• Title/Summary/Keyword: 근대성

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Fuzzy Logic and Postmodernism (퍼지논리와 포스트모더니즘)

  • 박창균
    • Proceedings of the Korean Institute of Intelligent Systems Conference
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    • 1998.10a
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    • pp.94-97
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    • 1998
  • 포스트 모더니즘은 데카르트로부터 시작된 근대적 합리성을 비판한다는 점에서 반(反)데카르트적인 성향을 가지고있다고 할 수 있다. 본고는 모더니즘과 포스트모더니즘의 관계와, 기존체계와 퍼지논리와의 관계를 세가지 범주에서 파악하고, 이들이 서로 '퍼지 동형적'이라고 규정한다.

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고분자절연재료의 방전열화

  • 이덕출
    • 전기의세계
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    • v.25 no.6
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    • pp.40-44
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    • 1976
  • 근대산업의 에너지원으로서 전력수요의 급격한 증대에 수반하여 전력계통의 초고전압화, 관련기기의 소형화 및 장기간에 걸친 성능의 안정성, 신뢰성이 절실히 요망 하겠금 되었다. 이로 인하여 전기절욘재료에 요구되는 제성능도 일반적으로 고도화되고 점점 가혹한 조건이 부가되고 있는 실정이라 하겠다. 근년 고분자화학의 급속한 진보와 고분자성형기술의 발달에 의하여 등장한 합성고분자재료는 그 물리, 화학적 성질 특히 전기적 성질에 많은 특징을 가지고 있으며 그 성능이 점점 높이 평가되고 있어 고분자재료의 진출이야말로 전기기기절연의 양상에 일대 변화를 줄것이라 하여도 지나친 표현이 아니겠다. 이와같이 고분자가 전기절연재료로써의 가치는 물가구조로 부터 기대되는 우수한 유전성과 전기절연성이 높이 평가되고 있는 점이라 하겠다.

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A Study on the Variation in Meaning of Architectural Light since Modern Architecture (근대건축 이후 건축적 빛의 의미변화에 관한 연구)

  • 김경재
    • Korean Institute of Interior Design Journal
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    • no.25
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    • pp.213-220
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    • 2000
  • The meaning of light is not always developed aspect in process of architecture history as essence worth of the architecture. It means that architectural light is not affected simple development of civilization, but it has more complex aspect. The technology of applying architecture has continuous development of society that light is possible to extend quantity by development of technology because light is component not simple material or tools but strong worthy aspect, quality development of architecture comes true by exact understanding and application. Conversion from medieval society to modern society begins at the Industrial Revolution has new skills and materials, the architectural conform general space filled with non-characteristic light, and it gives rising to pursuit Utopia is not exist frequently. In result, light of metaphysical meaning is diminished and exterminated. In other hand light seems to be tools by development of technology in modern society, recovering its own meaning in other aspect. That light makes perfect image of architecture not by finite meaning only for simple space but by expressing strongly point that unify the whole architectural composition. Light is free from partial material of architecture. Light activates major composition through high-technology, and has possibility to carry out the essential worth animate architecture. The light expresses relative speciality for sense of place recognizes major component which the human being lives in and conform the real meaning of architecture.

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Utopianess in the Early Disney Animation: Focusing on Benjamin's thought on Mickey Mouse (초기 디즈니 애니메이션의 유토피아적 가능성 : 미키 마우스에 관한 벤야민의 사유를 중심으로)

  • Choi, Jeong-Yoon
    • The Journal of the Korea Contents Association
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    • v.10 no.7
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    • pp.142-148
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    • 2010
  • In the society where contradiction of modernism in 20th century was vividly exposed and paradigm was being changed from text culture into visual culture according to the development of technology, Benjamin tried to practically suggest solutions for socio-historical problems he was facing. In contrast with Adorno who criticized cultural industry, Benjamin found out the possibility to overturn existing value order and innovate reality in mass art media having emerged according to the development of new technology. And such Utopian possibility appears in his thought on the early Disney animation even if it is fragmentary. This thesis reviews how Utopian possibility was realized in the early Disney animation, which had been thought by Benjamin.

