• 과학과기술
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• 제28권8호통권315호
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• pp.20-21
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• 1995

1822년 유럽 화란의 동인도회사 군의로 일본에 파견된 독일인 의사 시볼트 .그는 일본에 7년 동안 주재하면서 나가사키에 병원을 차리고 일본의 동ㆍ식물 등 자연을 관찰, 연구하여 일본의 근대과학 발전에 이바지했다. 귀국 후엔 일본과 조선견문기를 써서 유럽에 소개하는 업적도 남긴 시볼트를 재조명해본다.

• 한국교육논총
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• 제38권2호
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• pp.143-164
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• 2017

본 연구는 전근대 우리 땅을 밟은 외국인들인 벨테브레와 하멜을 역사 수업에 어떻게 활용할 수 있는지에 대한 연구이다. 벨테브레와 하멜은 모두 네덜란드 사람이며, 조선에 먼저 표착한 이는 벨테브레였다. 네덜란드 동인도회사 소속의 선원이었던 벨테브레는 1627년 제주도에 상륙하였고, 이후 귀국하지 않고 '박연'이라는 이름으로 조선에 귀화하여 조선에 귀화한 최초의 서양인이 되었다. 박연은 당시 북벌정책을 실시하고 있던 조선에서 훈련도감에 근무하며 조선의 병기개발 및 개량에 커다란 역할을 다하였다. 네덜란드 동인도회사의 무역선 포수였던 하멜은 1653년 조선에 표류하여 13년 동안 여러 계층의 사람들과 접촉했고, 여러 지역으로 끌려 다니면서 당시 조선의 풍물과 풍속에 대한 사정을 자세히 관찰할 수 있었다. 교류사 학습은 세계사의 종합적인 이해에도 도움을 준다. 학생들은 서양사와 동아시아사, 한국사를 구분해서 배우기 때문에 세계 역사의 종합적인 흐름이나 시대별 서양과 동양의 모습에 대한 종합적인 이해가 힘들 수 있다. 전근대의 동서교류와 관련된 인물들에 대해 학습하는 것은 학생들로 하여금 서양과 동양의 역사를 세계 역사의 흐름 안에서 같이 연결 지어 이해할 수 있도록 해줄 것이다.

• 복식
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• 제65권4호
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• pp.109-123
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• 2015

The object of this research is to take a bilateral look into cultural exchanges of the Netherlands and Japan through the East India Company and thereby improve the general understanding in regards to the exchanges of costume cultures between the East and the West. The study conducted qualitative analyses on features of contemporary costumes of the Netherlands and Japan from 1602 to 1799 by investigating the secondary sources, such as the histories of costumes, arts, and literature. The results are as follows; the traditional sleeves of the Japanese Kimono were basically cut out in a straight line. However due to the growing popularity of the kimono home gown in Europe, the producers of the kimono in India as well as several other European countries modified them into western-style sleeves. Regarding the costumes of the Netherlands, which were introduced to Japan, the study found that Japan imported Dutch fabrics, instead of specific clothing items. In Japan, costume controls and anti-conspicuous consumption regulations among social classes including a closed-door policy had negative effects on both developments and exchanges of costumes of the country. However, when it comes to the Jinbaori, a costume for ruling classes, Japan was open to using fabrics, patterns and designs of the West. In light of what have been discussed so far, the study confirmed that the costume exchanges between the two countries started long after their first business of the general cultural exchanges. Though it is clear that the advancements in the natural sciences that the Japanese made can be attributed to the West, Japan was one of the nations that impacted the costume cultures in Europe.

• 복식
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• 제65권8호
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• pp.136-150
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• 2015

The purpose of this thesis is to elucidate the exchange between the East and the West during the 17th century through analyzing the oriental influences described in paintings in Delft school, a trade port of East India Company. The scope of this study focused on the 37 pieces of works by Johannes Vermeer and 31 pieces of the paintings by Pieter de Hooch, which are all the existing work, as analysis targets. The resources of this study were from previous papers about the history of costumes, paintings and culture, Internet sources and other qualitatively analyzed articles. The items that the study looked into were Delft porcelains and Delft tiles, Turkey carpets, costumes and accessories pearl earrings and headdresses. The study looked into oriental factors observed in each of these items, and analyzed them. In terms of oriental factors that are frequently observed in paintings, porcelains (100%), Deft tiles (100%), pearl earrings (100%) and (most) carpets (92.3%) turned out to have oriental nature, but this was not the case with head dresses (7.7%) and clothing (0.3%). These results happen to coincide with the previous investigation in that the oriental factor was reflected in the culture first, while the effects on costumes significantly lagged behind. This progress in cultural exchange can be seen through the noted use of Chinoiserie, a technique that is representative of the Chinese culture, in the 18th century. Through Japonism, the influence of Japanese culture into Europe was introduced, in detail, in 19th century. These results suggest that there are sufficient amount of sources that could be used to study the effect of orientalism to the Western culture. This study intends to look at how the oriental culture affected those of Europe by researching the Delft school of Netherlands during the 17th century.