• Smart Media Journal
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• v.5 no.4
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• pp.96-102
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• 2016

The purpose of this study is to investigate the transformation of affordance in iOS GUI design and the relationship of affordances. We figured out variety kinds of Affordance concepts and choosed six Affordances(Visceral, Behavioral, Reflective, Explicit, Metaphorical, Pattern Affordance) Based on the previous studies. The result of investigating the transformation of iOS GUI design which based on the viewpoint of these 6 Affordance we have chosen is as follows. Firstly, the Visceral Affordance of iOS GUI design has already sufficiently become to the Reflective Affordance. So we can ignore or ellipsis the Visceral Affordance and the addition of specific Explicit Affordance can be possible. Secondly, due to the use experience of iOS, Behavioral Affordance and Pattern Affordance have already become to a kind of Reflective Affordance. Through this evolution, new kind of Pattern Affordance is formed. At the mean time, it also applied the basic field of Metaphorical Affordance. Thirdly, investigating the Flat Design of iOS based on the viewpoint of Affordance, we have figured out that Visceral Affordance has been reduced. So that the constrains of visual performance has also been reduced. This is the reason that there are more space remained in screen layout design, the color has become more natural and more Explicit Affordance has been provided, ect. Futhermore, in this thesis we have also figured out that there are some interactions and relationships between each Affordance. With the development of iOS, some Affordances have transformed to other Affordances. With the accumulation of use experience, Visceral Affordance has transformed to Reflective Affordance based on the field of Metaphorical Affordance. With the disappearance or reduction of Visceral Affordance, iOS provide Explicit Affordance instead. As a result of this kind of process, a new Pattern Affordance has been formed.

• Archives of design research
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• no.18
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• pp.123-134
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• 1996

For handicapped person who have a handicap in moving, vehicles are indispensible, especially in the viewpoint of handicapped person's participation for social life by rehabilitation, the freedom of movement equaling to nonnal person is a important factor for improving the quality in being complete growth.In the purposese of positively social participation of handicapped person, this study investigated the general problems about using a means of transportation in the users of wheelchair and for solving these problems and approached, in the viewpoint of styling, vehicles were considered from character of self-supporting in getting on and off a car. For that first, this study was progressed by suggesting invigorating convenience facilities in already established vehicles for the user of a wheelchair and the part of moulding of modified vehicles in a structure. Moreover, making a selection of domestic vehicles arbitrarily, analyzing a internal structure of a boarding of a wheelchair, and suggesting the modified model of vehicles by the sketch.

• Korean Institute of Interior Design Journal
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• v.22 no.3
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• pp.135-144
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• 2013

This study is to focus on an innate creative 'spirituality' of Weimar Bauhaus' pedagogical thoughts and their backgrounds. In particular, this notes three elements of Universal mysticism, Orientalism in early Bauhaus including Expressionism, and Froebelian Education as the more practical among the romantic legacies as a source of modernism. Arguably, through these researches, just as the expressionists represent the crystallization of glass as the spirit, the important that should be noticed is explained as the fact that a panentheistic Idea of matter and spirit as a whole had been spreading to be recognized consciously or unconsciously; in other words, this awakening as dualistic monism might be one of the greatest peculiarities of modernity, and, as the fact that the universal thought and principle of 'panentheism' emphasizing a 'divine' artistic volition which is immanent in the individual is implanted first of all fundamentally by Froebelian educational influences.

• Archives of design research
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• v.13 no.3
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• pp.211-220
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• 2000