A Study on the Design Characteristics of Modern Architecture for Conservation Historicity (역사성 보존을 위한 근대건축의 디자인 특성에 관한 연구)

  • Lee Wan-Geon;Cho Young-Bae
    • Korean Institute of Interior Design Journal
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    • v.14 no.6 s.53
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    • pp.12-20
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    • 2005
  • Just as culture is a collection of lifestyles, Cultural Properties is what is made over a long period of time and is left around us, whether it takes form or not. Many countries around the world have their own standards and are trying hard to preserve those with precious values. And in the case of Modern Architecture, because they are still in use In our daily lives and for the lack of recognition, they are continuously threatened during urban changes and developments. The purpose of the research is not to preserve Modern Architecture as done In the museum, but to seek a way for it to coexist with the changing environments of contemporary cities. Therefore, it is to recognize Modern Architecture as valuable assets, which expresses historicity in urban settings, and to seek the design characteristics of Modern Architecture. This is a process in order to find a new method for conservation of historicity. The result are as followings. Modern Architecture have their design characteristics and these can be applied as a design guideline. Therefore the form, material, and the colors of individual Modern Architecture can be analyzed so as to create a design guideline according to their styles. According to the analysis of Registered Cultural Properties in Seoul, they can be categorized into 6 uses and found the design characteristics of individual uses.

A Study on the Giuseppe Terragni's Sant'Elia Nursery School - Focused on the Flexibility and Openness in the Modern Educitional Facility - (주세페 테라니의 산텔리아 유치원 계획에 관한 연구 - 근대 교육시설의 가변성 및 개방성을 중심으로 -)

  • Cho, Sung-Yong
    • Journal of the Korean Institute of Educational Facilities
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    • v.22 no.6
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    • pp.13-22
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    • 2015
  • The purpose of this study is to analyze the 'Sant'Elia Nursery School' constructed in 1937 at Como, Italy. Giuseppe Terragni(1904-1943) is, as it well known, one of the representative architects in the period of Italian rationalism architecture. In particular, his 'Casa del Fascio(1928~1936)' is evaluated as a representative work of this period. The research is based on the original drawings and letters, mostly produced by G. Terragni himself. Through the analyze on the design process, the research tries to reveal Terragni's design method and strategy, especially in the educational facility project. There are at least four deferent phases in the Terragni's design process; in each phase, there are fundamental changes such as a structural grid system, relationships between skin and columns or spatial sequences. Establishment of a new guideline on the educational facility in 1925 is also an another important issue. There was a political need, during the period of Mussolini's regime, to find a model of educational facilities. So, this project reflects not only the Terragni's design process but also the good example of educational facility in the early Twenty Century in Europe.

A Study on the Publicness of Contemporary Built Environment Design(1) - Focus on the Reflexive Modernization - (현대 공간환경디자인의 공공성에 대한 연구(1) - 성찰적 근대화를 중심으로 -)

  • Park, Young-Tae
    • Korean Institute of Interior Design Journal
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    • v.19 no.1
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    • pp.63-74
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    • 2010
  • The purpose of this research aims to retrieve the communication which is the essential publicness in the built environment design and the self-management which is the original value in terms of sociology. To examine this, the way in which the characters of the design of the publicness have been changed will be concentrated on in the public area since 1980s, Particularly, this research has been focused on the Second modernity design which is against the aggressive utopia - oriented modernization and Reflexive Modernization which has been mentioned by Anthony Giddens, Ulich Beck, and especially Scott Lash. Also, to understand Reflexive Modernization, the realism art in the view point of the objective recognition of modernity and identity emphasized by Scott Lash will be examined. Through the analysis of the Nene Sachlichkeit which is a part of the realism art, how the reflection of the design can be the function of the design will be addressed and some examples will be analyzed in terms of communications and self-education in the design of the publicness. Thus, Contemporary Built Environment Design features are categorized into universality, objectivity, and rationality; it reaches that the past Neue Sachlichkeit meets the spirit of art; it concludes that the efforts of the reflection of the modernity, intensity and development in design are the challenges for the purpose of the design of the publicness.

Modern Enterprise & ESG Management philosophy of Gaeseong Ginseng Merchant (개성 인삼상인의 근대기업화와 ESG 경영이념)

