• Title/Summary/Keyword: 러시아 문화

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선박의 음주관리

  • Kim, Yeong-Mo
    • Proceedings of the Korean Institute of Navigation and Port Research Conference
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    • 2019.11a
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    • pp.182-184
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    • 2019
  • 2019년 2월 28일 광안대교와 충돌한 러시아 화물선 사고를 계기로 한국의 해상음주 관련규정과 해기사의 음주문화를 조사하였다. 우리나라 해상음주 기준(혈중알코올농도 0.03%)은 국제적 기준(0.05%)보다 높으며 이에 따라 회사의 음주관리기준도 강화되어 있다. 한국 해기사를 대상으로 실태조사를 한 결과 해기사의 음주율은 국민 평균보다 높게 나타났고, 음주동기는 한국민과 유사한 현상을 보이지만 직책, 선종, 해역에 따라 달리 나타나고 있으며, 회사의 음주관리지침에 대해 긍정적으로 평가하고 있다. 음주로 인한 폐해는 크기 때문에 해상직업의 특성을 고려한 음주환경을 만들고, 효과적인 선상 음주통제를 위해서는 선종이나 해역별로 차별화할 필요가 있으며, 해상환경에 맞는 합리적인 음주통제 기준을 마련할 필요가 있다.

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연구개발의 세계화와 외국인 연구 인력의 활용 전략

  • 임덕순
    • Proceedings of the Korea Technology Innovation Society Conference
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    • 1999.11c
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    • pp.521-543
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    • 1999
  • 최근 과학기술 혁신 활동의 세계화 현상과 함께 한국의 연구개발 활동도 점차 세계화되고 있다. 그러나 한국의 연구개발 활동의 세계화 현상 및 바람직한 방향에 관한 연구는 별로 없다. 세계화에 따라 국내 연구개발 자원의 유출현상도 발생하지만, 해외 연구개발 자원을 활용할 수 있는 기회도 증가한다. 본 논문에서는 연구개발 활동의 세계화에 관한 흐름 및 개념을 제시하고, 국내 외국인 연구 인력의 활용 현황 및 활용성과 영향 요인을 조사하여 외국인 연구인력 활용 방안을 탐색하였다. 외국과의 연구자 교류는 1996년 현재 유입이 약 4,300명, 유출이 약 16,000명으로 유출이 크지만, 많은 규모는 아니다. 국내 활용 외국인 연구자의 경우 1998년에는 주춤하였지만 꾸준한 증가 추세에 있다. 외국인은 비선진국, 특히 러시아 및 중국의 연구자들을 많이 활용되고 있다. 활용 분야는, 기초, 응용, 개발 연구별로 고루 분포되어 있으며, 상대적으로 정보 전자통신, 에너지 및 자원 분야에서 활용을 많이 하고 있었다. 외국인 연구자들이 참가한 프로젝트는 한국에서 기술도입기나 기술성장기에 해당하는 프로젝트들이 거의 대부분이었다. 월평균 급여는 1,500,000원부터 2,300,000원 정도의 범위에 속했다. 활용 기간을 보면 50%이상이 1년 미만이었으며 2년 이상은 약 10%정도 수준으로 단기간 활용을 위주로 하고 있는 편이다. 외국인 연구자 활용의 이유로써는 외국인 연구자가 가지고 있는 과학기술 지식을 흡수하거나 공동으로 신기술 지식을 개발하려는 목적 등이 지원제도 이용 차원이나, 해외 연구 네트워크 구축, 단순한 연구인력 충원 차원 등의 목적보다 많은 것으로 나타났다. 이는 기초과학 수준이 높은 북방권 국가들의 과학자들이 주로 활용되고 있다는 점에서도 잘 알 수 있으며 우리의 과학기술 약점을 보완하는 원천으로써 외국인 연구 인력이 대안이 되고 있음을 시사한다. 본 연구에서는 한국 연구 조직에서 일하는 외국인 연구자들의 동기 및 성과에 영향을 미치는 많은 요인들을 확인할 수 있었다. 상관관계, 분산분석, 회귀분석 등을 통해 활용 성과에 미치는 영향 요인들을 도출하였다. 설문 분석을 통하여 동기 및 성과 사이에는 강한 상관관계가 존재하는 것을 확인할 수 있었으며 이는 전통적인 동기 이론들과 부합한다. 대부분의 변수가 동기 및 성과에 동시에 영향을 미치는 것으로 조사되었으며 그중에서도 조직 협력 문화, 외국인 연구자의 의사소통 및 협력성, 외국인 연구자의 연구 능력 관련 변수들 및 연구 프로젝트의 기술수명주기, 외국인 연구자의 기존 기술지식의 흡수 등이 가장 중요한 변수로 나타났다. 이는 우리가 주로 중국 및 러시아 과학자들을 활용하여 상업화하는 외국인 연구인력 활용 패턴과도 일치하는 결과이다. 즉 우호적인 조직문화를 가지고 있는 연구 조직에서, 이미 과학기술 지식을 많이 가지고 있고 연구 능력도 높은 외국인 과학기술자를, 한국에서 기술이 태동 또는 성장하고 있는 연구 분야에서 활용하는 것이 가장 성과가 좋다는 사실을 확인시켜 주고 있다. 국내에서 최초로 수행된 본 연구는 외국인 연구 인력의 활용 성과가 매우 높으며, 우리의 과학기술혁신시스템을 보완하는 유효한 수단으로써 외국인 연구 인력이 중요한 대안이 될 수 있음을 발견하였다. 외국인 연구 인력을 잘 활용하기 위하여 문제점 및 개선방안을 활용 환경, 연구 인력이 중요한 대안이 될 수 있음을 발견하였다. 외국인 연구 인력을 잘 활용하기 위하여 문제점 및 개선 방안을 활용 환경, 연구 인력관리. 인력 교류사업, 외국인 과학자 지원 창구 등으로 나누어서 정리하였다. 연구시설, 주거시설 등의 하드웨어적 환경에 대한 개선도 중요하지만 연구 인력의 관리 능력 제고, 인력 교류 사업의 개선, 정보 제공 등 소프트웨어적인 활용 능력을 제고하는데 정책적인 관심을 기울이는 것이 중요하다고 판단된다.

