• Proceedings of the ESK Conference
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• 1998.04a
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• pp.46-51
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• 1998

본 연구는 MEQ(Morning-Evening Questionnire)와 수면습관 설문지를 이용하여 일본 시모노세끼 시내의 20개 사업장 1143명(남 682명, 여 461명), 한국은 마산,창원 인근의 62개 사업장 1148명(남 1038명, 여 110명)의 작업자를 대상으로 일본어판 한국판 아침-저녁형 및 생활습관 조사를 실시했다. 그러나 한국 작업자 집단의 남녀간 자료수의 차이가 너무 커 본 연구에서는 여성의 자료는 제외하고 한국과 일본의 남성에 대해서만 분석했다. 한.일 근무자 모두 ME 득점은 연령이 높아짐에 따라 이침형 쪽으로 이동되어 분포했고, 양국의 평균 ME 득점은 한국의 경우가 일본보다 어느 연령층이나 유의하게 낮았다. 연령을 5개그룹(24세 이하, 25-34, 35-44, 45-54, 55세 이상)으로 크로조타입을 3개 집단(아침형, 중간형 저녁형)으로 분류한 뒤 수면습관을 검토한 결과 한국과 일본의 작업자 집단 모두 연령이 높아질수록 기상 및 취침시각이 빠르고 각 연령층에서도 아참형이 저녁형보다 빠른 것을 알 수 있다. 그리고 일본의 경우 평일의 수면시간은 연령에 따라 길어지고, 각 연령층에서도 아침형보다 저녁형이 짧지만 한국은 그런 경향 을 보이지 않았다. 또한 일본의 작업자가 한국의 작업자보다 취침시간은 빠르고, 기상시간은 늦은 경향을 보이고 있었다. 이러한 현상은 문화나 생활습관의 차이 때문으로 보인다. 이러한 결과에서 연령이 높아 짐에 따라 아침형 쪽으로 변화하며 생체리듬의 위상이 전진한다는 것을 추측할 수 있다.

• Journal of the Korean Institute of Educational Facilities
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• v.23 no.4
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• pp.3-10
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• 2016

This paper presents the investigation results on the classification of the university campuses. For the classification, we selected the spatial index as the evaluation indicator since the environmental factors and maintenance methods vary from university campus to university campus. For the study, we used eight spatial indices of the 30 national universities. This paper provides the spatial characteristics of different campus types, presents campus classification analysis as a future research approach to campus maintenance, and provides the data for the future study of comparison among universities. The results are as follows. 1) The classification investigation categorized the university campuses into three groups. Type 1 is a large-scale type, located near downtown. Type 2 is a medium-scale type, located at a remote site from downtown. Type 3 is a small-scale type, which is located comparatively near downtown. 2) Type 1 is a large-scale mixed area type, and 13 universities belong to this group. Type 2 is a medium-scale suburban area type, and six universities are in this group. Finally, Type 3 is a small-scale downtown area type, and 11 universities belong to this group.

• The Journal of the Korea Contents Association
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• v.12 no.12
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• pp.616-626
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• 2012

Despite growing importance of emotional laborer management in broadcast artist, there are very few empirical studies on the effects thereof. The purpose of this study is to identify effects of emotional labor and job stress of broadcast artist on job satisfaction and their relations. Of the 200 distributed questionnaires 120 copies were used in the analysis. The results of the study were as follows. The results of the study showed that there exist strong relationship between emotional labor($r=-.226^*$) & job stress($r=-.505^{**}$) and job satisfaction. Emotional labor and job stress show significant effects on job satisfaction negatively(${\Delta}R2=.292$, F=5.557, p<.01). The implications of the results and research topics to be studied were discussed.

• Journal of the Korean Society of Costume
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• v.58 no.1
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• pp.61-78
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• 2008

