• The Journal of the Korea Contents Association
• /
• v.22 no.3
• /
• pp.35-42
• /
• 2022

This study is to examine how architecture is affected by music through practical examples of VEX house that designed based on music Vexations to suggest for engraftment potential and application of musical elements to architectural design based on the correlation between music and architecture. VEX house has been transformed with repetition and musical elements such as loops, erratic scales and harmonies. Also, apart from VEX house, the album 'Vex' was applied from architecture to music. That is, those are taking into account the results of the exchanges of different arts. Through the application of various musical elements in the construction process of the building, the potential of the new aesthetics of the building is considered.

• Korean Architects
• /
• s.522
• /
• pp.72-75
• /
• 2012

• Korean Architects
• /
• s.536
• /
• pp.20-21
• /
• 2013

• Journal of the Korea Academia-Industrial cooperation Society
• /
• v.16 no.1
• /
• pp.793-800
• /
• 2015

This study is to analyze correlation between Daniel Libeskind's architecture works and the effects as a series of music works be learning in youth and opera "Aron and Mose". The results showed that First, Libeskind created convergence of invisible line by borrowing the composition of freely flowed scales in score from his architecture. Second, he composed geometrical shapes of contrapuntal reiteration based on double tune in music structure, in other words forms of polyphonic proportion. and he expressed the geometrically, freely line rhythm by planning composition of multidimensional spaces, "Hybrid", planning the contrast of material, form by results of Intertextually combination between Architecture and Music. Third, he tried to express the pain, fear, anxiety, etc. of the past spatially, and constructed "the spaces of absence" on his works through inspiration from Arnold Sch$\ddot{o}$nberg's works.

• Korean Architects
• /
• s.664
• /
• pp.72-79
• /
• 2024

• Korean Architects
• /
• no.3 s.53
• /
• pp.50-53
• /
• 1973

• Korean Architects
• /
• s.649
• /
• pp.110-111
• /
• 2023

• Korean Architects
• /
• no.5 s.230
• /
• pp.7-21
• /
• 1988

• Korean Institute of Interior Design Journal
• /
• no.25
• /
• pp.18-25
• /
• 2000

Architecture and music have reflected many changes occurring in a greater cultural realm. Specially, the concept of time and space formed from relativistic physics becomes the basis of cultural awareness, and a method to understand the world. Therefore, this study aims to suggest the possibility to integrate architecture and music, based on the close relationship between architecture and music of the 20th century focusing on time and space. Resultantly, in this study, interrelationship between architecture and music is elucidated by proving both the spatiality of music and the temporality of architecture, and such possibility to integrate the two realms helps understand the reality.

• Proceedings of the Korean Institute of Interior Design Conference
• /
• 2004.11a
• /
• pp.122-127
• /
• 2004

This study is about a relationship of architecture and polyphony music. In the field of interior architecture, there have been many tries of applying characteristics of music, such as abstraction and nature of time for users of space to have new experience. It has been possible because architecture and music have similarities in many ways. Regarding using proportional characteristic in architecture and music, the both fields are enormously related in some ways. The purpose of this study is explaining of possibility of architectural expression in music and suggesting a way of analysing architectural design based on musical elements emphasizing proportional characteristic. Therefore, it is going to analyse Counterpoint of Bach, which is well expressed in music and compare it with proportional characteristic of space through this study.