• Cartoon and Animation Studies
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• s.8
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• pp.144-162
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• 2004

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2011.10a
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• pp.527-530
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• 2011

This Paper studied out prototype and the structure of comic expression on Social Network Game and started with issues based on SNS(Social Network Service) in Culture Communication. Interaction with the platform have the information that aims to develop relationships with SNG. In a world where the paradigm is changing the game People of all ages, transcending national borders in the mediator role of interaction could have been important. Today SNG is a major topic in Game Contents and this issue has influenced the game design and Story Telling. Under this Situation, this study has a significant meaning because it proves that the factors Comic Expression in game is analyzed by SNG.

• Proceedings of the Korea Contents Association Conference
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• 2009.05a
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• pp.152-156
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• 2009

The goal of this study is to represent heightfield-map based cartoon liquid simulation using GPU. To do this, we examine the optical and flow features of liquid. So far, NPR represent study for gas and liquid advanced in computer graphics. In this study the flow of fluid represent using a trivial algorithm using a non-physical method, and optical of liquid represent ratio of value of reflection and refraction using fresnel equation. Cartoon represent of liquid different from the existing method, that the value of reflection and refraction on the environment map. Edge detection represent jump edge of liquid. As a result, the liquid simulation could represent a cartoon.

• Cartoon and Animation Studies
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• s.5
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• pp.456-459
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• 2001

제작자의 작품세계에서 표현하고자 하는 시각적 언어를 감상자의 느낌과 제작자의 시점을 통해 시각적 커뮤니케이션이 이루어지도록 하고자 한다. 인간의 시각화의 차례를 역순(feed back)으로 표현하여 시각화된 2차원의 이미지 이전의 3차원에서 관찰할 수 있는 시점에서의 다양한 관찰의 시점을 제시하고자 한다. 시각적 요소들을 관찰자의 시점에서 시각적 이미지로 형성되기 이전의 관찰자의 시점에서 볼 수 있는 시점 중 4가지 시점에서의 관찰을 제시하여 시점의 표현을 관찰하고자 가능한 한 효율적인 동작으로 연구하여 제작하고자 한다.

• Cartoon and Animation Studies
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• s.43
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• pp.231-254
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• 2016

The graphic novel is seemed different from comics in two aspects, visual expression and narrative value. However, they are ambiguous standards, so it needs to research each works of graphic novel deeper. Then this paper studied both of visual expression and narrative in Craig Thompson's "Habibi" that has been recognized a fine graphic novel. As the research about how the modes of expression that an American author choose on purpose to represent an arab female are related with narrative, it will get the point of narrative strategy that graphic novel can have potentially. So It studied new modes of expression as focusing on imagination of arab letters and woman growth-narrative by using Gayle Rubin's 'traffic in women' theory, and how it was related with modes of expression in graphic novel. This paper will be helpful for broadening spectrum of expression in graphic novel as comics media having own narrative form and studying graphic narrative potential.

• The Journal of the Korea Contents Association
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• v.7 no.2
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• pp.222-229
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• 2007

Cartoon contents is strong not original work through only story but culture penetration and high added value of idea had infinite value as entertainment goods. Also, it can extend by emotional contents of Mobile base by communication role as sensible symbol that satisfy various emotion and appetite of expressed opinion is available. This paper wished to take a view of present condition of cartoon industry and development direction through comprehension of cartoon contents business, and to propose goods development way of cartoon contents by the alternative to extend cartoon contents business area.

• Journal of KIISE:Software and Applications
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• v.34 no.5
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• pp.465-475
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• 2007

With the spread of Internet, web users express their daily life by articles, pictures and cartons to recollect personal memory or to share their experience. For the easier recollection and sharing process, this paper proposes diverse cartoon generation methods using the landmark lists which represent the behavior and emotional status of the user. From the priority and causality of each landmark, critical landmark is selected for composing the cartoon scenario, which is revised by story ontology. Using similarity between cartoon images and each landmark in the revised scenario, suitable cartoon cut for each landmark is composed. To make cartoon story more diverse, weather, nightscape, supporting character, exaggeration and animation effects are additionally applied. Through example scenarios and usability tests, the diversity of the generated cartoon is verified.

• The Journal of the Korea Contents Association
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• v.14 no.2
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• pp.84-93
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• 2014

Comics uses words to convey its content and meaning, while the comic image conveys the content as a narrative function to represent how language is combined with the text. This paper makes a comparison and analysis of the comics of Japan and South Korea, in terms of words and image expression, narrative techniques, and the way of communication, to study the characteristics of image narrative. The comic image of Jing ke is the other as a flow of narrative and getting rid of the current screen, to resonate with the readers. Go U-yeong's comics and Sumeragi Natsuki's set up a virtual narrative time and space through the line, surface, space and shade, to realize the reproduction of unhistorical facts and the significance of narrative with the artist's imagination. Sumeragi Natsuki's comics uses historical facts to represent exquisite narrative like still-life paintings. She focuses on the description of the objective facts of history, to seek the sensitive comic image beyond reality. The image narration of Go U-yeong's comics is a clash between his historical narrative among the subjective romantic image and the readers' awareness narrative flow that they insist inside. Therefore, he tries to keep balance. The instant image in his comics is not a reproduction of the historical real moment, but a reproduction image of the reality reconstructed by his own pursuit of narrative.

• Proceedings of the Korean Information Science Society Conference
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• 2007.10b
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• pp.184-188
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• 2007

본 논문에서는 기존에 상용화되거나 서비스되고 있는 만화 제작 시스템들의 장단점을 비교 분석한다. 그리고 일상생활에서 쉽게 활용할 수 있는 동영상 이미지를 이용하여, 흑백 만화를 제작하기 위한 시스템에 대해 논의한다. 동영상으로부터 추출한 이미지는 일반적으로 동영상 자체의 스토리를 내포하고 있기 때문에, 이 이미지들을 기반으로 흑백 만화를 제작하는 시스템을 개발한다면, 만화 초보자들도 손쉽게 흑백 만화를 제작할 수 있다. 본 논문에서 제안한 흑백 만화 제작 시스템은 먼저 1) 기존의 이미지를 이진화하고 2) 양식화된 스트록을 렌더링하여 만화적인 특징을 표현한다. 그리고 3) 다양한 만화적인 요소를 추가한 후 4) 완성된 만화 컷을 실제 만화에서 사용되는 레이아웃 템플릿에 따라 배치하여 한 장의 만화를 제작한다. 논문에서 제안한 시스템을 활용함으로써, 만화 초보자들이 만화를 제작할 때 직면하게 되는 문제점들(스토리 보드 설정과 그림 실력의 부재)을 해결할 수 있었다.

• Cartoon and Animation Studies
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• s.5
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• pp.452-455
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• 2001

빛과 조화에 대한 개념을 옛것을 재조명하여 현대사회에서 다시 찾고 싶은 정을 시각적으로 표현해 보았으며, 지나간 날들의 소중한 기억들을 돌이켜 보는 의미로 제작을 하게 되었다.