• Journal of the Korean Institute of Rural Architecture
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• v.2 no.1
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• pp.79-88
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• 2000

Recently, global pollution reached the critical level. Thus, new paradigm for the development and conservation of natural resources appear. This is so called Environmentally sound and Sustainable development. Ecological Architecture proposed as a proposal for the paradigm. This research deals with Christian Thoughts about the Ecological Architecture planning. The results are as follows; First, Sustainable development is new paradigm that is suitable for the Christian Integrity of Creation. Second, Ecological Architecture will be better when the people have full of the Christian love.

• The Korean Publising Journal, Monthly
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• s.291
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• pp.10-11
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• 2000

• 주택과사람들
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• s.205
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• pp.86-87
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• 2007

국립중앙박물관 설계 공모 입선과 헤이리 아트밸리 프로젝트로 우리와도 친숙한 세계적인 건축가 로랑 살로몽(Laurent Salomon)을 파리 작업실에서 만났다. 물론 짧은 틈을 내 인터뷰 촬영을 마친 뒤, 다섯 통의 국제전화와 여섯 차례나 질의서가 담긴 이메일이 오간 뒤에야 기사를 완성시킬 수 있었다!

• Journal of architectural history
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• v.31 no.1
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• pp.77-88
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• 2022

Architecture had played a significant role model in philosophy because the construction of building represented doing philosophy. 'Architecture as metaphor' made it possible that doing philosophy was a kind of construction of thinking and western philosopher considered himself as an architect of idea. As a system of system, architectural analogy gave philosophy a chance to insist himself as a theory of theory. So architecture had always been a privileged model of discourse system and also a fundamental metaphor in philosophy. Because of its original meaning, Architecture as techne could be considered as poiesis, that was the special building(making) in western culture. The archi(arche) - structure(techne) was a ideal model and mechanism of philosophy because with this analogy doing philosophy became a kind of building act to make a logical system of idea. This kind of tradition in philosophy, especially metaphysics, made the characteristics of western philosophy 'architectonic' that implied the meaning of the rational, stable, hierarchical and holistic. But this kind of tradition exposed the problem of philosophy that focused on Identity and excluded the others. The logocentrism of western philosophy was also the limitation of architectonic thinking and its reductionism became a grand monologue which only allowed systematic, rational discourse. Its ideological position Inevitably caused the anti-architectural thinking in modern age as a diverse form of new trend of thinking as like postmodernism or deconstruction. Even Deconstructivism, or 'informe', non-representation in architecture depends upon anti-architectural thinking. Relationship between architecture as metaphor and the building of philosophy is problematique issue.

• Journal of The Korean Digital Architecture Interior Association
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• v.7 no.2
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• pp.9-17
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• 2007

After 20th century, The using of data tend to important in a sphere of architecture. The recent European including MVRDV, Rem Koolhaas, Van Verkel and Zaha Hadid tend to the their own design strategy based on the objective data. This architectural design method leads to make new paradigm of contemporary architecture. For the purpose of the understanding a part of new architecture paradigm(datascping), I will analyze the relation of Thing system and Formation system in 36 works of MVRDV from 1992 to 2006. As a results are as follows. The purpose The results of this research are as follows: First, The physical and social elements(Thinking system) are density of site, networking, lighting & vista, micro-climate, energy, noise & vibration, life style, city, communication and variety. Second, The Formation system is layering & stacking, open & close, folding & extending and eco-friendly design. Finally, the major matrix of MVRDV's works is pragmatic and systematic approach to the lighting, climate and variety of community.

• Korean Architects
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• no.3 s.383
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• pp.92-99
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• 2001

96년 미국과 멕시코로 루이스 칸과 바라간 등의 건축 답사를 다녀온 후로, 우리 전통 문화유산을 두루 보러 다녔다. 그동안 가까이 있는 것은 언제건 보겠거니 하고 미뤄 온 터라, 우리 것을 너무 도외시해 온 것 같은 자책감이 생겼기 때문이다. 그리고 건축관에 변화가 있는건 아니지만, 답사하면서 이따금 좋은 느낌을 만나 반가웠다. 솔직히 말해서 다 그런 것은 아니고 손꼽아 말할 수 있었다. 그러면서 필자는 건축적 가치의 획득이 고전과 현대 또는 양식의 차이에 의해서가 아니고, 자체의 성공 여부에 있다는 것을 확신하게 되었다. 건축의 본질은 변함없으며, 건축에 반영된 시대 상황이 다를 따름이라 생각한다. 우리는 훌륭한 문화유산을 많이 갖고 있다. 하지만 국가나 개인의 살림이 넉넉해서 그렇게 되어졌다고 생각지는 않는다. 종묘가 만들어진 것은 정신적 힘에 의해 이룩됐을 것이다. 그렇게 해서 지금 우리에게 위대한 모습으로 남겨 있는 것이 감사하다. 전통건축은 현대 사유 체계로는 추구될 수 없는 이상적인 모습을 띠고 있다. 그리고 오늘날 건축의 자본주의 행태와 대조되는 교훈도 느낀다. 도대체 우리 선조들에게는 구도하듯 짓는 어떤 전통이 있었기에 그렇게 훌륭한 건축이 남겨질 수 있었을까? 그 흔적을 나름대로 찾아보고자 한다.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.17 no.12
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• pp.518-531
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• 2016

