• Journal of Science of Art and Design
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• v.11
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• pp.109-152
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• 2007

This thesis started from accepting the criticism and concretely seeking the possibility of visual visuality, in particular, visual physicality or physical visuality through the expression revealed in painting space. This study aims at stressing the role of the body in visual perception and pictorial expression by it by examining the interaction between it and the body. First of all, this study explored perception and the position of the body in the great frame of the historical stream from modernism, through minimalism, through post-minimalism to later art in order to confirm the interaction between visual perception and the body or the change in the intervention of physicality in the stream of contemporary art, and connected them with a discourse on perception and the body. It raised as the grounds for it the discussions which provided the theoretical background about perception. It dealt with the scientific discussions on perceptual physicality by Gestalt psychology in perceptive psychology, and next the discussion of Rudolf Arnheim who exemplified Gestalt psychology mainly on the dimension of visual art. It is significant in explaining the perceptual activeness which is the same as that of M. Merleau-Ponty as a primary debater to solve the questions of perceptual physicality and physical visuality. M. Merleau-Ponty set forth ambiguous perception and the body as its background as the fundamental bases for perceiving the world rather than consciousness proved explicitly. As Hal Foster said, as minimalist phenomenological background they provided appropriate theoretical background to the late art rising against modernist logic. Next, after the 1970s Frank Stella showed a working method and a tendency entirely different from those in the previous period. For example, deconstruction of frame, decentralized spatial expression, dynamic and mixed expression, and allowing real space by overlapping were judged to swing to approval of perceptual physicality. Francis Bacon's painting structure, that is, figure, triptych, aplat and a method of production by accident were understood to well reflect M. Merleau-Ponty's chair logic of chiasme. This study tries to seek the possibility of pictorial expression from works aiming at defining the question of seeing in connection with physicality, the role of the body as the body accumulated and the linking with a real, daily life as the background of the body, and confirm the phase shift.

• Journal of The Korean Association of Information Education
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• v.5 no.1
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• pp.133-142
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• 2001

The conception of the computer education should be paid attention to use, as it has meaning of the education using the computer and the education learning the computer. As a notion of the latter, the computer education points at survey of calculation and study which is related programing. Especially study of programing demands various understandings of external fields in programing like operating system and knowledge of hardware with complex courses like coding, compiling, debugging. Existing programming has set importance on mechanical memorizing and using programing grammar so that it has not been suitable for cultivating logical thoughts. So this paper intends to analyze simple game sources coded by C which is based of programing language to develop a fundamental insight.

• The KIPS Transactions:PartB
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• v.13B no.4 s.107
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• pp.421-428
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• 2006

Intelligent Tutoring System(ITS), which offers individualized learning environment that consider many learners' variable, is realized by the effective alternative to take the place of domain expert. Accordingly, research on Learning Companion System(LC) is currently noticing. However, to develop LCS which applies effective interaction, it is necessary to combine several LCs, and personalized knowledge base have to be made first. Therefore, in this paper, we propose the 'Knowledge Base Object Medel', which is based on connectionist' in cognition structure, represents learner's knowledge to self-learnig object, and grows adaptive object by proprietor, verify the validity. This model lays the groundwork for design of personalized knowledge base, offers clue to development of adaptive ITS using knowledge base object.

• Journal of Korean Library and Information Science Society
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• v.41 no.2
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• pp.61-80
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• 2010

The purpose of this paper is deriving philosophical foundations of information services by clarifying its concepts and attributes. Clarifying its concepts and attributes is based on the origin of the term information services, definitions and contents, historical and social perspectives. The theory of information services was reorganized by logically demonstrating that the term "information services" is most suitable name to represent its essence, attributes, and activities. The philosophy of information services has the key elements as instruction, information, guidance, and service in humanistic aspects which have been shown consistently in the origin of the term, definitions, historical and social perspectives. This paper tried to establish philosophical basis for information services that is focused on these elements.