Cultural contact, which means a current that an influential culture diffuses to another, represents the penetration of the one to the other in a negative respect and'mixture'or 'fusion'of them in an affirmative respect. Fusion of cultures was not easy to take place in the past when nationalism and ultranationalism suppressed it ideologically, inconvenient transportation and communications were obstacles to it, and most of countries were under the influences of folk religions. Today, however, mutually heterogeneous cultures can be shared by a lot of things such as collapse of a view of nation resulted from globalization, breakdown of regional characteristics, abolition of trade barriers, freedom of communications and realtime information network. Those have rendered fusion possible. Fusion in this modern consuming society is extending much faster and more extensively than at any time in the past. In addition, more and more cultural elements seem to collide and compromise with one another in the name of fusion, not relaxing the bridle of fusion, from the present situations that preference in consumption becomes subdivided and a variety of individuality is strongly attempted to seek for, This study is on the subject of the properties of'Fusion', one of new styles in a mass culture, especially focused on sociologic cultural phenomena. Furthermore, it is expected to look for a fusion in interior design which expresses sociologic cultural phenomena most in a field of design, to examine it theoretically, and to prospect a future trend of fusion design based on investigation of the latest prevailing trend.

• Science of Emotion and Sensibility
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• v.17 no.3
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• pp.49-56
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• 2014

This study aims at providing basic data for product planning to design smart clothing and to develop applications, focusing on consumers by satisfying their emotions through analyzing emotional factors on smart clothing, comparing emotional differences between conventional clothing and it, reviewing changes of consumers' emotion by integrating the product and clothing and researching differences of preference and purchase intention between smart clothing and traditional one. As the results of the study, emotional factors for smart clothing were analyzed with total 6 including 'technical', 'comfort', 'aesthetic', 'modern', 'fun' and 'multiple' factors. Among them, except for 'comport', five emotional factors showed emotional factors between conventional sport-casual clothing and smart clothing. That is, emotional factors of 'technical', 'aesthetic', 'modern', 'fun' and 'multiple' were emphasized more in smart clothing than conventional ones, indicating that they should be considered in planning products of smart clothing. Though there was no significant difference of preference between smart clothing and conventional clothing, in case of comparison of averages, that of smart clothing was a little higher. For purchase intention, smart clothing was lower than the conventional clothing. So preference seems to be not directly related to consumers' immediate purchase. To make consumers' interests and preference to result in purchase, it is necessary to develop smart clothing with more various applications and to prepare commercializing strategies. As the results of the analysis on free-descriptive questionnaire survey, consumers were interested in development of smart clothing to help diet with functions including energy harvesting from body motion, calorification and perspiration, measurement of motion and calory consumption as well as health-care type smart clothing to measure heartbeat and ECG. Reflecting these requirements from the consumers, they should be utilized as guidance to develop smart clothing in the future.

• Korean Journal of Construction Engineering and Management
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• v.12 no.3
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• pp.11-21
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• 2011

The most critical issue in free-form buildings is how to construct the free-formed exterior facade panels. Their geometric complexity delivers many cons and problems in fabricating and constructing their shapes. To construct a free-form building, first of all, its skin has to be chopped into small pieces, which is called panelization. After panelization, the panels go through an optimization process to construct them economically. The panel's geometries are modified or regenerated through this optimization process. In this study, the panel optimization process of free-form buildings are performed through a case study. The panel shapes of the case study are modeled with Digital Project. To test the constructability of the various panels, 8 mock-up panels are made and laser scanning technology is applied to measure the preciseness of the panels manufactured in comparison with their original design.

• Journal of the Korean Society of Floral Art and Design
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• no.45
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• pp.77-95
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• 2021

This study considers the problem of reality that our floral art has to overcome as a loss of the floral art spirit caused by the expansion of Western-centered formalism flower culture, and considers the discussion on the deformality of distancing and the free spirit of nomadism. The floral art, which works on the creator's aesthetic mental world through flowers, is an art of mental image that values the free mental world of the creator. It also refers to the importance of artist consciousness as an art of self-imago that makes the target world beyond the "expression of similarity" that reproduces the target world. In this context, the lack of concern about the identity of Korean floral art appears to be the creative training and work of Korean floral artists who are biased toward Western expression techniques and creative methods. It also expresses a problem with our cultural consciousness, which is dominated by the Western flower culture of flower design. Here, we are obliged to understand the reality of Korean floral art biased by Western flower design and to organize discussions to solve the problem. Therefore, this study examines the problems that our floral art has to overcome as part of seeking the identity of Korean floral art and enhancing the cultural value of Korean floral art through criticism of Western cultural acceptance. This is a historical consideration of the nature of Korean floral art to recover, while also a process of identifying the meaning of the free creative spirit that the artist should maintain as an aesthetic art. Furthermore, such criticism of the Korean floral art culture and discussion of introspection are expected to serve as an opportunity to further expand the academic discourse system for the floral art while embodying the "identity" of Korean floral art.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.21 no.9
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• pp.9-16
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• 2020