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Research on the Modification of Folktales' Motifs (민담 모티프의 변용 양상 연구 - 러시아 요술담의 바바야가를 중심으로)

  • Chun, Seonghee
    • Cross-Cultural Studies
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    • v.39
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    • pp.241-286
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    • 2015
  • This study explores how folktales' motifs are used in diverse cultural contents such as literature, movies, or comics. More precisely, it is concerned with mysterious characters like Babayaga and Koshchei who appear in Russian fairytales. When the motifs of the reviewed literature are analyzed, the following three criteria are used for classification: New Writing, Rewriting, and New Version. Or course, it is New Writing that is far from the original work. Most of the collected works, including Joan Aiken's The Kingdom Under the Sea, Patricia Polacco's Babushka's Doll, Babushka Baba Yaga, and Tai?-Marc Le Thanh's BABAYAGA, belong to New Writing. The New Writing type mainly focuses on Babayaga's secluded life. In fairytales, Babayaga is depicted as the goddess of Mother Earth, the heroine of the Nature, or the ruler of the Animal Kingdom. That is why she lives in the deep and uninhabited wood. She is related to the Coming of Age ceremony. Her 'Hut on hen's legs' is an obstacle for immature protagonists to face before they come of age. Protagonists are supposed to solve the problems posed by Babayaga. If they succeed, they can get her magical help so as to complete their final mission. Babayaga is likely to appear as their antagonist. Protagonist may be subjected to a terrible ordeal created by Babayaga, and then come of age by recovering from that ordeal. Sometimes, Babayaga helps protagonists to get a grip on reality. That is why she lives in a hut in the deep and dark forest which is on the borderline between life and death. On the other hand, Marianna Mayer's Baba Yaga and Vasilisa the Brave has been classified as a controversial work between New Writing and Rewriting. It is apparently closer to New Version. However, it cannot be classified as a work of New Version because the author incorporates 'probability' into her work. Among the reviewed works, it is Korean Writer Rye, Kami's The Spider Woman's House that best reflects the essence of Babayaga. Babayaga and other characters are amusing in movies because most of the movies are animations for children. In one sense, it is positive that the scary characters in folktales are approachable to children. In other sense, however, it is regrettable that symbolic motifs are completely eliminated. In Mike Mignola's Hellboy, Japanese animations such as Index or Narutaru, on-line games such as Cabal or Vampire: The masquerade, the essence of the supernatural characters in folktales is completely eliminated, and only their 'belligerent power' stands out. It is desirable to put stories into perspective whether they are written or told. The literature property of folktales provides a special opportunity to readers. In this light, a variety of motifs have a good reason to be reborn as modern cultural contents. The bottom line is to maintain its true nature.