• Proceedings of the Korean Society of Computer Information Conference
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• 2013.07a
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• pp.173-175
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• 2013

본 논문에서는 정보통신망 이용촉진 및 정보보호 등의 관한 법률에서 '타인'의 범위에 관한 해석을 논점으로 삼고 있다. 대법원은 위 법 제49조의 '타인'의 범위에 관한 해석에서 생존한 사람뿐만 아니라 사망한 자도 포함하여 해석하고 있다. 물론 동법의 사자(死者)도 정보통신망의 안정성과 정보의 신뢰성 확보를 위해 포섭하여 해석할 수 있다는 견해가 존재할 수 있지만 형법 및 형사특별법은 죄형법정주의라는 이념상 허용될 수 없다는 견해가 타당하다. 형사법의 해석은 형벌이라는 가혹한 법률효과를 예정하고 있으므로 형벌법규의 해석은 엄격해야 하고 명문규정의 의미를 피고인에게 불리한 방향으로 확장해석하거나 유추해석을 해서는 안된다. 만약 동법 제49조의 '타인'의 범위에 사자(死者)를 포함한다면 법률해석의 방법인 문리해석, 논리해석, 목적론적 해석, 헌법 합치적 해석에도 반하므로 동법에서 '타인'의 범위에 사자(死者)를 포함시키고자 한다면 동법의 개정을 통해 법규 수범자에게 예측가능성을 확보할 수 있도록 용어의 분명한 정의규정이 입법을 통해 반영되어야 한다.

• Proceedings of the Korean Society for Cognitive Science Conference
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• 2000.05a
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• pp.108-113
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• 2000

자동사의 두 하위부류, 비대격(unaccusative) 동사와 비능격 (unergative)동사는 Perlmutter(1978)의 비대격 가설 (Unaccusative Hypothesis) 이후 여러 관점에서 활발히 노의 되어왔다. 한국어에서는 사건구조적 측면에서 두 부류가 차이를 보이며, 이런 사실은 인간의 인지작용과 밀접한 관련을 맺는다. 사건구조를 과정(process)사건과 상태(state)로 가정할 때 비능격 동사는 과정사건이, 비대격 동사는 상태사건이 부각된다. 비대격 동사도 두 가지 부류로 나뉠 수 있는데, '도착하다'처럼 과정사건이 언어표현에서 중시되지 않고 결과적인 상태부분만 중요시 되는 유형(unacc_type_1)과 '녹다'처럼 과정사건도 중시되는 사건 구조를 지닌 유형(unacc_type_2)이다. 결국 비대격 동사는 결과상태를 중시하는 사건구조를 중요시 하지만 과정사건의 지각 정도에 따라 다른 양상을 보인다. 한편 비대격 동사는 사동사와도 밀접한 연관 관계를 지닌다. 많은 논의에서 비대격/사동의 교체를 논리적 다의어로 보고 분석을 시도해 왔다. 따라서 사동사를 중심으로 분석한 경우와 비대격 동사를 중심으로 분석한 경우가 있다. 본고에서는 사동분석(causative analysis)은 한국어 기술에는 적절치 않다고 판단한다. 사동분석에서 도입하는 행동주의 사건유발부분이 반드시 비대격 동사의 표현에 필수적인 것은 아니기 때문이다. 끝으로 Pustejovsky(1995)의 생성어휘부(Generative Lexicon) 이론을 한국어에 맞게 확장·수정한 이정민·강범모·남승호(1997)의 모형에 따라 두 가지 유형의 비대격 동사의 어휘 의미구조를 표상한다.

• Survey Research
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• v.11 no.1
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• pp.87-105
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• 2010

This study purports to empirically examine the potential effect of the level of social trust on their welfare consciousness level. Although previous studies in the field have focused on socio-economic or class-oriented variables, the accumulated results have shown that the effects were inconsistent at best in Korean context. In order to overcome the limits of theoretical assumptions from mainstream Marxists and institutionalists, this study suggests the relative autonomy of social consciousness and its independent effect on welfare consciousness. The analysis shows that both foundational variables, income levels and labor market participation, and the level of social trust have significant impacts upon the respondents' level of welfare consciousness.

