• Journal of Korean Philosophical Society
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• v.126
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• pp.295-320
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• 2013

This thesis amis to demonstrate basically that language has the potential enough to be able to determine human's belief, attitude and behavior for Spinoza. As long as the language could be conceived with the potential to do, then it is very important in human community. And it is through dynamic and changeable, not fixed state, that meaning of this language is revealed. For Spinoza, even sign and its meaning compose one language system, but both of which are different from the other community. Because language as sign used in a specific society is articulated expression of body image, each imagination as idea is necessarily followed by its sign. This fact makes us say that language express imaginal knowledge. But language should not be considered as an means to express adequate idea of it. By the reason that order of meaning is only determined by the connection of signs, and that of meanings, each meaning of sign is not fixed. In this respect, certain meaning is changeable on account of changing new order of ideas. Through re-arranging new order of meaning, language could express more adequate and better idea than before. but what the most important fact is that it is not sufficient to express adequate idea by the means of language. Power of language determining human's belief and attitude does not depend on whether meaning of sign is true or not, but on hegemony of order of meaning. with this regard, this world could be seen as battle area of conflicting for orders of meaning. The more members accept newly created rational thought through newly arranged words, the more new views of value gain power. Solidarity of man using common language can change the world. For this purpose, first step depends on freedom of thought, freedom of deliverance of thought in which spinoza insists through A Theological - Political Treatise.

• Proceedings of the Korean Institute of Intelligent Systems Conference
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• 2003.05a
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• pp.165-168
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• 2003

본 논문에서는 CCD 흑백 카메라를 이용하여 프로그래머의 알고리즘이 표현된 flowchart의 영상을 입력받아 C언어 코드로 변환하는 시스템을 구현하였다. 입력된 영상을 이진화 처리한 영상으로부터 flowchart 기호들을 인식하기 위하여 chain code 방법을 이용하였고, flowchart 기호에 기술된 영문자 및 특수문자의 인식을 위하여 가로 및 세로 히스토그램을 이용하여 한 문자색 분할한 후 각 문자들을 구성하는 흑화소 pixel의 합과 chain code 방법을 사용하였다. 가로 및 세로 투영을 이용하여 흐름선을 인식함으로써 flowchart의 논리흐름을 파악할 수 있었다. 이 시스템을 수치연산에 적용하여, 프로그래머의 알고리즘에 부합하는 프로그램이 작성되어짐을 확인할 수 있었다.

• Annual Conference on Human and Language Technology
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• 1999.10e
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• pp.43-49
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• 1999

본 논문에서는 교차언어 문서검색(CLTR: Cross-Language Text Retrieval)에서의 한-영 질의어 변환을 다룬다. 질의어 변환시 영어 대역어 획득과정에서는 다음 두 가지를 고려한다. 첫째, 한국어 질의어를 구성하는 단어가 한가지 개념을 기호화하지만 이에 대응되는 영어 대역어들이 하나 이상인 경우이다. 둘째, 질의어 구성 단어가 둘 이상의 개념들을 기호화하는 다의성을 지닌 경우이다. 전자의 경우는 영어 대역어들이 모두 동일한 개념, 또는 유사한 개념을 나타내므로 그대로 검색에 이용한다 해도 검색 성능을 크게 좌우하지 않지만, 후자의 경우는 모든 개념을 다 검색에 이용하게 되면 정확률(precision)이 크게 떨어지게 된다. 이에 본 연구에서는 개념 선택단계와 선택된 개념의 영어 대역어들에 가중치를 주는 가중치 부가단계로 나누어 질의어 변환을 수행한다. 본 논문의 질의어 변환에서 영어 대역어는 대역사전 대신 다국어 온톨로지인 KAIST 분류어휘표와 한영 음차복원 모듈을 통해 얻어진다.

• Lingua Humanitatis
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• v.1 no.2
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• pp.21-46
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• 2001

No one would deny that, despite the fact that they are the central factor in any given communication system, language signals have their limitations. For example, language cannot keep up with the radical changes that occur in the world and its ideas. The present meaning of a language signal is always pegged to the past when it was originally created. This limitation in turn puts limitations on the way we conceive of the world, and we have no choice but to watch the world through the refracted, darkly colored lens called language. Lee Sang′s was well aware of these limitations, and his works reflect his suspicion of language. This paper argues that Lee Sang′s "Ogamdo 1" is a poetic commentary on the ambiguity of language signals; that "Ogamdo 2" is an accusation of the stationary nature of language signals; ; and, finally, that "Sune-kwanhan-gakseo (Treatise on Lines) 7" is a poetic expression of Lee Sang′s negative view of the symbolic limitation of, and the fragmentary nature of, language signals.

• Proceedings of the Korean Society of Broadcast Engineers Conference
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• fall
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• pp.149-151
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• 2021

최근 Kotlin, Swift 와 같은 목표 기능에대해 최적화된 다양한 고급 컴퓨터 언어들이 출범함에 따라 이에대한 중요도와 이해력이 필요하다. 그에따라 고급 컴퓨터 언어 제작의 프로토타입 제작에 의의를 두고, 전세계 사람들에게 통용되는 사칙연산에 기반한 수학기호 코드 언어를 해석하는 프로그램을 구현한다. 단순한 계산기라기보다는. 수학기호 문자를 컴파일하여 프로세스로 변환하는 컴파일러로 접근하고 특성파악, 구상, 구현 과정을거쳐 본 프로그램을 제작하고 고급 컴퓨터 언어에 대한 저자의 이해를 서술한다.