This study aimed to find the architectural meaning and characteristics of L'Art Sacr? Movement advocated by Dominican Father Marie Alain Couturie. From 1936 till 1954 Father Couturier was the chief editor of the review L'Art Sacr? that became very influential among art critics no longer satisfied with what was considered outdated 19th century church interior decoration. Marie Alain Couturie was a French Dominican friar and Catholic priest who gained fame as a designer of stained glass windows. He was noted for his modern inspiration in the field of Sacred Art. Couturier's greatest ambition was to revive Christian art by appealing to the independent masters of his time. From these viewpoint, we investigated the background and process of the movement and analyzed the architectural meaning and characteristics which represented the Art Sacr? movement. The analyzed chapel buildings were as follows: 1) The Church of Notre-Dame de Toute Gr?ce du Plateau d'Assy, bringing together Braque, Matisse, Rouault, L?ger and Chagall, 2) The Chapel of Saint-Marie Rosaire by Henri Matisse, 3) The Chapel of Notre Dame du Haut and The Couvent de La Tourette by Le Corbusier, and 4) The Rothko Chapel by Mark Rothko and Philip Johnson. These L'Art Sacr? projects inscribedthemselveswithin what was the century's most serious attempt at the reintegration of Art and religious space. Courturier's interactions with artists and architects are traced and shown to have played a major role in the evolution of the priest's thinking and Church interior decoration. At the same time, Courturier's clear and vigorous L'Art Sacr? articles were both defining the theoretical basis of new vision and anticipating the renewal of the religious space.

• 주택과사람들
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• s.16
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• pp.28-31
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• 1991

1. 2/4분기중 전국의 건축허가면적은 전년동기에 비하여 6.4$\%$가 감소하여, 1/4분기에 전년동기대비 12.3$\%$증가한 것에 비해 현저한 감소현상을 나타낸 바, 이는 건축허가제한 강화조치에 기인하는 것으로 보인다. 건축허가면적은 1월과 2월에 전년동기대비 각각 28.9$\%$, 18.4$\%$의 증가를 나타내었으나, 3월들어 1.1$\%$가 감소하면서 감소세로 돌아선 이후, 4월, 5월, 6월에 각각 0.2$\%$, 16.4$\%$, 0.6$\%$의 감소를 나타내면서 지속적 감소추세를 보이고 있다. 특히 6월의 경우 감소추세가 둔화된 사유는 ''90.5.15 건축허가제한조치에 따라 ''90년의 허가면적 자체가 대폭 감소한 데 기인한다. 2. 2/4분기중 허가면적을 용도별로 보면 주거용 건축이 5.6$\%$ 감소하였으며, 상업용은 17.1$\%$의 감소를 보였으나, 공업용은 제조업 분야의 시설투자활성화 영향으로 13.6$\%$의 증가율을 나타내고 있다. 3. 이와 같은 허가면적의 감소추세는 허가제한 강화조치에 따라 하반기에도 지속될 것으로 보인다.

• The Journal of the Korea Contents Association
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• v.14 no.5
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• pp.436-443
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• 2014

This study was begun on the premise that architecture which has the definite disposition for survival even in the urban, social structure of that uncertainty and constructs specialty is biomorphic architecture. This study was organic philosophy background analysis of Biomorphic architecture occurrence, through meaning inherent analysis in Biomorphic architecture, which going to be deployed atypical and new shape one. Biomorphic architecture is organism shape of structure of autonomous survival, which is shaped the potential of biological phenomena. Theoretical analysis of the Biomorhpic architecture characteristic was analysed. Factor in the occurrence of Biomorphic architecture based on an objective analysis of the research is characteristic analysis. Which is reason as the 'create', the science of complexity and emergent System. The generation causes of biomorphic architecture are an organic philosophy. Biomorphic architecture makes the realization of simile form using the procedural principle represented by in natural phenomena.

• Journal of architectural history
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• v.7 no.2 s.15
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• pp.127-140
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• 1998

It seems obvious to the contemporary eye that modern technology has finally brought chaotic abundance to the present world, and provided a superficial civilization over the last century. Nevertheless, such an argument about the external phenomena of present culture does not help constitute the right track of modern technology and architecture. Rather, this discussion comes to re-signify the importance of critical metaphysics as a part of man's cultural activities, especially the ontological meaning of them. In this point, the research is intended both to re-certify the essential nature and mythic value of technology through reviewing the ancient and modern philosophical contemplations, and to examine its architectural condition against the rapid expansion of commercial material-culture.