• The Journal of the Korea Contents Association
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• v.18 no.1
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• pp.336-344
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• 2018

This research proposes a suitable classification and analysis standard for digital exhibition to analyze digital exhibition. Through the previous studies on digital exhibition classification, the necessity of the new standard is suggested and the analysis standard which can be easily applied to the change of concept and form of the newly emerging digital exhibition is established. Digital exhibition should take into account the elements of audience participation that naturally arise from exhibition planning and interactive storytelling format. Classification and analysis of existing digital exhibition spaces are conceptual classification based on keywords. This is because traditional exhibition methodology has been applied in the process of classifying exhibitions and works. However, in digital exhibitions, the interactive aspect between exhibition space, works, and visitors become so important that it is necessary to perform a performative classification between the works and the audience in the digital exhibition. Accordingly, the way of participating directly or indirectly in the exhibition classification should be considered based on what the audience feel. In this research, the interpretation of the classification and composition of the exhibition is based on Benjamin's argument which the classification of the sensory experience of the audience and 'Aktualisierung' closely related to the interaction with the audience. We also present analysis standard for digital exhibition according to the structure of the art exhibition narrative based on the narrative structure of Chatman. This classification methodology will provide the exhibition information in a way that can be easily understood by the visitors and it will be a precedent research that secures the expansion and accessibility of the digital exhibition.

• Journal of Digital Convergence
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• v.19 no.12
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• pp.435-441
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• 2021

In recent years, with thedevelopment of digital media technology immersive experiential exhibitions that provide realistic and realistic exhibition experiences to the audience are increasing In this study, the representative cases of these immersiveexperiential exhibitions were analyzed with a focus on the elements of the exhibition design. We also introduced the exhibition case of 'A Hero's Adventure' which was held and operated by applying game design elements to thethe directing planning of an immersive experience exhibition. In addition, the effects and utilization methods of the exhibition that applied game planning elements such as challenges goals conflicts rules and wins and losses were considered.

• Journal of Korean Society of Archives and Records Management
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• v.13 no.1
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• pp.7-33
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• 2013

Recently, the development of information technology (IT) continues to promote the digitalization of archives (valuable records) and has therefore, affected archiving centers. This digitalization is shown to these archiving centers by taking advantages of various digital exhibitions. This study aims to consider why it is necessary to use digital exhibitions in archiving centers. In order to examine the needs of digital exhibitions, this study focuses on some ideas and important roles in digital exhibitions and research cases of online exhibitions applied with digital technology. Consequently, this study derives some values from them. Digital exhibitions held online continuously provide the following; first, a great amount of information about the archives by using hyperlink; second, the ability to recreate the attractive contents of digitalized archives by utilizing virtual reality, which makes the users greatly interested; the third and final thing online digital exhibitions provide is the storytelling it provides, which also serves as an avenue for people to communicate with one another. These processes of communication are also reflected in the story. In addition, they can help publicize not only the archiving center, but also the local community as it promotes cultural and tourism resources.

• The Journal of the Korea Contents Association
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• v.10 no.9
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• pp.212-219
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• 2010

Modern museum, along with the basic roles of a museum that display to the public through the exhibition of physical evidences that collected, preserved and researched about human environment, it is changing in a way to appropriately fulfill the desire of new culture of the public and to fit the paradigm of the digital era. Diversification of expression method using multimedia played a big role in effective meaning delivery and technology development made possible for interaction-able of digital media build up and application to made possible of interactive communication for visitors. If the main purpose of the past museum exhibition was the delivery of information and knowledge, modern museum's exhibit has been identified as the purpose being diversified through the use of digital media. Exhibition planner, as for museum exhibition that used many characteristics of the digital media as mentioned above, should plan so that past unfamiliar relic can communicate with us living in the modern society. But obsessive usage of the digital media should not shade the interest of the visitors towards the relic in overall exhibition; and what is most important is that other than the exhibition and exhibit, enforcement of translation through systematic coherent approach and its appropriate digital technology and creative application and harmony are more important.

