• Digital Contents
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• no.11 s.162
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• pp.88-91
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• 2006

국내에도 상당한 팬 층을 확보하고 있고 전세계적으로 1억권 이상의 단행본이 팔린 인기 연재만화<원피스>를 연작으로 한 애니메이션 <원피스>시리즈가 드디어 극장판으로 우리 곁을 찾아왔다. 이번에 국내에서 첫 개봉된 <원피스-기계태엽성의 메카거병>은 기존의 TV시리즈보다 더욱 화려해진 스케일과 새로운 캐릭터들의 등장으로 색다른 감동과 풍성한 볼거리를 제공한다. 일반적으로 만화를 원작으로 한 극장판 애니메이션들이 만화에서 모티브를 그대로 가져오는 반면 <원피스-기계태엽성의 메카거병>은 만화책과 TV시리즈에서 한번도 선보이지 않았던 이야기와 새로운 등장인물로 기존 팬들에게는 새로운 에피소드로의 초대를, 처음 접하는 관객에게는 기존 시리즈를 알지 못해도 이해 가능한 새로운 애니메이션과의 만남을 제공한다. 세상에서 가장 값진 보물 원피스를 찾아 떠난 루피 해적단의 신나는 모험의 세계에 빠져보자.

• Korean Architects
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• no.1 s.62
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• pp.31-41
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• 1974

• Korean Architects
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• no.2 s.40
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• pp.15-20
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• 1972

• Korean Architects
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• no.3 s.41
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• pp.30-39
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• 1972

• Korean Architects
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• no.4 s.42
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• pp.4-17
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• 1972

• Korean Architects
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• no.5 s.289
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• pp.50-59
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• 1993

• 프린팅코리아
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• v.9 no.9
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• pp.78-79
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• 2010

• Proceedings of the Korean DIstribution Association Conference
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• 2006.02a
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• pp.187-227
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• 2006

To attain competitiveness in the severe competition of retailing, retailing firm like Aekyung department store composites multiplex entertainment shopping mall with other firms as key tenants like LG supermarket, Books Libro, and CGV. But in multiplex entertainment shopping mall customers who have experienced a service failure in key tenant's shops usually ask a compensation of service failure to the lessor like department store. Even though customers of multiplex entertainment shopping mall know that key tenants use different service strategy, personnel management system and operation system and so on, they do not rare of it. Why they do that? How can we explain this situation? This study explains customer's complaining behaviors in multiplex entertainment shopping mall using attribution theory and justice theory. The study presents a comprehensive model about the effects of the perceived attribution and fairness on customer satisfaction and suggests practical implications for retailing firms composing multiplex entertainment shopping mall.

• The KIPS Transactions:PartB
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• v.14B no.1 s.111
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• pp.13-22
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• 2007

In this paper, we propose an audience counting method in an auditorium based on pattern comparison. The previous counting methods based on object detection can't exactly count the audience in real time because auditorium has coarse illumination condition and so many audiences. Therefore, in this paper, we count the audience in an auditorium with fixed seats by the method which the pattern from each reference seat is compared to the pattern from each input seat. Especially, to overcome limitations based on either illumination or noise, two pattern comparison methods are efficiently employed and combined. One is based on the amplitude projection, and the other is based on Walsh-Hadamard Kernel. Walsh-Hadamard Kernel has the characteristic which complements amplitude projection. Therefore, we ran achieve the accurate counting in the presence of coarse illumination and noise. The experimental results show that our method performs well on sequences of images acquired in an auditorium. We also verify a realistic possibility for other applications applying our method to the parking positioning system.

• Cross-Cultural Studies
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• v.33
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• pp.95-120
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• 2013

This study is about small theaters in Paris which produced the theater of the avant-garde(or theatre of the absurd) in the 50s. Paris was at the center of astonishing passion by small theaters in terms of spectacle. Small theaters actively embraced young actors/actresses, theater troupe and playwrights who created a new way to express their plays. They were mostly obscure but showed talent and genius. So playwrights came from abroad such as E. Ionesco, S. Beckett, A. Adamov and others were able to create a new type of comedy and experience theatrical realization. On the other hand, a great many drama creators such as R. Blin, N. Bataille, J.-M. Serreau, J. $No{\ddot{e}}l$ and others appeared. We focused on studying about life of small theaters in Paris as mentioned earlier. The space of representation were limited. They were mostly about ridiculing of dramaturgy of comedy and theatrical realization. The substandard situations and conditions of small theaters fell far short of advantages of spectacle. Some of the theaters - Babylone, Noctambules, Nouveau Lancry, Quartier-latin - have not been able to survive up to this day. Other Theaters - Huchette and Poche-Montparnasse - have been able to last by performing creative activities. The theaters of the avant-garde are historic places of Drama Art. It is quite astonishing that some of the monuments did not last any longer. These were the places where La Cantatrice chauve by Ionesco and En attendant Godot by Beckett were premiered. When will they be restored to their original state? Meanwhile, the theater of Huchette have performed the comedies of Ionesco for last 60 years without a break. It becomes the museum of theater of the absurd that is the cradle of modern play. In conclusion, a great many play creators like playwrights, directors and set designers saw the light of day because of small theaters when there were not enough support fund. Their passion and curiosity still make us look forward to emerging of new drama.