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http://dx.doi.org/10.5762/KAIS.2015.16.1.793

Study of the Musical Spaces Composition in Daniel Libeskind Architecture  

Song, Dae-Ho (Department of Architecture, Pukyong National University)
Publication Information
Journal of the Korea Academia-Industrial cooperation Society / v.16, no.1, 2015 , pp. 793-800 More about this Journal
Abstract
This study is to analyze correlation between Daniel Libeskind's architecture works and the effects as a series of music works be learning in youth and opera "Aron and Mose". The results showed that First, Libeskind created convergence of invisible line by borrowing the composition of freely flowed scales in score from his architecture. Second, he composed geometrical shapes of contrapuntal reiteration based on double tune in music structure, in other words forms of polyphonic proportion. and he expressed the geometrically, freely line rhythm by planning composition of multidimensional spaces, "Hybrid", planning the contrast of material, form by results of Intertextually combination between Architecture and Music. Third, he tried to express the pain, fear, anxiety, etc. of the past spatially, and constructed "the spaces of absence" on his works through inspiration from Arnold Sch$\ddot{o}$nberg's works.
Keywords
Muscial Composition; Arnold Sch$\ddot{o}$nberg; Spaces of Absence;
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Times Cited By KSCI : 2  (Citation Analysis)
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