• The Journal of the Korea Contents Association
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• v.21 no.11
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• pp.145-155
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• 2021

Recently because of development of technology the old cultural properties and damaged artworks are stored as digital information using digital technology and produced related contents as well as moving images or digital contents. The regenerated information and contents through digital technology conveys correct information of ancient art and helps audiences appreciate it, as well as it also stores accurate information and can be used for restoration and preservation of the work. In this study, the range of digital restoration was defined in three directions, and the exhibition of digital content with an ancillary role that can be useful the understanding of the heritage of nature and mankind using digital technology was defined as the range of digital restoration. In addition, the Ojukheon Museum in Kangneung and The Museum of Natural History in New York, which installed various digital displays to analyze and compare the types of digital display exhibitions used for digital restoration of the range, were described as examples. Through this, it was discovered that digital display exhibitions for digital restoration can effectively deliver information and stimulate participation and interest of visitors in the museums, which is able to be a positive way to preserve the heritage of nature and mankind.

• Digital Contents
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• no.6 s.121
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• pp.130-133
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• 2003

디지털콘텐츠 사이버 박람회라는 모토로 한국데이터베이스 진흥센터에서 운영하는 온엑스포. (www.onexpo.or.kr). 데이터베이스, 소프트웨어, 전자책, 게임, 무선인터넷 콘텐츠 등으로 디지털 콘텐츠를 분류해 인터넷 상에 상설 전시함으로써 시공의 제한 없이 제품 전시 및 해외 마케팅 창구 역할을 하고 있다. 월간 <디지털콘텐츠>는 온엑스포 입점업체를 소개하고 우수 개발업체를 발굴하고, 기업간의 네트워크를 활성화하고자 한다.

• Digital Contents
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• no.7 s.122
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• pp.102-103
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• 2003

디지털콘텐츠 '사이버 박람회'라는 모토로 한국데이터베이스진흥센터에서 운영하는 온엑스포(www.onexpo.or.kr). 데이터베이스, 소프트웨어, 전자책, 게임, 무선인터넷 콘텐츠 등으로 디지털 콘텐츠를 분류해 인터넷상에 상설전시 함으로써 시공의 제한없이 제품전시 및 해외 마케팅 창구 역할을 하고 있다. 월간 [디지털콘텐트]는 온엑스포 입점업체를 소개해 우수 개발업체를 발굴하고, 기업 간의 네트워크를 활성하고자 한다.

• The Journal of the Korea Contents Association
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• v.8 no.11
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• pp.162-170
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• 2008

The promotion of new product is one of most important object for exhibition design. The majority of conventional exhibition technique has been implemented through one-way communication. However, using digital technology, development of new exhibition techniques is necessary for promotion of high-tech products and consideration of the phases of the times. This paper propose the various possibilities of exhibition design model which is using camera sensing and video input/output. Interactivity is efficient method to communicate between viewers and displays. Viewers can be participate actively and exhibition goal will be accomplish through this. Using camera as visual senses, video input/output technique is offered not only introducing new product but also entertaining viewers through various ways of representation. Physical experience and learning process can be expected from the exhibition space and the object. The classification of the artist who are using video input/output technique and exhibition examples are described. The collaboration on a work with the new media artist and the exhibition design will be complement each other. It will be solved the problems of realization and corporation of idea and technology.

• Digital Contents
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• no.5 s.120
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• pp.102-105
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• 2003

디지털콘텐츠 '사이버 박람회'라는 모토로 한국데이터베이스진흥센터에서 운영하는 온엑스포(www.onexpo.or.kr). 데이터베이스, 소프트웨어, 전자책, 게임, 무선인터넷 콘텐츠 등으로 디지털 콘텐츠를 분류해 인터넷상에 상설전시 함으로써 시공(時空)의 제한없이 제품전시 및 해외 마케팅 창구 역할을 하고 있다. 월간<디지털콘텐츠>는 온엑스포 입점업체를 소개해 우수 개발업체를 발굴하고, 기업 간의 네트워크를 활성화하고자 한다.

• Digital Contents
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• no.8 s.123
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• pp.88-89
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• 2003

디지털콘텐츠 '사이버 박람회'라는 모토로 한국데이터베이스진흥센터에서 운영하는 온엑스포(www.onexpo.or.kr) 데이터베이스, 소프트웨어, 전자책, 게임, 무선인터넷 콘텐츠 등으로 디지털 콘텐츠를 분류해 인터넷상에 상설전시 함으로써 시공의 제한없이 제품전시 및 해외 마케팅 창구 역할을 하고 있다. 월간 [디지털콘텐츠]는 온엑스포 입점업체를 소개해 우수 개발업체를 발굴하고, 기업 간의 네트워크를 활성화하고자 한다.