Wireless charging has been considered an essential part of recent mobile devices. Moreover, various wireless charging systems have emerged through many studies. Among the systems, in the 2D flat coil system, the transmitter coil and receiver coil are arranged horizontally as close as possible to improve the charging efficiency. Nowadays, the 3D coil system has been proposed by adding some slope to flat 2D coils to reduce the volume. On the other hand, the 3D coil system has a lower charging efficiency than the 2D system that decreases rapidly with increasing distance. This paper proposes a new system that improves the low efficiency and charging freedom, which are the drawbacks of the existing 3D systems. The proposed system was designed in three-dimensions, and another transmitter coil was added to the transmitter coil to improve the transmission efficiency and flexibility. The measurement showed that the charging efficiency of the proposed system was 40.10% when the distance between coils was 8 mm, which is 20.5 % improvement over the existing one. The proposed method can be applied when new wireless charging systems are designed and improve charging efficiency can be improved.

• Electronics and Telecommunications Trends
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• v.13 no.4 s.52
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• pp.43-58
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• 1998

애니메이션이나 멀티미디어에서 사용될 물체들을 모두 처음부터 만들어 나간다는 것은 굉장히 시간이 많이 들고 힘든 일이다. 따라서, 물체를 처음부터 디자인하는 것이 아니라 단순한 모양의 물체로부터 복잡한 모양의 물체를 쉽게 만드는 방법에 대한 연구가 많이 진행되었다. 본 논문에서는 그래픽스 분야의 물체 변형기법에 대한 연구 결과들을 살펴본다. 대표적인 변형기법으로 Barr의 음함수 변형법, 자유형태 변형기법과 그 확장, skeleton warping 등을 살펴본다. 물체의 보다 사실적인 변형을 얻기 위해서 물리 법칙을 이용하는 방법과, 구조가 복잡한 물체를 여러 상세 단계로 나누어 처리하는 다중해상 방법도 살펴본다. 그리고, 매개변수 함수로 표현된 물체를 편집할 경우에 곡선/곡면의 제어점 대신 물체상의 임의의 위치를 직접 움직이는 직접제어 기법의 연구동향을 살펴본다.

• Proceedings of the ESK Conference
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• 1996.10a
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• pp.85-90
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• 1996

현재 초,중,고등학교에서 사용하고 있는 책상과 의자는 학생들의 신장 등급에 따라 13호로 제작되 고 있음에도 불구하고, 신체부적합에 의한 편이도. 안전도에 문제를 안고 있다. 이러한 책상과 의자는 특히 장시간 앉아 있는 성장기 청소년의 신체 발달을 고려하지 않음으로 인해 그 개선책이 시급하다 하겠다. 다라서 본 연구에서는 설문조사를 통하여 초,중,고등하교 학생들의 감성적 선호도를 조사하 고, 1992년 표준과학연구소의 부위별 신체 측정 자료를 토대로, 자유 조절형의 인체공학적 책상과 의자 를 설계하였다. 이 인체공학적 설계는 한 호수의 제품으로 색상 4단계, 의자 3단계(조합 12 단계)조절 을 가능하게 했으며, 기존의 교구에서 발생하던 신체 부위 상해, 잘못된 자세로 인한 피로, 디자인적 고 려 부재의 문제들을 종합적으로 보완하였다. 이 인체공학적 책상과 의자는 표본 집단에서 그 편이도, 안전도, 개인적 선호도를 조사하여, 기존의 교구와 유의한 차이를 보였다. 중 저가로 제작 가능한 본 인 체공학적 책상과 의자는 실제초,중,고등학교에서사용 가능한 제품으로 사료되나, 본격적인 판매에 앞서 완제품에 대한 시장 평가가 요구된다.