud committed by Hwang Woo-Suk and his research team in Korea? And could analytic tools of STS unfold another meanings which have been overlooked in most of the traditionally social-sciences-oriented analyses? In this essay, I try to answer these questions by analyzing the Hwang's Affair in the view of STS, especially by using some concepts of actor-network theory(ANT): movement, translation and displacement. I want to say that the Hwang's Affair seems to be a part of normal scientific activity, not an abnormal phenomenon, and as an evidence, focus on the similarities of their life styles between "pure/real scientist" Louis Pasteur and "impure/political scientist" Hwang Woo-Suk. I try to mobilize some concepts of ANT, especially movement, and find out why scientists came to move toward the opposed direction on the pure/real-impure/political line. I suggest that there exists "laboratory politics" as the key factor in this bifurcation. My tentative conclusion is that Pasteur can take a position to make his great world, so-called the Pasteurian world, owing to the success of "double movement" in which he treated his laboratory as a fulcrum to lift up the world, but Hwang degrades himself to "ugly scientific politician" due to the loss of the momentum of his movement; Hwang treated his laboratory only as the symbolic resources and in turn failed to solidify material entities, his real political resources, even though he knew the importance of laboratory.

• Journal of Science of Art and Design
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• v.11
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• pp.109-152
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• 2007

This thesis started from accepting the criticism and concretely seeking the possibility of visual visuality, in particular, visual physicality or physical visuality through the expression revealed in painting space. This study aims at stressing the role of the body in visual perception and pictorial expression by it by examining the interaction between it and the body. First of all, this study explored perception and the position of the body in the great frame of the historical stream from modernism, through minimalism, through post-minimalism to later art in order to confirm the interaction between visual perception and the body or the change in the intervention of physicality in the stream of contemporary art, and connected them with a discourse on perception and the body. It raised as the grounds for it the discussions which provided the theoretical background about perception. It dealt with the scientific discussions on perceptual physicality by Gestalt psychology in perceptive psychology, and next the discussion of Rudolf Arnheim who exemplified Gestalt psychology mainly on the dimension of visual art. It is significant in explaining the perceptual activeness which is the same as that of M. Merleau-Ponty as a primary debater to solve the questions of perceptual physicality and physical visuality. M. Merleau-Ponty set forth ambiguous perception and the body as its background as the fundamental bases for perceiving the world rather than consciousness proved explicitly. As Hal Foster said, as minimalist phenomenological background they provided appropriate theoretical background to the late art rising against modernist logic. Next, after the 1970s Frank Stella showed a working method and a tendency entirely different from those in the previous period. For example, deconstruction of frame, decentralized spatial expression, dynamic and mixed expression, and allowing real space by overlapping were judged to swing to approval of perceptual physicality. Francis Bacon's painting structure, that is, figure, triptych, aplat and a method of production by accident were understood to well reflect M. Merleau-Ponty's chair logic of chiasme. This study tries to seek the possibility of pictorial expression from works aiming at defining the question of seeing in connection with physicality, the role of the body as the body accumulated and the linking with a real, daily life as the background of the body, and confirm the phase shift.