  • Ock, Soon Jong
    • Journal of Ginseng Culture
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    • v.3
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    • pp.90-118
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    • 2021
  • Gaeseong fostered the conditions necessary for modern capitalism, as huge capital was accumulated through the cultivation and trade of ginseng, which were activities that flourished in the 18th century. During the Japanese colonial era, ginseng merchants were not simply limited to acquiring landowner capital from ginseng trade but actively converted such resource to productive and financial capital, thereby becoming modern entrepreneurs. Ginseng merchants led the joint management and investment of Gaeseong Electric Co., Ltd., Daehan Cheonil Bank, Gaeseong Brewing Co., Ltd., and Songgo Textile Company, founded in the early 20th century. They pursued corporate profits and, as leading individuals of society, spearheaded regional development by supporting educational and cultural projects in Gaeseong. These projects included the establishment of the Gaeseong Commercial School, the publication of Goryeo Times, and the operation of the Gaeseong Jwa Theater. Although liberal economics prioritized shareholder interest, the 21st century witnessed an emphasis on social responsibility among stakeholders asthe major purpose of enterprises. A trend that emerged was ESG (environment, social, governance) management, in which non-financial factors are valued more highly than financial performance. A successful business, which was denoted only by high profits in the past, is now defined by whether a company fulfills its social responsibility. In the early 20th century, the corporate activities of ginseng merchants in Gaeseong reflected entrepreneurship and stakeholder-centered ESG management, which later emerged as essential elements of modern business management. The modern management philosophy ahead of its times stemmed from the regionality of Gaeseong. The political discrimination against Gaeseong residents in the Joseon Dynasty precluded them from becoming government officers, and under a strict social hierarchy, yangban ("noblemen"), the intellectuals of the Joseon Dynasty, were forced to serve as merchants. Son Bong-sang and Kong Seong-hak, aside from being representative ginseng merchants, were both Confucian scholars and writers. The second and third generations of ginseng merchant families who had received higher education abroad returned to Gaeseong to carry on with their family businesses, then established modern companies with capital accrued from the ginseng industry. An analysis of the commercial activities of ginseng merchants in the early 20th century confirmed that these individuals were pioneering entrepreneurs who adopted the ESG management philosophy. In ginseng merchants, one sees a dimension of capitalism with a human face, as with ginseng thatsaves human life.

A Study on Korean Language Translation of Chinese Traditional Hansi in the 1910s and 1920s (1910~20년대 시인의 전통 한시 국역 양상과 의미 연구 - 최남선, 김소월, 김억, 이광수를 중심으로 -)

  • Chung, So-yeon
    • Journal of Korean Classical Literature and Education
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    • no.34
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    • pp.149-191
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    • 2017
  • This study examines Korean language translations of traditional Chinese hansi in the 1910s and 1920s. In the $20^{th}$ century, many poets translated Chinese and Korean traditional hansi into Korean. In the early $20^{th}$ century, Korean language began to be used as a national public language. At that time, not only hansi but also poetry from several other languages had been translated into Korean. Choi Nam-sun in the 1910s and Kim So-woel, Kim Eok, and Lee Kwang-su in the 1920s translated Chinese traditional hansi, focusing on famous Dang dynasty poetry from Tu Fu and Li Bai, etc. Choi Nam-sun's translation in the 1910s aimed to consider poetry as a written literature. On the contrary, Kim So-woel, Kim Eok, and Lee Kwang-su believed that Korean modern verse literature should be songs as well as poetry, and their translations in the 1920s aimed to create songs as spoken literature by focusing on orality and universality. Though Korean is now the language, the literary history of hansi continues in modern poetry.

Symbolic Aspects Reappearance in Korean Family Films which Float between 'Stay' and 'Change' -Symbols Reproduced by the Films and - ('유지'와 '변화' 사이에 위치한 한국 가족영화의 상징적 재현 -영화 <하녀>, <마부>에 재현된 상징들에 대하여-)

  • Kim, Noh-Ik
    • The Journal of the Korea Contents Association
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    • v.20 no.10
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    • pp.57-75
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    • 2020
  • This study identifies the symbolism of cross symptoms of different classes during the modernization process based on the imagery of and , both of which are Korean films made in the same era of the 1960s. The study referred to a number of Korean family movie films in the 1960s, in particular and , which are notably different in ways of expression and in social class of the subject matter, and identifies how the films express the mixed aspects of the cross modernization period. The film uses a grotesque expressionist method to voyeuristically look into a newly emerging middle class family, and the deconstructive aspect of a family unit whose excessive desire leads to its own ruin; thus, the film presents a new perspective into the various social issues that emerge in the near future. In contrast, engages realistic depictions to describe in detail the deep conflict of pain and hope within the hardships of life from the urban poor through a deep family conflict. Ultimately, the two films expose the various social issues through the familiar and the unfamiliar that appear from the mixed aspects of the cross modernization period, in other words, the conflicting images of the traditional and the modern.