• Korea Petroleum Association Journal
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• no.7 s.125
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• pp.78-83
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• 1991

• JOURNAL OF ELECTRICAL WORLD
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• s.364
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• pp.8-9
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• 2007

• 한국상하수도협회지
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• s.11
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• pp.16-17
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• 2005

• Proceedings of the Korean Society for Bio-Environment Control Conference
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• 1999.11a
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• pp.183-186
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• 1999

오이재배는 초기에 노지직파재배와 조숙재배가 주된 작형이었으나, 플라스틱하우스재배와 함께 새로운 품종육성 및 보급으로 현재는 시설재배를 중심으로 한 재배작형이 다양하게 분화 발전되고 있다. 우리나라에서는 종묘회사가 다다기성, 내서성, 내병성 등을 개선하고 각 재배방식의 환경에 알맞은 우수한 1대 잡종 품종들을 많이 육성하여 보급하고 있다. 1996년 8월 현재 등록된 오이품종은 171품종이다. (중략)

• KIEAE Journal
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• v.17 no.5
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• pp.61-68
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• 2017

Purpose : Ando Tadao has his own unique architectural conception to reproduce natural view on site, and he continues to create new architecture without regarding to any principles. Ando Tadao experiments his imagination through the museum architecture, starts organization of space with light, and completes organization of space with light at once. Methods : The research works as follows: 1) Analyzes the meaningful characteristics showed in his architectural works. 2) Analyze organization of space and use of light in museums designed by Ando Tadao. 3) Selecte his representative museums in Korea and Japan, and then analyze space composition and light use through literature study and field survey. Result : The organization of museum space by Ando Tadao has a close relationship with the light. Light designed by Ando Tadao represents unique architectural varieties such as cushioning space, moving line, spatial characterization, and natural influx.

• Journal of the Korean Society of Costume
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• v.61 no.4
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• pp.24-37
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• 2011

This study aims to figure out any possible expanded expression methods and diverse formative effects in fashion design by recognizing the importance of objects that suggest new paradigms as a means of expressing aesthetic consciousness in contemporary fashion and analogizing the formative characteristics of objects used in fashion and their significance. Accordingly, the study focuses on analyzing and interpreting objects introduced to fashion design with a formative view by substituting the concept of an object that has taken an important position in the contemporary arts for fashion. This study further aims to examine the concept of objects by trend and their characteristics within a syntactical structure and come up with a standard for classification of objects and a framework of analysis from cubism in the early 20th century when the concept of an object began to appear in arts to Dadaism, Surrealism, Pop art, Land art, Environmental art and the present time. Finally, the study aims to examine the status of objects in fashion and the relationships between fashion and objects through analyses on fashion objects and to suggest new perspectives and approaches to interpret the contemporary fashion in the 21st century.

• The Journal of the Korea Contents Association
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• v.13 no.7
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• pp.102-109
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• 2013

The purpose of this study is to express imagination which is not limited to the description of the facts and reproduce the photos as a media to explore the new possibilities for creative expression and the experience of the day-to-day operations for the implementation of the scheme of art genre. The art work for this study using digital images in Autodesk Combustion Workspace as the upper and lower layers were synthesized using the Transfer Mode feature. This study proposed a new photomontage production model, and challenged for the Possibility of a variety of visual representations of media art. Especially the production presents in this study can be applied to various video.

• Archives of design research
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• v.11 no.2
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• pp.155-164
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• 1998

This study is a proposal for the positive application of collage techniques into the process of interior design. For that, we need to set up the appropriate definitions of collage and to analyze its properties as a creative design methode of that field, in the basis of the twentieth-century art history. The study is divided into three sections as follows: 1) The traces of collage in the art movements such as Cubism, Dada, Surealism, and Pop art will be researched in terms of art concepts, appearances and, properties. 2) The relationships between collage and the main ideas of those art movements, as mentioned above, will be discussed for proving that collage is such an effective techniques as to erdxxly Post-modem ideas. 3) The examples of collage techniques and their effects appearing in Post-modem interior spaces will be surveyed for the purpose of proving its abilities as a creative design methode in interior design. Further studies should be succeeded for suggesting practical and educational models of its application.

• The Journal of the Korea Contents Association
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• v.13 no.7
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• pp.110-119
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• 2013

Since the early 20th century photo based art and effort to creative experiment, to pursue the essence of creation to escape from stereotypes between form and media, expression and technology, has been continued persistently. Photomontage was born as an artistic attempt for the new representation. Basically photomontage is configured to visually emphasize the message as a work to produce new meaning by combining the various images that are intentionally selected. The photomontage as a visual art, dialectic of text and image that is to pursue a new format to be out the concept already existing, have been developed, the concept is similar to the modern multiple art. The value of photo montage is to explore of the photo, not limited to describe or reproduce as a deformation, the new possibilities for creative expression and the experience of the day-to-day operation for the implementation of the scheme.

• KOREAN JOURNAL OF CROP SCIENCE
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• v.41 no.2
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• pp.131-138
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• 1996

Soil crusting and hardening as a result of drying after rainfall were examined in relation to seedling emergence by employing five rice varieties (Italiconaverneco, Dadazo, and Galsaekggarakshare, Dongjinbyeo and Sumjinbyeo) and two barnyardgrass species (E. crus-gallj var. oryzjcola and E. crus-galli var. praticola). Sandy loam, loam, and silty loam soils were used. The artificial rainfall of 0, 20 and 40mm were applied after sowing and covering with 4cm soil. Air temperature and solar radiation averaged over 9 days after seeding was 31.3$^{\circ}C$ and 16.9MJ /m$^2$, respectively. Soil strength increased rapidly by drying after artificial rainfall, being greater in soils with greater amount of clay and artificial rainfall. Soil crust was formed on the surface with artificial rainfall in all soils tested. However, soil crust was exfoliated in silty loam and loam soil, and lifted as seedlings emerge. Seedling emergence of rice varieties was decreased by rainfall treatments. Sumjinbyeo and Dongjinbyeo showed much poorer seedling emergence especially in sandy loam soil than the other varieties. Poor seedling emergence of these varieties might have been caused by delayed seedling emergence which had made them expose to greater soil strength. Seedling emergence of barnyardgrasses showed no differences among soil textures and rainfall treatments, because they emerged rapidly before soil crusting and hardening were proceeded enough to hamper seedling emergence. Seedling emergence of Sumjinbyeo and Dongjinbyeo decreased with increasing soil strength averaged over 3 days to 5 days after seeding, being lowered to 80% at soil strength of 1.0kg/cm$^2$ and to 50% at 1.7kg/cm$^2$. Emergence speed of barnyardgrasses was faster than rice varieties, and E. crus-galli var. oryzjcola than E. crus-galli var. praticola. Italiconaverneco and Dadazo showed faster emergence in rice varieties. Galsaekggarakshare showed slower emergence speed than these two varieties with similar seedling emergence percentage. The greater and faster elongations of mesocotyl and incomplete leaf in rice, and of mesocotyl in barnyardgrass were the characteristics responsible for higher seedling emergence rate in the environment examined.