A Case Study of Cognitive Warfare in the Israel-Palestinian Conflict in 2021 (2021년 이스라엘-팔레스타인 분쟁에서의 인지전 사례 연구)

  • Cho, Sang Keun;Choi, Soon Sik;Woo, Seong Ha;Kim, Ki Won;Lee, Seung Hyun;Park, Sang Hyuk
    • The Journal of the Convergence on Culture Technology
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    • v.8 no.6
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    • pp.537-542
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    • 2022
  • The "cognitive warfare," which has emerged as a result of the Ukrainian-Russian war, has already existed in the previous war and is now emerging as a major aspect of the war, its meaning and influence are increasing. Recognizing the emergence and importance of cognitive warfare and understanding the meaning and characteristics of cognitive warfare must be accompanied by victory in the modern war. After Russia's alleged involvement in the U.S. presidential election in 2016 drew attention, the Israeli-Palestinian conflict in 2021 confirmed its upward influence. In particular, 'cognitive warfare' using SNS played a major role in leading the war to its advantage and maintaining the initiative by selecting clear purposes and targets such as the international community, the people, and Hamas. This new pattern of war is gradually emerging as the world is hyper connected with the advent of the Fourth Industrial Revolution. It is expected that it will play a leading role in the future battle if it clearly recognizes the main contents of the new war, "Injijeon," and has the ability and ability to actively operate it.

Home Range of Juvenile Chinese Egrets Egretta eulophotes during Post-fledging Stage in Chilsan Archipelago, Republic of Korea (칠산도 노랑부리백로 유조의 이소 후 하절기 행동권)

  • Son, Seok-Jun;Oh, Jung-Woo;Hyun, Bo-Ra;Kang, Jung-Hoon
    • Korean Journal of Environment and Ecology
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    • v.35 no.2
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    • pp.98-105
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    • 2021
  • Understanding the migration patterns and habitats of juvenile birds during the post-fledging stage is very important for conservation and management of individuals. The Chinese Egret is an internationally protected species. During the wintering season, they inhabit South-East Asia, such as the Philippines, Malaysia, and Taiwan, and breed in China, Russia, and uninhabited islands on the west coast of Korea. IIn this study, we attached a GPS telemetry tracking device to six juvenile Chinese Egrets breeding on Chilsan Archipelago in 2018 and 2019 to identify habitats by analyzing the home range during the post-fledging stage in the summer season. The individual CE1801 moved north and then returned to the Yeonggwang Baeksu tidal flat area, and CE1802 and CE1803 migrated north and inhabited Taean-gun. In 2019, CE1901 showed a similar pattern to CE1801, and CE1902 migrated southward to the Wando-gun area, while CE1903 moved south to the Sinan-gun area then returned to the Yeonggwang Baeksu tidal flat area, showing KDE 50%. The study results confirmed that the Chinese Egret moved broadly around the flat tidal area on the west coast to find a stable habitat during the post-fledging stage. Efforts to protect the habitat, such as limiting the development of this area and restricting human access, are necessary.

