• 한국실내디자인학회논문집
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• 제14권2호
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• pp.95-103
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• 2005

This study is on the concept of Gunter Behnisch' s 'Situationsarchitektur'. Gunter Behnisch is known as the architect who have produced astonishing variety of different types of buildings since 1950s. His works always reflect his changing major concerns of architecture, which varied through his career such as flexibility and serial production in the 1960s, politics and place in the 1970s and 80s, and ecological issues in 90s and afterward. Behnisch says that the goal of architects' work is not so much the building as the situation to be created, and only such measures should be taken as in fortunate cases strengthen and give meaning to the situation that exists, or in less fortunate ones recreate it. The 'Situationsarchitektur' is realized through emphasizing transparency, humanity, public space, and open detail that could lead to a certain lightness and relaxedness in architecture not as an end in itself, but rather in the result. Architecture should be allowed to arise out of circumstances of use and construction, but form should not be imposed as a preconception. Also architecture should be strongly tied to time, space and local conditions. Behnisch tries to see the fundamentals of his work in such a way that subtlety and diversity develop of their own accord or are preserved as a reflection of a world.

• 한국주거학회논문집
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• 제20권6호
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• pp.157-165
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• 2009

The aim of this study on the Munich Olympic Park is to understand the characteristics and design techniques of the environmental design of G$\ddot{u}$nther Behnisch's architecture. This particular work is chosen because it represents a turning point in his architectural life in terms of his approach to environmental design. The goal of this paper is to research Behnisch's design techniques in order to realiz a way to apply nature-friendly design in contemporary-architecture. In Behnisch's architectural works, the organic design philosophies of Hugo H$\ddot{a}$ring and Hans Scharoun are clealy echoed. The site and natural surroundings are always important in his architecture. In terms of his environmentally-friendly approach, Behnisch's architecture can be defined as one which espresses a harmony between architecture and the naturale-surroundings. In terms of the structural aspect, Behnisch's architectural forms are not imposing, but rather waiting to be discovered naturally. In terms of spatial characteristics, Behnisch's spaces are based on organic characteristics and have a strong relationship between the outside and inside. In particular, the artificial architectural landscape in the Munich Olympic Park through cable-construction connects perfectly with nature.