• 제목/요약/키워드: 니트패션디자인

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니트 패션의 미적 특성에 관한 연구 - 패션 잡지에 나타난 국내 니트 디자인을 중심으로 - (A Study on the Aesthetic Characteristics of Korean Knit Fashion)

  • 최해주
    • 한국의상디자인학회지
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    • 제10권3호
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    • pp.61-71
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    • 2008
  • Knit wear with comfortable feeling of wearing and various coordinations gives new values to the modern people, who seek activities and individualities, and the demand for knit wear is on the rise. This article aims to analyze the aesthetic characteristics of Korean knit fashion. Fashion photographs from leading monthly fashion magazines in Korea from 2005 to 2007 had been analyzed. The knitting techniques, and designing characteristics and aesthetic values of Korean knit fashion had been studied. The major conclusions of the study are the following: 1. Korean knit fashion applies various knitting techniques. The knitting techniques used in Korean knit fashion are hand-knitting technique, crochet techniques, lace techniques, plain stitch, rib stitch, and purl stitch technique. 2. Decorations by trimming and matching with different textile materials are used more frequently than decorations by knit material itself. Decorating methods include fringes, spangle, beads, Rhine stone, motif and embroidery decorating. Matching with different textile materials made contrasting decoration effect. 3. Patterms by knitting structure and by arranging colors are applied. Cubic effect by knitting structure patterns, and geometric patterns by arranging colors are emphasized. 4. The formative feature beauties are natural beauty, feminine beauty, and decorative beauty. Korean knit fashion has developed creative and decorative designs through various knitting techniques and decorating techniques. As individual activities may be increased in the future, the designs and applications of knit fashion may be diversified.

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국내외 무봉제 니트웨어 디자인 경향 (Seamless Garment Knitwear Design Trend)

  • 이인숙;조규화;김지영
    • 패션비즈니스
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    • 제15권1호
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    • pp.34-49
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    • 2011
  • This study is the design case analysis of seamless knitwear in order to suggest a new direction of high value-added seamless knitwear and seek for its possibility. Seamless knitwear is the up-to-date knit product that is made by a knitting machine without sewing, and it maintains elasticity of a material itself and is the closest type to the essence of knitwear. The seamless knitwear can satisfy satisfaction of customers with more elegance and individuality and become a method to develop a high value-added design. This study suggests a new direction for the 21st century knitwear design through a practical approach of seamless knitwear designs, pursues a high value fashion, and contributes to improving national competitiveness of fashion industries in order to be a practical research data for seamless knitwear designs.

아란모티프를 응용한 니트웨어 디자인 - 공간적 연속성 이론을 중심으로 - (Designing Knitwear with Aran Motives - In Search of Spatial Continuity Theory with Its Application -)

  • 이윤미;제갈미;장정임;이연희
    • 한국의류학회지
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    • 제32권12호
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    • pp.1971-1980
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    • 2008
  • 본 연구의 목적은 전통적인 니트웨어에 대한 의미와 깊이를 파악하고 베르그송과 들뢰즈의 연속성 이론을 배경으로, 전통 니트의 대표적 패턴인 아란 모티프를 응용한 니트웨어의 디자인 전개와 개발을 해보는데 있다. 현대패션에서 보여지는 주름, 종이접기, 공기주입시스템, 방울이나 꼬임 등에서 느낄 수 있는 소통, 공간적 느낌, 해체적 유동성 등이 연속성 이론의 기본이 된다. 아란 니트는 역사적 전통성을 가지고 있으며, 아란 니트에서 보여지는 모티프는 이러한 연속성의 이론에 부합하고 있다. 본 연구에서는 아란 모티프에서 연속성의 대표적인 케이블 모티프와 연속성 이론을 바탕으로 5점의 핸드 니트웨어를 디자인, 제작하였다. 전통적인 아란 니트와 연속성이론에 기초한 작품 제작 결과를 통하여 새로운 의미를 전달할 수 있는 니트 디자인 개발이 지속적으로 이루어지길 바란다.

