• 한국실내디자인학회논문집
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• 제16호
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• pp.190-201
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• 1998

The purpose of this study is to consider the correlational factors of space sections based on the fact the exhibition space plays an important role as a medium of displaying art works. And an another purpose is to investigate the characteristics of various types of exhibition unite space from which In intend to suggest basic sources of exhibition design. I classified domestic and foreign museum which are chosen as objects of study according to form and shape of a section plan. Then comparing exhibition space's form and scale exhibited genre lighting system layout composition display and its correlation with an already established thesis on museum architecture I will infer the characteristics of each type of a space. From these studies proper display conditions requested at the museum are different from the genre and property of the exhibited objects. And lighting system display angel of view and appreciation type affect the exhibition area. The shape of space classifies types of section which cause space's characteristics.

• 한국디지털건축인테리어학회논문집
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• 제8권2호
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• pp.57-64
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• 2008

The walls of art museums become the background of exhibits, and they form a unit space depending on the of each exhibit. In addition, the walls are configured and presented depending on the rhythm of space, or the structure of an axis. In this study, according to the axis composed for each unit space, the presentation methods of walls were classified as follows: The central type, the skewed type, the crossed type, the one-side corridor type, and the two-way corridor type. By analyzing visual configurations formed by the arrangement of each unit space, the value and the hierarchy of walls are discussed To analyze the classified types with the physical change of unit space, the factors of visual integration, connectivity, depth, and visual axis are compared, and various configurations of walls and space change are applied.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2004년도 춘계학술발표대회 논문집
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• pp.145-149
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• 2004

This cases are designated to examine various respect of space program in a museum which are focused on 32 exhibition unit space among the 9 case studies of public museum. Therefore, this study cases offer comprehension of a character and trend about exhibition space through the analysis and classification. Also, through setting up the guide line for the classification of exhibition unit space, the intention of the case study is the use of the case study as guide line and offer the basic data of exhibition space for consideration of exhibition act and moving line caused by the exhibition unit space type.

• 한국항해항만학회:학술대회논문집
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• 한국항해항만학회 2023년도 추계학술대회
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• pp.162-165
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• 2023

경상북도 포항시 호미곶에 위치한 국립등대박물관 전시관 2층에 위치한 <등대와 과학> 상설전시의 전시연출 방향을 간략하게 분석하고자 한다. 해당 전시는 박물관 주 관람층인 어린이를 동반한 가족 단위의 관람객을 타겟으로 하고 자연채광을 최대한 살리고 바다 풍경을 관람할수 있는 통창과 포토존이 어우러지는 공간을 구성했다. 전시콘텐츠는 자연스럽게 이야기를 따라 동선을 유도하도록 스토리텔링했으며 전시방식은 항로표지에 적용된 과학원리를 관람객이 흥미롭게 체험할수 있도록 체험형 전시로 연출했다.

• 한국실내디자인학회논문집
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• 제17권2호
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• pp.83-90
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• 2008

This study attempts to understand the arrangement and spatial requisites of art pieces by materializing the visitors' path of movement in the exhibition space, as well as researching their behavior. The purpose of the research is to the guideline for planning the exhibition layout and visitors' circulation can be derived in order to correspond to the visitors' characteristic of movement and circulation-path choice. Although such guideline may have limited use, it is still significant enough to be studied. Taking three Korean art galleries as the subjects of research, this study observes the arrangement of art pieces, movement path of visitors, characteristics of the visitors' behavior and the duration time a visitor takes to view an art piece without moving around in order to understand the arrangement and spatial requisites of art pieces which correspond to the visitors' behavior. The following results have been drawn in this research and analysis; First, when there is an island type exhibition other than the ordinary on-the-wall display in the exhibition space, the visitors' choice of path changes. In short, an island type exhibition seems to be a factor that changes the visitors' path. Second, in the entrance of an exhibition space unit, most of the visitors seem to choose a path which moves counter-clockwise. Third, it is considered that well-known art pieces or art pieces with a big size shall not be displayed on the comer of the exhibition room.

• 한국실내디자인학회논문집
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• 제29호
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• pp.181-187
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• 2001

The art museum plays a role as a cultural space that can solve the cultural desire of people and see a good art works. It is in exhibition space that they personally exchange the feeling between an art work and a viewer in art museum. The types and works - a fiber, a photo, an establishment that needs many places, devices, a video art, and an action art called "performance", cultural art - are shown in small art museum. Moreover, exhibition spaces are modified into the space of another art activities like dancing, music concerts in small art museum because it has no profit space for diverse art activities. And the exhibition the characters of the exhibition space in small art museum. So, it needs to change the characters of the exhibition space in small art museum. Under these background, this stud\ulcorner surveys and analyzes the exhibits, the organization methods, the modified conditions, and the scale of the existing exhibitional space in small art museum. Therefore, the goal of this study is to suggest the composition of the exhibition space unit considering the function and the multifunction in minimum art museum and small art museum.