Dendro-anatomical Study for Identification of Pine at Korea (국내산 소나무 식별을 위한 연륜해부학적 연구)

  • Lee, Kwang Hee;Seo, Yeon Ju;Kim, Soo Chul
    • Journal of Conservation Science
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    • v.38 no.2
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    • pp.109-116
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    • 2022
  • This study identified Korean red pine (Pinus densiflora) and exotic pines (Pinus resinosa, Pinus sylvestris) with a similar anatomical structure using a dendro-anatomical method that applied dendrochronology, tracheid length, and uniseriate ray cell size. Korean red pine samples were collected from 13 national parks, while exotic pine samples were secured from two wood importers. Tracheid length was measured by distinguishing earlywood from latewood, and uniseriate ray height and cell number were determined. As the exotic pine tree-ring chronology was consistent with the foreign standard tree-ring chronology and displayed high statistical significance, the country and region where the pine samples had been felled and the exact felling date were confirmed. According to the results, which compared tracheid length and uniseriate ray size, no difference was observed between the Korean red and Russian pines. However, the tracheid length of the Russian pines turned out to be slightly longer than the length of the Korean red pine. Additional research securing a larger number of exotic pines (P.resinosa, P.sylvestris) is required to yield more accurate results in the future.

Differences in Sentiment on SNS: Comparison among Six Languages (SNS에서의 언어 간 감성 차이 연구: 6개 언어를 중심으로)

  • Kim, Hyung-Ho;Jang, Phil-Sik
    • Journal of Digital Convergence
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    • v.14 no.3
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    • pp.165-170
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    • 2016
  • The purpose of this study was to explore the differences in sentiment on social networking sites among six languages (English, German, Russian, Spanish, Turkish and Dutch). A total of 204 million tweets were collected using Streaming API. Subjective/objective ratio, sentiment strength, positive/negative ratio, number of retweets and boundary impermeability were analyzed with SentiStrength to estimate the trends of emotional expression via Twitter. The results showed that subjective/objective ratio and the positive/negative ratio of tweets were significantly different by languages (p<0.001). And, there were significant effects of language on sentiment strength, boundary impermeability and the number of retweets (p<0.001). The results also indicate that the cross-cultural, language differences should be taken into account in sentiment analysis on SNS.

The Study on the Costume of Art in the Russian Suprematism - Focused on Kasimir Malevich's Art Works - (러시아 절대주의 예술의상 연구 - 카시미르 말레비치의 예술작품을 중심으로 -)

  • Park, Yoon-Jeong
    • The Research Journal of the Costume Culture
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    • v.17 no.6
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    • pp.1083-1098
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    • 2009
  • The purpose of the study is to revaluate the new artistic values of Suprematism that immensely influenced the Russian culture in the beginning of the 20th century. Also through studying the relationship between people and costume within works of Malevich, who wanted to portray humanity through his art works, this study will research on how Suprematism not just stood as Russian Avant-garde art but significantly contributed to art and costume expression. The study methods are as follows. First, consider the formative background of Suprematism style of arts. Second, study of the development of Suprematism art through both Suprematism art and Non-objective art. Third, study how Suprematism style of arts is portrayed in art costume through works of Malevich. The results of the study are as follows. The Russian Suprematism art costume strictly originated from the Russian Suprematism style of arts. Suprematism simplified any reproductive element of fine art with a creative energy, which reflects the statement of Malevich that said, "The object does not exist, it only stands as a symbol." In other words, Suprematism abolished ordinary response to basic environment, and created a much more serious reality than the innate reality of the environment. When applied to art costume, such style sought after geometrical simplicity in shape and Neo-Premitivism trait in color. This trend is also expressed in 21st century fashion in new forms of Minimalism or Futurism. In this respect, Suprematism still holds an artistic value in a novel form even after a century since the beginning of 20th century when Malevich first presented Suprematism.