케이블 니팅의 표현 유형에 관한 연구 (A Study on the Expression Types of Cable Knitting)

  • 김성달
    • 패션비즈니스
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    • 제22권5호
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    • pp.41-51
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    • 2018
  • Cable knitting, one of the most representative structures of knitwear has been applied to a number of knit items in a variety of expressions every season. The purpose of this study is to analyze the various types of expressions applied with cable knitting techniques to make the necessary data for planning cable knit designs. The types of cable knitting were devide into two categories which are based on the cable knitting pattern and structure. Based on the pattern, firstly, formal type is a reproduction of traditional Aran knit style and is usually applied to a practical and comfortable timeless knit product. Secondly, informal type is irregular applied to patterns and directions to highlight the dynamics of cable patterns. Thirdly, contrasting type emphasizes the cable pattern by contrasting the color of the part of the cable pattern. Fourthly, figurative type is the expression of the conceptual motifs and using the cable knit pattern itself as motif. Based on the structure, firstly, open type is to emphasize patterns and spaces by utilizing open spaces created by the intersection of cabling stitches. Secondly, decorative type is to enhance the ornamental effect of cable knitting by various methods and other subsidiary materials. Thirdly, avant-garde type is applied in various ways with exaggerated volumes or textures using the three-dimensional effects of cable knitting. Through this study, we look forward to the possibility of expressing the unique aesthetic characteristics of each of the various knitting techniques.

중국 소수민족 요족 복식의 특성을 응용한 니트 패션 디자인 (Knit fashion design applying to the features of the Chinese Yao minority costume)

  • 김주;이연희
    • 한국의상디자인학회지
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    • 제22권1호
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    • pp.15-32
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    • 2020
  • This study aims to develop contemporary fashion designs from the unique Yao minority costumes and to explore the possibility of developing creative designs by using knitting materials. The research method is based on the cultural clothing and costumes of the Chinese ethnic minority, as well as literature concerning the Yao costumes and photo data to investigate the cultural background and characteristics apparent in Yao costumes. The overall design characteristics of Yao costumes are as follows. First, the shape of Yao costumes are divided into straight-lined short tops with pleated skirts or shorts, or cardigan tops with pants and aprons, or long shirts, pants, and a belt. Each variant of tribal clothing is different. Second, the colors used are mainly black or dark blue, and these are accented by other colors, such as red, orange, yellow, green, blue, and white. Third, the clothing patterns are mainly in plant, animal, natural, geometric, and human, etc. motifs. The most common patterns in daily life are the patterns using geometric shapes, plants, or animals. Using the background of the unique lifestyles of the Yao ethnic minority, this study applied hand knitting and jacquard techniques for a knit fashion design. In order to develop traditional patterns, Yao patterns were entered into an Illustrator and SDS-ONE APEX3-4 was used for simulation. Using wool fibers as the raw material; the knitting machine used a Bird's eye Jacquard technique-10GG. The results of this research and design work were as follows. First, the knitted clothing design using Yao clothing elements has significance for the development and flexible use of ethnic elements in contemporary creative design. Second, the straight cut design using hand-knitted and jacquard-knit fabrics can minimize waste materials and provide more possibilities for sustainable design development. Third, it provides additional methods for the combination of hand-knitting and jacquard knitting fashion design.

니트 갑피를 활용한 스니커즈의 스타일 유형 및 디자인 특성 (Style Types and Design Features of Sneakers using the Knitted Upper)