• Proceedings of the Korea Water Resources Association Conference
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• 2020.06a
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• pp.293-293
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• 2020

기후변화로 인해 다양한 재난이 복합적으로 발생하고 있으며, 특히 해안과 인접해 있는 지역은 풍랑, 지진해일 등으로 인해 다양한 위험에 노출되어 있는 실정이다. 이에 따라 각 지자체는 자연재해대책법에 의거하여 자연재해저감종합계획을 수립하고 저감대책을 마련하고 있으나, 수립 절차에 따른 비용과 시간이 많이 소요되고 있다. 따라서 위험지역의 지리적·사회적 조건을 고려한 맞춤형 재해예방기법 도출방안이 필요하다. 이에 본 연구에서는 과거 피해이력과 침수예상도 정보가 반영된 위험성평가 지도를 활용하여 위험지역 유형을 4단계(관심, 주의, 경계, 위험)로 구분하고, 단계별 구조물적 대책과 비구조물 대책의 적용방안을 제시하였으며, 구조물적 대책과 비구조물적 대책의 도출에는 지역맞춤형 요소와 특성요소를 활용하였다. 지역맞춤형 요소는 자연인자, 재해영향인자, 재해원인인자, 지형인자, 사회인자로 구분하였으며, 각 인자별로 세부인자를 선택하여 논리연산에 따라 재해예방기법을 도출하였다. 특성요소는 효율성, 시공성, 공공성으로 구분하였고, 각 구분별 세부요소를 평가하여 재해예방기법의 우선순위를 도출하였다. 본 연구를 통해 향후 해안가 복합재난이 예상되는 지역을 대상으로 지역맞춤형 재해예방기법을 도출할 수 있을 것이며, 자연재해저감종합계획 수립 시에도 활용할 수 있을 것으로 기대된다.

• Journal of English Language & Literature
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• v.58 no.1
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• pp.93-115
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• 2012

The decades after the French Revolution witnessed the prolific production and consumption of apocalyptic literature, tinged with the optimistic vision of political progress and human perfectibility. However, the Romantic writers were cautious to embrace the idea of the end of history, even though it promised an aesthetic space relieved of historical determinants. Mary Shelley's The Last Man joined this line of Romantic literature which skeptically questions the millenarian desires of political apocalypse by representing apocalypse without millenium. Using the theme of apocalypse as a tool to investigate the place of human beings in the universe and to test diverse political reform ideas to their fullest potential, the novel diagnoses the ideas of representative political subject as the most problematic aspect of political structure. The notion of subjecthood presupposes a political decision as to who can be counted as subject and this decision, according to the novel, assumed a subject that is "active, free, conscious and willful sovereign," which Raymond embodies in his exemplary body. Against the sovereignty of Raymond is juxtaposed the subaltern subject such as Sybil. The resistance of Sybil to Apollo, another exemplary subject, is the subtext of the novel, which guides the way out of the grim future of humanity. While the plague exemplifies the universalizing ideal with its principle of sovereignty, Sybil and her descendent Lionel practice the unconditional hospitality so that they can renew the community in a way to embrace singularities of individuals.

• Cross-Cultural Studies
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• v.43
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• pp.355-376
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• 2016

This study looks into the relationship between Chinese philosophy, with a focus on Confucianism and Taoism, and music. Kong zi's Confucius supported, 'Enjoyment without being licentious and grief without being hurtfully excessive', and 'hatred of the music of Zheng'. These ideas do not emphasize the function of music as an expression of emotions, feelings, or desires, and are instead conclusions based on Confucian ideals such as harmony between classes and the spread of benevolent government. Music must coincide with Justice. The hatred of the music of Zheng was a conclusion founded on the idea of a place for Justice in music. Zhuangzi is the source of the spirit of Chinese art; specifically, Zhuangzi's idea of music in relation to its influence on East Asian history of art is extremely influential. In fact, the concept of yuelun is considered the most original and important concept in the history of the East Asian philosophy of art. The most distinctive features of Zhuangzi's theory of music can be summarized as follows. He attempts to liberate music from the restrictions of form and to let music express authentic human feelings and emotions. He also argues that music should not be subjected to politics, as he thinks that the creative mind of an artist can exist only when music is freed from political influence. Confucianism takes a humanistic perspective, while Taoism takes a more naturalistic one. In sum, Confucianism gives weight to the logical and ethical aspects of music, while Taoism emphasizes the intuitional and naturalistic ones.