Comedy costumes worn on the comedians/gag men express the information of the performances such as character's era, place, social rank, present environment, age, sex, occupation, emotion, relationships between the characters, importance and mood in visual language. The comic is found when these informations are reversed, revealed, exaggerated or distorted. To analyse the TV comedy costumes, 5 subordinate concepts of the comic which are Body, Gender, Age, T.P.O.(Time, Place, Occasion) and Role could be identified, and the results from the analysis focused on (10 shows were selected from each of the first and second half of the years from 2003 to 2007) are as follows: Distorted and ugly body implies the resistance against the ideal body. Reversed or confused sex are usually expressed as men dressed in women, and these mean breaking the dichotomy between male and female, and coexistence of the masculinity and feminity, and satirizing the social custom restricting women by moral rules. It could be recognized that the way of men's dressing in women have been changing keeping pace with the times. The discord between age and costume was often expressed with children's wear and childish props. This implies the liberation from the age role. The comic expressed from the inadequate costume for T.P.O. usually appeared with the costumes 20-30years behind the times. When there were discordance with the acts and acts expected from the outfit(appearance) also made an ironical laugh. The comics acquired by vulgarization and exaggeration of the characteristics of role(figures/occupation) were from the imitation and deformation of the objects in stereotypes, and through this dissolving the custom was under way.

• Korean Journal of Environmental Agriculture
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• v.19 no.4
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• pp.364-369
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• 2000

In order to obtain the reference data to be used as an vegetation index for degree of desalinization, vegetation successions were surveyed and soil chemical characteristics were analyzed at the naturally maintained plot in Dae-Ho reclaimed land. Seven Groups $(A\;{\sim}\;G\;group)$ were classified as major vegetation; A group (Suaeda asparagoides MAKINO etc.), B group ( Aster tripolium L. etc.), C group (Stearia viridis L. BEAUV), D group ( Phragmites longivalvis STEUD), E group (Limonium tettagonum THUMB A. A. BULLOCK), F group (Trifolium repens L.), G group (Zoysia sinca HANCE etc.). As desalinization process proceeded, the wild vegetation changed in order of $A\;{\to}\;B\;group$, $D\;{\to}\;C\;group$, $E\;{\to}\;F$, G group. Soil texture of the naturally maintained plot was silt loam and soil fertility was very low compared with agricultural cultivated soil. Soil pH ranged from 7.0 to 8.0. Electrical conductivity (ECe) was below 10 and $20\;dS{\cdot}m^{-1}$ at top and subsoil, respectively, except the plot where A group were growing. Resulting from SAR and ECe, The plot where A group was growing was saline-sodic soil and the others were saline soil. The relation between vegetation sucession and soil desalinization showed that vegation appeared under $10\;dS{\cdot}m^{-1}$ of ECe and 15 of SAR except A group.

• Journal of Korea Entertainment Industry Association
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• v.14 no.4
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• pp.199-209
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• 2020

"Positive Influence(PI)" of popular star has recently emerged as a social concern, but the lack of prior research has led to confusion over its concept and range of activity. On this point, this study carried out to lay the groundwork for discussions on the systematization of related theories, focused on identifying the current situations by analyzing articles for 15 months from January 2019 to March 2020 when related reports were in full swing. As a result of the analysis of the remarks from the entertainers mentioned in the articles, they were not clearly aware of the concept while doing good deeds under the name of PI in light of the study outcome by Aegean and Singer(2013). The motivations for good deed were classified into six types, including difficulty empathy, fandom reward, participation urge, nidana emphasis, experience subjugation, and memory evocation in the order of frequency of cases. Specific behaviors of PI were followed by donations of money and valuables for 54.4 percent, participation of social agendas for 14.0 percent, volunteering for 13.2 percent, joining campaign for 11.4 percent, other good deeds for 4.0 percent, and philanthropy for 3.0 percent. In occupational analysis, the concentration of donations was also evident. Their activities in the fields of human rights sensitivity, environmental protection and self-management, which are expected to have great effects with their influence, have been extremely poor. The results of the study first require academia to establish a interdisciplinary concept for PI. It also suggests that entertainers and their agencies should take far more strategic approach to evolve the PI event in a way that utilizes the advantages of each job group, such as actors, singers and comedians, and expands the diversity of areas.

• The Journal of the Convergence on Culture Technology
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• v.7 no.4
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• pp.243-249
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• 2021

In the postmodern world, it is widely believed that being a fool or looking foolish can be more profound and unique than being smart and serious. Comic characters, or fool characters in comedy, have been used as basic tools to make people laugh in various cultures around the world. As such, this study will summarize the types of fool characters that have been depicted in plays and organize how they can be categorized in a culture of laughter as well as revealing their characteristics in performing arts. The ridiculous actions and words of fool characters fall outside the common dichotomy of wisdom and foolishness. This is significant and it is because the ways in which they act overturn the values that we consider to be truthful in the world of experience and contain wit and ridicule beyond the general knowledge. Also, it's worth pointing out that many comic characters that appear on TV shows are not all the same. To put it simply, each and every funny character has unique traits and these characters predictably change according to the times. In performing arts, a fool character's personality is displayed through his or her interactions with the audience. That is, on one hand, the character may or may not recognize himself as a fool, while on the other hand, the audience may regard the character as a fool or otherwise. Based on this background, the comic characters that appear in performing arts are categorized into four types and their features are discussed.

