• Journal of Korean Society of Archives and Records Management
• /
• v.11 no.1
• /
• pp.67-92
• /
• 2011

With the movement for complete liquidation of the part history began during participatory government, a special law for the liquidation of the past history was enacted and committees related to the past history have been established. Works related to the past history has relatively smoothly progressed even if there have been many obstacles, but as the duration for the special law reached its final point, committees related the past history came to the fork of a road. This study reflects on this reality and focuses on measures for application of the records collected by committees related to the past history and in this way, establish and selected the record information contents was established and selected. The users of the information was classified into professors, students, and history researchers and Committee for the Inspection of Damages by Compulsory Mobilization under Japanese Imperialism, Committee for the Inspection of Japan Collaborators, and Truth and Reconciliation Commission were selected for the committees related to the past history to establish the contents.

• Journal of the korean veterinary medical association
• /
• v.32 no.4
• /
• pp.206-219
• /
• 1996

동물의 전염성 해면형 뇌증에는 양과 염소의 스크래피, 사슴과 엘크의 만성소모형, 밍크의 전염성 밍크 뇌증, 소 및 소과 야생동물의 소 해면형 뇌증 그리고 고양이의 고양이 해면형 뇌증등이 알려져 있다. 전염성 해면형 뇌증의 원인은 알려져 있지 않으며, 스트레인간의 차이는 숙주의 프리온 유전자에 있어서의 대립유전자의 차이에 의존되는 것으로 추정되고 있다. 이러한 동물의 전염성 해면형 뇌증들은 우리나라에서의 발생보고가 없는 해외 가축전염병이며 현재 영국에서 문제되고 있는 소 해면형 뇌증 즉 일명 광우병은 영국에서 1986년 최초로 확인된 새로운 가축전염병으로서 사람의 크로이츠휄트-야콥병과의 어떤 연관 가능성 때문에 수의학계의 관심의 대상이 되고 있는 질병이다. 영국정부 보건장관 스티픈 도렐은 최근(1996년 3월 20일)에 과거 10년 동안 영국의 소에 감염되어 온 소 해면형 뇌증이 사람의 희귀한 뇌 질환인 크로이츠휄트-야콥병의 새로운 스트레인과 관련성이 있는 증거가 있을 수 있는 것으로 과학자문위원회가 믿고 있다고, 영국하원에서 보고한 바 있다. 한편, 영국의 농업장관 더글러스 호그는 영국에서 30개월 이상된 소를 도살할 때에는 모든 뼈를 제거하여야 하며, 모든 포유동물의 조직은 농업용 사료로 사용해서는 아니된다는 새로운 규정을 공표하였다. 그러나 영국의 쇠고기는 안심하고 먹을 수 있다고 발표하면서 만일 문제가 된다면, 영국에서 사육하는 1천 1백만 마리의 소를 전부 도살할 용의가 있다고 하였다. 이러한 영국정부 견해는 다음 날 CNN News 등 세계 각 매스컴을 통하여 보도되었으며, 아직까지 과학적인 증거가 확립된 바는 없지만, 수의학이나 의학적인 사실 확인의 여부를 떠나, 사회 경제적인 문제로 큰 놀라움과 많은 의문사항을 남겨둔 채, 영국산 소와 쇠고기의 수입금지 조치 등 국제적인 문제로 확대되었다. 본편에서는 동물의 전염성 해면형 뇌증에 대하여 종합적으로 고찰해 보고자 한다.

• The Korean Journal of Archival Studies
• /
• no.74
• /
• pp.45-78
• /
• 2022

South Africa implemented apartheid from 1948 to 1994. The main content of this policy was to classify races such as whites, Indians, mixed-race people, and blacks, and to limit all social activities, including residence, personal property ownership, and economic activities, depending on the class. All races except white people were discriminated against and suppressed for having different skin colors. South African citizens resisted the government's indiscriminate violence, and public opinion criticizing them expanded beyond the local community to various parts of the world. One of the things that made this possible was photographs detailing the scene of the violence. Foreign journalists who captured popular oppression as well as photographers from South Africa were immersed in recording the lives of those who were marginalized and suffered on an individual level. If they had not been willing to inform the reality and did not actually record it as a photo, many people would not have known the horrors of the situation caused by racial discrimination. Therefore, this paper focuses on Rise and Fall of Apartheid: Photography and the Bureau of Everyday Life, which captures various aspects of apartheid and displays related records, and examines the aspects of racism committed in South Africa described in the photo. The exhibition covers the period from 1948 when apartheid began until 1995, when Nelson Mandela was elected president and the Truth and Reconciliation Commission was launched to correct the wrong view of history. Many of the photos on display were taken by Peter Magubane, Ian Berry, David Goldblatt, and Santu Mofoken, a collection of museums, art galleries and media, including various archives. The photographs on display are primarily the work of photographers. It is both a photographic work and a media that proves South Africa's past since the 1960s, but it has been mainly dealt with in the field of photography and art history rather than from a historical or archival point of view. However, the photos have characteristics as records, and the contextual information contained in them is characterized by being able to look back on history from various perspectives. Therefore, it is very important to expand in the previously studied area to examine the time from various perspectives and interpret it anew. The photographs presented in the exhibition prove and describe events and people that are not included in South Africa's official records. This is significant in that it incorporates socially marginalized people and events into historical gaps through ordinary people's memories and personal records, and is reproduced in various media to strengthen and spread the context of record production.