• New Physics: Sae Mulli
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• v.68 no.12
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• pp.1364-1373
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• 2018

A recognizable form having meaning is called a sign in semiotics. The sign is transformed into a physical counter form in this work. Its internal structure is restricted on the linguistic concept structure. We borrow the concept of a mathematical function from the utility function of a rational personal in the economy. Universalizing the utility function by introducing the consistency of independency on the manner of construction, we construct the probability. We introduce a random variable for the probability and join it to a position variable. Thus, we propose a physical sign and its serial changes in the forms of stochastic equations. The equations estimate three patterns (jumping, drifting, diffusing) of possible solutions, and we find them in the one-day stock-price flow. The periods of jumping, drifting and diffusing were about 2, 3.5, and 6 minutes for the Kia stock on 11/05/2014. Also, the semiotic sign (icon, index, symbol) can be expected from the equations.

• Proceedings of the Korean Institute of Intelligent Systems Conference
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• 2003.09b
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• pp.57-60
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• 2003

본 논문에서는 사용자가 Windows 상에서 자신의 알고리즘을 반영시킨 flowchart를 작성하면 그에 해당하는 C프로그램을 생성시켜 주는 시스템을 구현하였다. 사용자가 그린 flowchart 기호들과 흐름선 및 기호 안에 기술된 문자정보를 연결형 리스트를 사용하여 표현하였다. 기술된 문자 정보를 검색하여, 사용된 함수에 따라 해당 헤더 파일을 추가하고, 입ㆍ출력 함수에 대한 변환을 행한다. 그려진 flowchart기호에 대하여 흐름선의 개수나 연결기호를 이용한 변환 알고리즘을 적용하여 C코드로 변환하여 화면상에 출력시키고, 파일로 저장하였다. 본 시스템을 다양한 알고리즘에 적용시켜서 만족한 결과를 얻을 수 있었다.

• Broadcasting and Media Magazine
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• v.10 no.1
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• pp.85-98
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• 2005

About the phenomenon of being imaged of everything, the scholars of the humanities who had studied on the simple reason structure in a text have been in a big agony how accept it. Especially, semiologists have studied about this for a long time and the points at issues of Saussure, Peirce as well as Umbeto Eco are more outstanding. Being based upon his philosophic interesting from medieval esthetics to modern semiotics, Eco was very concerned about the field of general esthetics and poputar arts like television and cartoons. He connected the mutual open-relations between 'signifier' and 'signified' debated in Semiotics with the open and vague modern arts and regarding it as a deviation from the custom, intensively studied the film-media. Saussure is a representative figure of semiotics and explained Sign and the character of semiotics as the division into two parts such as signifier/ signified, form/ substance, langue/ parole, synchrony/ diachrony. The triadic semiotics (the theory that Sign is composed of the triadic structure like sign, referent and interpretant) of Peirce put the new item- 'interpretant' in sign and referent to connect them and open the possibility to introduce time in to the Sign. In this paper, I try to analyze a cartoon film in the semiotic structure with the systemic, reasonable and logical approach and analysis as as possible. While the images shown through a film were depended on the romantic and impressional judge in the past, due to semiotics, it' s quite possible to correlate the procedure of symbolization to social coherence so that we analyze the incredible power of images to suck audiences with the systemetic Sign. I accept all ot film-images including a cartoon film as not the simple esthetic arts but a social custom and system, want to serve as a aid to properly understand world and humanbeings and prevent the film-image from being mystic. A cartoon and a cartoon film which were begun with the link of a text and an illustration give shape to all of images such as materials, places and even thoughts with a cartoon icon existed in only a cartoon. A cartoon and a cartoon film simply and exquistely conceptualize the complex and vague attribute of an organic creature and extend them infinetly beyond language. However, it can be exploited as a mysticism to temptate the general public and a faking material. In addition to that, it can distort our world-knowledge engaging a political power and the massive power of mass media. In this paper, being based on semiotics to approach a cartoon film in a scientific and organic system, I conclude that a non-linguistic cartoon expression is entangled with the manifold signs and implies the supplementary meanings just like a regular linguistic expression. It remarks that the iconic images of a cartoon film are composed of the social codes and can be analyzed on grounds of a linguistic system.

• Archives of design research
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• no.18
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• pp.153-162
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• 1996

underground space have many negative environmental clements which should be confirmed on location and line of action by the artificial signs. iccordingly, environmental graphics as visual language for popular signification-function have to be studied on sign theory of symbolic meanings. Ho\/ever, its usage has not only decorated by microscopiC appreciative eye but also lost its meanlllg as a visual language which was caused by the negligence of systematic management of the facility in charge Result of study, Visual environmental factors as a cause of behavioral attitude based on the study, which has been carefully considered as a communication of the visual language. Therefore, considering the underground environmental graphics as the: sign or the signification-function, It has to be studied on syntactic, semantic and pragmatic viewpoint. SpeCifically, to maKe the color and formation language a signification-function as a generalized connotation to the public, a distinctive classified Visual language must be applied.

• TTA Journal
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• s.86
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• pp.28-32
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• 2003