• 한국실내디자인학회논문집
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• 제16권2호
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• pp.233-241
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• 2007

Circulation planning for exhibition space depends on visitors, exhibition documents and exhibition space. To make visitors feel sympathy for the exhibition and meet visitors' movement and its spatial factors in the exhibition, guidelines for the planning layout of exhibition and exhibition space are needed. This research was aimed at gathering guidelines about the circulation planning for exhibition space for visitors who can acquire exhibition information in a natural way and enjoy the whole aspect of exhibition or enjoy preferential exhibition by investigating and analyzing viewing types of visitors, layout of exhibition and space unit exhibition. The result of this research was summarized as the following. 1) It needs optional viewing space large enough to be seen clearly so that all exhibition space can be seen at a glance at the main entrance of exhibition. 2) Layout of exhibition is needed for island-exhibition position and optional space preparation, when visitors pass by an article on exhibition short-cut. 3) Layout of exhibition is needed for double sided exhibition.

• 한국수자원학회:학술대회논문집
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• 한국수자원학회 2011년도 학술발표회
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• pp.401-401
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• 2011

본 연구는 Bayesian MCMC(Markov Chain Monte Carlo)를 이용한 비정상성 빈도해석 모형에 외부기상인자를 결합하여 계절단위의 강수량을 예측하는데 목적을 두고 있으며, 그 중에서도 홍수 위험도와 관련하여 유용하게 이용될 수 있는 여름강수량을 예측 대상으로 하였다. 비정상성 빈도해석 모형을 기반으로 외부 기상인자에 의한 변동성을 고려하기 위해서는 대상 수문량을 한정할 필요가 있으며 극대치강수량과 연관성이 높은 장마전선, 태풍 등의 기상인자는 공간적 변동성 및 복합적인 특성들로 인해 예측인자를 구성하는 기상인자로 사용하기에는 무리가 있다. 따라서 본 연구에서는 계절단위의 수문량으로 여름강수량을 대상으로 하였으며, 이에 영향을 미치는 외부 기상인자로서 SST(sea surface temperature)와 OLR(outgoing longwave radiation)을 도입하였으며, 낙동강유역 여름강수량과의 공간 상관성이 높은 지역의 이전 겨울 SST와 6월 OLR을 예측인자로 활용한 7~9월 여름강수량 예측모형을 구성하였다. 모형의 검증은 결과를 알고 있는 2010년 여름 강수량을 대상으로 수행하였으며, 모형의 적용은 현재시점에서 관측된 2010년 겨울 SST와, 과거 관측 자료를 토대로 가정된 2011년 6월 OLR을 이용하여 2011년 여름 강수량을 예측하였다. 결과적으로 모형 매개변수들의 사후분포로부터 불확실성 구간을 포함한 예측결과를 구할 수 있었다.

• 보존과학회지
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• 제37권5호
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• pp.440-450
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• 2021

수장고 및 전시 공간의 종합적 유해생물 관리를 위하여 실시간 온습도 센서 및 모듈을 이용한 환경 데이터 수집, 실내 부유 진균류 농도 및 곤충 유입 자료의 데이터 시각화를 부여 정림사지 박물관 유물 공간을 대상으로 실시하였다. 실시간 온습도 모니터링 시스템은 30분 단위로 측정 데이터를 수집하였으며 연동 애플리케이션을 통해 측정 데이터를 실시간으로 확인 가능하도록 하였다. 또한 측정된 온습도 데이터가 미리 설정한 범위를 초과하였을 경우, 푸시 알림을 담당자의 단말기로 전송하여 현황 정보를 제공함으로써 상시적 관리 체계를 구축하였다. 이를 통해 8월 중 유물 권장 온도 범위를 초과한 상황의 즉각적인 인지 및 조치가 가능하였다. 수장고 내부 공간에 따른 시기별 부유진균류 농도 데이터를 국립문화재연구소에서 제시한 생물학적 유해환경요인 권고기준(안) 기준으로 범례화하여 시각화한 결과, 수장고 1층과 2층 유물 공간 모두 위험 기준인 80 C.F.U./m³ 이하의 부유 진균류 농도가 유지되는 것이 확인되었다. 또한 곤충 유입 조사 결과, 수장고 내부에는 곤충이 포획되지 않았으며, 전시공간의 경우, 딱정그리마, 알락귀뚜라미, 알락꼽등이 등의 곤충이 포획되었다. 이를 바탕으로 구역별 포획 곤충의 개체 밀도에 따른 시각화를 실시한 결과, 곤충의 주요 유입 경로가 외부 출입구 및 화장실 구역임을 확인할 수 있었다.

• 한국실내디자인학회논문집
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• 제13권3호
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• pp.171-178
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• 2004

A thesis presented on the study of visitors circulation character, and components in an exhibition space in museums. A behavior ethogram is an investigational tool of tracing examination of visitors. An exhibition layout and behavior characters of exhibition viewing in the configuration of exhibition space are planned by using the method of the behavior ethogram. As time goes by an expansion of a museums concept and changing roles are more extroversive and constructive than the past. It will reflect the phases of the times and show several different aspects. The reflection of the changing circumstance will have to examine an each relationship between exhibition data, exhibition spaces and visitors In the beginning of a plan of the museum. However, the study of a unique behavior pattern and character which are made by moving visitors themselves are quietly not enough studied. The exhibition layout which is considerably examined by the viewing behavior of visitors in act response and a following circulation of viewing have a lack of precise directions and examples. In short, this study ultimately represents to grasp the meaning of the behavior characters of viewing. Furthermore, the basic directions in the museums plan are carefully considered by the reflection of exhibition circulation.