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A Study on the Costume Designs of Arts in the Italian & Russian Avant-Garde - Focused on Futurism and Constructivism - (이탈리아와 러시아 전위(Avant-Garde) 예술의상 디자인 연구 - 미래주의(Futurism)와 구성주의(Constructivism)를 중심으로 -)

  • Park, Yoon-Jeong
    • The Research Journal of the Costume Culture
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    • v.19 no.1
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    • pp.128-149
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    • 2011
  • This study dealing with the Italian futurist and Russian constructivist costume designs which aimed for new fashion design freed from the conventional meanings of fashion and explore the artistic purpose reflected within the designs expressed differently according to cultural and regional differences in order examine the early 20th century Avant-grade costume designs. The scope of this study is limited to the 1910s to the 1930s when the Italian futurism and the Russian constructivism were originated and were most active. This monograph focused on the works of the Italian futurists, Giacomo Balla who declared the 'Manifesto delle moda minile futurista', Fortunato Depero, and Thayaht who suggested a new direction for the futurist, and on the works of the Russian constructivists Alexander Rodchenko, Varvara Stepanova and Liubov Popova. As an one method of investigated, this paper is used materials of various sources to examine their features. Futurists costume designs expressed a radical conception of progress and their source of aesthetics was dynamism. The concept of 'power' which was the basis of the futurists was incorporated in the costumes while non-symmetrical cut-outs and bright and vivid colors completed the futurist costume designs. Moreover the Russian constructivists brought advances in the field of fabric and textile designs. What was particularly interesting about the Russian constructivist costumes was that the artists worked at the textile mills themselves, directly involved in the designs and manufacturing of fabric, developing an advancement in textile and a new understanding of costume. Furthermore, many Russian artists settled in Paris, actively participating in the fashion industry, and therefore, they have greatly contributed to the development of the early 20th century Avant-garde costume designs.

Phonological Characteristics of Russian Nasal Consonants (러시아어 비음의 음운적 특성)

  • Kim, Shin-Hyo
    • Cross-Cultural Studies
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    • v.39
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    • pp.381-406
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    • 2015
  • Russian nasal consonants / m /, / n / have a feature value not only [+consonant] in common with obstruents, but also [+sonorant] in common with vowels. Nasal / m /(bi-labial) and / n /(dental) have the same place of articulation but different manner of articulation. The feature value of / m / is [+cons, +son, +nas, +ant, -cor, -high, -low, -back, -cont, -del, rel, -strid, +voic], and that of / n / is [+cons, +son, +nas, +ant, +cor, -high, -low, -back, -cont, -del, rel, -strid, + voic]. There is a difference in feature [cor] value of / m / and / n /. In this study it is confirmed that it is a fact that the Russian nasal consonants behave differently from the other consonants in each phonological phenomenon due to their phonological characteristics. The preceding voiced obstruent is changed to an unvoiced one in a process where the last voiceless obstruent in the consonant cluster ' voiced obstruent + nasal /m/ + voiceless obstruent' skips the nasal consonant and spreads its feature value to the preceding voiced obstruent transparently because of the feature [+sonorant] of the nasal consonant. The coronal nasal /n/ participates in a palatalization with the following palatal actively and palatalize preceding plain consonants passively because of markedness hierarchy such as 'Velar > Labial > Coronal'. But the labial nasal /m/ is palatalized with the following velar palatal actively and participates in a palatalization with the following coronal palatal passively. This result helps us confirm the phonological difference of /m/ and /n/ in a palatalization. When the a final consonant is nasal, the unvoicing phenomenon of a final consonant doesn't occur. In such a case as cluster 'obstruent + nasal' the feature value [voiced] of the preceding obstruent doesn't change, but the following nasal can assimilate into the preceding obstruent. When continuing the same nasals / -nn- / in a consonant cluster, the feature value [+cont] of a weak position leads the preceding nasal / n / to be changed into [-cont] / l /. Through the analysis of the frequency of occurrences of consonants in syllabic onsets and codas that should observe the 'Sonority Sequence Principle', the sonority hierarchy of nasal consonants has been confirmed. In a diachronic perspective following nasal / m /, / n / there is a loss of the preceding labial stop and dental stop. But in clusters with the velar stop+nasal, the two-component cluster has been kept phonetically intact.