• Cartoon and Animation Studies
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• s.38
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• pp.177-194
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• 2015

This study that had been conducted two months by a research team of Pusan National University at the request of Korea Manwha Contents Agency in Dec. 2013 is about the statistical analysis on 'Korean Webtoon DB and its Flow Report' which resulted from the complete survey of Korean webtoons which had been published with payment in official media from early 2000 to 2013. Webtoon which means the cartoons published on web has become a typical type of Korean cartoons and has developed into a main industry since 2000s when traditional published cartoons had declined and social environments had changed. Today, it represents cultural contents in Korea. This study collected the webtoons officially published in media with payment, among Korean webtoons having been published from the early 2000s to Jan. Based on the collected data, it analyzed the general characteristics of webtoons, including cartoonists, the number of cartoons, distribution chart of each media, genre, and publication cycle. According to the data analysis and statistics, a great deal of Korean webtoons are still published in main portal websites, but their platform is being diversified and a webtoon's publication cycle tends to be shortened. In terms of genre, traditional popular genres, such as drama, comic, fantasy, and action, are still popular, and the genres of history, sports, and food are on the rise along with a social trend. Regarding webtoon application, such events as relay webtoon and brand webtoon, and a new type of webtoon featuring PPL commercialism appear. Such phenomena can realize the common profits of cartoonists, media, and ordering bodies, and are various trials to test the possibility of webtoons. In addition, what needs to pay attention on in the expansion of webtoons is increasing webtoons for adults. The study subjects are the webtoons published with payment, excluding free webtoons. However, this study failed to collect the webtoons published on the online websites already closed, and the lost information on cartoonists and their lost webtoons, and it is necessary to conduct a complete survey on all webtoons including free ones. Despite the limitations, this study is meaningful in the points that it categorized and analyzed Korean webtoons accoridng to official media, webtoons, cartoonists, and genres and that it provided a fundamental material to understand the current conditions of webtoons. It is expected that this study will be able to contribute to activating more research on webtoons and producing more supplementary data which will be used for the Korean cartoon industry and academia.

• Korean Journal of Environment and Ecology
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• v.36 no.6
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• pp.651-661
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• 2022

Plants social network analysis, which combines plants society and social network analyses, is a new research method for understanding plants society. This study was conducted to investigate the relationship between species, using plant social network analysis targeting Taejongdae in Busan, and build basic data for management. Taejongdae, located in the warm temperate forest in Korea, is a representative coastal forest of Busan Metropolitan City, and the Pinus thunbergii-Eurya japonicacommunity is widely distributed. This study set up 100 quadrats (size of 100m²each) in Taejongdae to investigate the species that emerged and analyzed the interspecies association focusing on major species. Based on the results, a sociogram was created using the Gephi 0.9.2, and the network centrality and structure were analyzed. The results showed that the frequency of appearance was high in the order of P. thunbergii, E. japonica, Quercus serrata, Sorbus alnifolia, Ligustrum japonicum, and Styrax japonicusand that many evergreen broad-leaved trees appeared due to the environmental characteristics of the site. The plants social network of Taejongdae was composed of a small-scale network with 50 nodes and 172 links and was divided into 4 groups through modularization. The succession sere identified through a sociogram confirmed that the group that include P. thunbergiiand E. japonicawould progress to a deciduous broadleaf community dominated by Q. serrataand Carpinus tschonoskii, using hub nodes such as Prunus serrulataf. spontaneaand Toxicodendron trichocarpum. Another succession sere was highly likely to progress to an evergreen broad-leaved community dominated by Machilus thunbergiiand Neolitsea sericea, using M. thunbergiias a medium. In some areas, a transition to a deciduous broad-leaved community dominated by Celtis sinensis, Q. variabilisand Zelkova serratausing Lindera obtusilobaand C. sinensisas hub nodes was expected.