  • 이재영
    • 한국콘텐츠학회논문지
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    • 제22권10호
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    • pp.213-224
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    • 2022
  • 본 연구는 상품과 생산, 마케팅 등 다양한 측면에서 장점을 갖고 있어 급격하게 비중이 커져가는 니트 갑피를 활용한 스니커즈의 스타일 유형과 디자인 특성을 분석하여 디자인 전략과 상품 개발의 방향을 설정하는데 목적이 있다. 이를 위해 니트 갑피 스니커즈 시장에서 주목받고 있는 브랜드의 상품과 온라인 마켓에서 인기를 끌고 있는 상품 총 924개를 대상으로 스타일 유형과 디자인 특성을 분석하였다. 분석된 연구의 결과는 첫째, 고유성으로, 전통적인 소재와 제작기법을 따르지 않음으로써 니트 갑피 스니커즈만의 고유한 하이브리드적 스타일과 디자인이 정립되고 있다. 둘째, 복합성으로 컬러와 소재에 있어 다양한 조합을 통해 각각의 특성을 살린 멀티플한 이미지를 창출하고 있다. 셋째, 실험성으로 일반 스니커즈에 비해 한층 더 공학적이고 새로운 재료와 기법을 접목하여 과감한 디자인 변화를 꾀하고 있다. 스니커즈 시장이 날로 확대되어 가는 현 시점에서 산업의 경향을 반영한 본 연구를 통해 신발 분야에 대한 다양한 연구 활동과 산업 분야의 브랜드 기획 방향에 기초적인 정보를 제공할 것으로 기대한다.

프랙탈 조형특성을 적용한 니트웨어 디자인 (Knitwear design with fractal formative characteristics)

  • 이윤미
    • 복식문화연구
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    • 제29권4호
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    • pp.522-537
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    • 2021
  • The purpose of this study is to develop a knitwear design with the potential for practical use through a combination of science and design by examining the concept and formative characteristics of fractal geometry and applying them to the development of 3D virtual clothing knitwear design. This study produced five main conclusions. First, the sub-concepts of "Repeatability," "Scale variability," and "complexity," which are based on self-similarity, appear together with simple regularity in the fractal formative characteristics shown in fashion design. Second, fashion fields apply fractal geometry in three-dimensional surface textures and optical textile patterns as a method of expression. Third, it was confirmed that various expressions can be created with fractal patterns by using the SDS-ONE APEX 3-4 design system; moreover, fractal patterns are a suitable design source for the development of Jacquard knitwear patterns. Fourth, in the development of knitted jacquard fractal patterns, by arranging the patterns in perspective, the effect of emphasizing or reducing the human body by optical illusion was shown. Fifth, a knit Jacquard structure with a pattern that exhibits fractal modeling characteristics and applying it to a 3D virtual clothing sample design reduces the time required for sample production while expanding the knit design's expression area and reducing costs. Thus, the clothing sample confirmed the effectiveness of practical knitwear design development.

니트 자카드와 인타샤의 패턴 유형 분석 -2013F/W~2022F/W 4대 패션컬렉션을 중심으로- (An Analysis of Pattern Types of Knitted Jacquard and Intarsia -Focused on Four Fashion Collections from 2013F/W to 2022F/W-)

  • 최서희;오민택;김성달
    • 패션비즈니스
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    • 제26권5호
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    • pp.36-48
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    • 2022
  • This study aims to analyze the patterns made with knitted jacquard and intarsia techniques to provide essential data to help plan different knitwear designs using the techniques and patterns. Based on approximately 3,000 jacquard and intarsia knitwear published in the four significant womenswear collections over the past decade, eight main pattern types were classified, and each characteristic was analyzed. Firstly, it is a logo and symbol type pattern that appears mainly as a means of emphasizing a brand. Secondly, it is a traditional pattern with settled patterns from the past to the present. Third, it is a geometric pattern that appears both typically and atypically in various forms. Fourth, an abstract pattern type does not show a precise form or motif. Fifth, it is a colorful and diverse flower and plant pattern. Sixth, it is a landscape pattern that expresses nature and living space. Seventhly, it is an animal pattern type that expresses the appearance of an animal or the shape of the. Finally, it is a caricature pattern type using characters and various cartoonish motifs. Based on the analysis results of this study, creative and diverse design development of Jacquard and Intarsia knitwear and development of the knitwear market will take place.