• Korean Architects
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• s.585
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• pp.144-153
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• 2018

• Archives of design research
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• v.20 no.3 s.71
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• pp.325-334
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• 2007

This study examines the perception of professionalism of the design practitioners working in the architectural design firms. Data from the survey questionnaire were collected from 271 participants. Major findings were as follows: 1) Professional ethics and research were the two most important components of the profession. 2) Experience was the most important factor determining pay, promotion, and competency. 3) Job-related educational program was most highly supported by the company. 4) Participants' perceptions toward licensing and professional association were negative. 5) Self-accomplishment and aptitude were the main reasons to choose the profession. 6) Independent attitudes were found toward intellectual property. 7) Participants felt proud of their job but thought their social status was below medium.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.19 no.12
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• pp.332-339
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• 2018

This research explains a new process in architecture frameworks. A complete analysis on implementation of the specific frameworks can be conducted by a special system. Moreover, the system can be installed anywhere, and it produces a unique result, which is customized based on the contents of architectural designs by users. Before using the system, an architect should think about the design and the process of constructing frameworks because a computer sometimes computes misleading results although the architect describes architectural structures, which the designer wants. If the architect inputs the same process into the computer, and the result of frameworks changes, it is not a proper architectural design. Hence, a tool, which precisely treats data, is needed. Therefore, when constructing the proper architecture, a new paradigm of architecture should be used to distinguish the issues of discussion by using various data. Also, based on this information, an apartment housing complex design, related to possible parameters, which can be expressed by combining various fusion tables and geocloud, and architectural designs, is proposed.

• Korean Institute of Interior Design Journal
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• no.37
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• pp.29-38
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• 2003

Reyner Banham characterized the Second Machine Age as the age of domestic electronics and synthetic chemistry in opposition to the First. It means technology and science would be popularized in the Second Machine Age. The Second Machine Age began in the mid-50's in which pop culture and SF became popularized. The architects in both Machine Age choose the scientifism as the motive of architectural design. But not all of them approach to the design with the pure theory of science. This study analyses the types of scientifism in architectural design in the 1950's and the 60's based on approaches to technology which might be classified as pragmatic, radical, and pop.

• Archives of design research
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• v.15 no.3
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• pp.15-28
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• 2002

The purpose of this research is to identify the concrete imagery terms that characterize Korean cultural identity and to express Korean feelings and images through those words. We classified the selected imagery terms into the elements of design, the principles of design, abstraction, expression and function. As a result, new aspects of the Korean Image are as follows. 1, It recognized that the colors representing the Korean image are not only achromatic but also splendid. 2. Noble images with common images have taken up a large part of Korean traditional image. 3. Pleasant images as well as sad images should be presented as a new perspective to express Korean cultural identity. 4. Indirect image rather than direct image appears frequently, while positive/active image appears frequently. Since this image accounts for a large portion of Korean present image it cannot be overlooked as Korean traditional Image. 5. Korean traditional architecture is expressed as functional and rational. Up until now, representative imagery terms about Korean cultural identity appear to be positive and active and we know that Korean feelings and images are implying more variety to the image generally recognized at this time. Therefore, if today's various information technology, and values are compared and the continuity and changes of designs are appropriately combined above Korean cultural identity with these results, this will provide an essential direction for the development of global Korean designs.

• Korean Architects
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• no.5 s.277
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• pp.64-71
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• 1992

• Korean Architects
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• no.1 s.83
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• pp.31-37
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• 1976

• Korean Architects
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• no.1 s.285
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• pp.94-103
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• 1993

• Korean Architects
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• s.485
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• pp.62-63
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• 2009

• Korean Architects
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• no.6 s.290
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• pp.118-122
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• 1993