• Title/Summary/Keyword: 내면적 미의 기준

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Reliability and Validity of the Korean Version of Broad Conceptualization of Beauty Scale (한글판 미의 광범위한 개념 척도(K-BCBS)의 신뢰도 및 타당도)

  • An, Bun-suk;Lee, Kyeong-soo;Kim, Hyun-jin
    • The Journal of the Korea Contents Association
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    • v.21 no.5
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    • pp.359-366
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    • 2021
  • BCBS (Broad Conceptualization of Beauty Scale) is a measurement tool designed to evaluate the standards of an individual's inner beauty. In this study, reliability and feasibility were verified for 100 female college students using the final Korean version BCBS 9 questions that were formed through the adaptation process. As a result of checking the internal consistency to verify the reliability of Korean version BCBS, it showed high reliability with Cronbach's 𝜶 0.878, subjective beauty 0.874, physical beauty 0.808 and psychological beauty 0.880. As a result of exploratory and confirmatory factor analysis to verify feasibility of Korean version BCBS, feasibility was secured by showing significant results in all items. Therefore, through this study, the Korean version BCBS was proved to be a useful measurement tool that comprehensively evaluates the concept of women's broad scale beauty, and using this as basic data, it is believed that it can be used for professional development and research on internalized beauty for female college students.

A Study on the Mate Selection Mechanism (배우자 선택 메카니즘에 대한 연구)

  • 한희선
    • Journal of Families and Better Life
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    • v.13 no.3
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    • pp.144-155
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    • 1995
  • 본 연구는 배우자 선택과정에서의 만남의 유형, 만남의 유형에 따른 교제량(기간, 횟수) 배우자선택진행과정(처음 만날 때, 결혼을 의식하면서 만날 때, 결혼을 결정할 때의 여과망)을 밝힘으로써 배우자 선택의 메카니즘을 밝히고자 하였다. 연구대상은 서울시에 거주하는 368명의 결혼 1년 이상 5년 미만의 기혼남녀를 대상으로 하였으며 연구결과는 다음과 같다. 만남의 유형은 의도적인 것과 우연한 만남이 비슷한 수준이었고, 23-26세에 처음 교제를 시작하여 평균 한 달에 10회 2년 이하의 교제기간을 거치며 6-12개월에 결혼하고 싶다는 생각과 함께 결혼을 결정하며 결혼에 이르는 것으로 나타났다. 한편 교제진행과정에 있어서 각각의 단계를 지속시키는 여과망을 살펴본 결과, 첫만남의 시기에는 근접성 여과망이나 매력 여과망이 중요한 요인으로 작용하는 반면, 결혼의식과 결정단계에서는 의견일치나 상호보완 등의 내면적인 기준이 중요한 여과망으로 나타났다. 그리고 이들이 Udry의 이론과 같이 6단계로 나뉘어 여과되지 않고 동시적.압축적으로 여과작용을 하는 것으로 나타났다.

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A Study on the Traditional Aesthetic Characteristics Appearing in the Chinese Animation -Focusing on Three Elements of Zong Baihua's Artistic Conceptions- (중국 애니메이션<대어해당 (大魚海棠)>중에 나타난 전통 미학 특징 연구 -쭝바이화(宗白華)의 의경(意境) 3가지 구성 요소 중심으로)

  • Yang, Kun;Lee, Seel- ku
    • Cartoon and Animation Studies
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    • s.47
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    • pp.53-79
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    • 2017
  • This study explored Chinese traditional art aesthetics in the , focusing on three elements 'principle', 'dance', 'blank' which consist of the artistic conception of Zong Baihua. In addition, this paper is aimed to prove that Chinese traditional aesthetics is still available as a creative element that can provides future direction and implication for modern animation movies by analyzing how the components of these three elements were used in the and how the artistic beauty of the animation was presented. In the critiques of Chinese art, the scope of 'conception' is the 'qualified' standard about art. This 'qualified' standard includes not only external similarity in forms but also internal similarity in spirits. The authors of the early Chinese animations integrated the artistic conceptions with the animations and expressed the national cultural contents of the Chinese animations, so that the audience could deeply understand the characteristics of Chinese animation with cultural and spiritual contents. Based on the artistic conceptions that Zong Baihua proposed, this study analyzed the character setting, the ideas that connotes and the scene composition. succeeded to the innovative spirits about Chinese early animation conceptions. The animation presented the view of life that includes the absolute freedom from Zhuangzi's "A Happy Excursion" and the oblivion of external objects. The heroine Spring's change from human to dolphin was presented by dancing. Besides, in the animation, the sea of clouds, the sky full of stars, sea, the sea melting into the sky were also presented in quantity. The large area of colors fantastically presenting in 'blank' scenes fully expressed the stories and sentiments of this animation. According to the analysis in this study, by identifying the traditional atmosphere that included heavy Chinese characteristics and harmonious conceptions in through the wisdom of Chinese classics and artistic conceptions, it can be confirmed that nowadays the artistic tradition of the classics still works as an extending innovative element in the future animations.