• Proceedings of the KAIS Fall Conference
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• 2011.05b
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• pp.701-703
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• 2011

본 논문에서는 한국 대중가요에서 중요한 역할을 하는 발라드, 특히 '그대 내게 다시'의 가창에서 효과적인 가창을 위한 멜로디의 가창 해석, 그리고 멜로디의 세부적인 느낌을 크게 좌우하는 표현 방법들을 살펴보고, 이것이 다른 장르의 음악을 가창하는데 있어서의 어떻게 적용될 수 있는지를 분석해 보았다.

• Proceedings of the KAIS Fall Conference
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• 2012.05a
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• pp.130-133
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• 2012

본 논문에서는 1980년대 크게 인기를 끌었던 R&B 발라드 Whitney Houston의 'Greatest Love of All'의 가창에 있어서 효율적인 가창을 위한 표현방법들과 가창지도법에 대해 연구해보았다.

• Proceedings of the KAIS Fall Conference
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• 2011.05b
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• pp.619-621
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• 2011

본 논문에서는 대중음악의 대부분을 차지하는 대중가요의 가창에서 효과적인 가창을 위해 사용하는 멜로디의 가창법, 그 중에서 멜로디의 세부적인 느낌을 크게 좌우하는 대표적인 표현기법들을 살펴보고, 이것이 다른 장르의 음악을 가창하는데 있어서의 공통점과 차이점을 분석해 보았다.

• Proceedings of the KAIS Fall Conference
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• 2012.05a
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• pp.249-251
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• 2012

본 논문에서는 우리나라의 언어가 아닌 외국어, 그 중 가장 보펀적인 외국어인 영어로 된 노래, 즉 팝송(Pop-song) 가창 시 효과적인 가창을 위해 멜로디의 세부적인 부분의 표현기법들을 살펴보고 이를 가창지도할 때 실제로 어떻게 적용할 수 있을지를 살펴보고 분석해 보았다.

• Journal of Korea Entertainment Industry Association
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• v.15 no.1
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• pp.27-38
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• 2021

Non-Contact society has arrived due to social distinctions by COVID 19 pandemic. The arrival of the era of non-contact is having a profound impact on educational activities as well as on our social and economic lives. In response to the pandemic situation universities and all other educational institutions have implemented non-contact online classes. In particular arts physical educations and other practical classes are experiencing many difficulties due to the limited environment caused by social distancing from COVID 19 pandemic. Vocal classes are undergoing a transition mainly from 1:1 individual face-to-face lessons or group teaching methods to the non-contact era of online teaching or lesson methods. It is necessary to look at the direction of non-face-to-face practical classes in preparation for accelerated educational innovation. Edu-tech, which innovates technology in the wake of the age of non-contact after COVID 19 pandemic is expected to begin in earnest at school sites in Korea which have remained in the traditional way of education. The purpose of this study is to effectively non-contact vocal instructional methods by cogitating the current state of higher practical education and vocal classes in Korea. In addition, This study conducted two components of satisfied instructions such as 'Priorlearning of monitoring of recorded singing', and 'Immediate analyzing of various vocal contents and supplementary lessons of music theory' with a research on the peos and cons of non-face-to-face vocal class. Over a period of time, The effective non-contact of vocal instructional methods is in need to supplement non-face-to-face vocal class problems and further research and system construction with non-face-to-face vocal class's pros and cons to construct high-quality lecture contents is warranted.

• (The) Research of the performance art and culture
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• no.32
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• pp.171-208
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• 2016

Female folk song singers do not necessarily recognize the indigenous elements, which are, however, naturally reflected in the narration in the context. Singers of Taebaek Ararei recognize the dialect, the tone and the song when performing. Traditional Ararei had been performed by singers in the village of slash-and-burn field in Hwangji. Cheolam and Jangseong do not have their own traditional songs sing they are mining regions but had adopted songs from other areas including Gyeonggbuk, which still remain as alternative versions. Many elements of Jeongseon Arari and Samcheok Menari are in the narration and the songs. In terms of the context, alternative versions of Ararei are old Arirang melodies from slash-and-burn fields and were confirmed to be a very old form of oral folk songs in Gangwondo. Female singers of 3 generations, Hwaok Mun, Geumsu Kim and Hyojeong Kim, who keep the tradition and identity of Taebaek Ararei, show the integration of the past, present and future of Ararei. The Ararei Preservation Society continuously organizes singers' performances and maintains the tradition. The singer Hwaok Mun was born in Taecheon, Pyeongannamdo and moved to south at 5 and lived in Hajang, Samcheok and then moved to Jangseong and lived in Jaemungok. She is a mother of 6 children and has been a farmer for most of her life. She currently resides in Mungokdong and would sing Ararei at village feasts or events. She says she learned the song naturally because Ararei was sung very often in the past around Taebaek area. She is a typical native Arirang singer. The singer Geumsu Kim is a daughter of Hwaok Mun and leads the Taebaek Ararei Preservation Society to study, maintain and introduce the sound of Taebaek(Taebaek Arirang). She introduces Miner Arirang and Taebaek Ararei to the society members and the local residents. The singer Hyojeong Kim is a granddaughter of Hwaok Mun and follows the tradition of her grandmother and mother while adopting more modern Arirang contents.

• Proceedings of the KAIS Fall Conference
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• 2011.12a
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• pp.85-88
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• 2011

본 논문에서는 3명의 재즈보컬리스트에 의해 가창된 보컬즉흥연주를 분석하여 스캣음절의 사용실례를 살펴보고 그 결과를 통하여 스캣음절의 사용 및 표현방식에 대한 이해를 돕고자 하는데 그 목적이 있다.

• Journal of Music and Human Behavior
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• v.6 no.1
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• pp.33-53
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• 2009

The purpose of this study is to examine the effects of a singing program on withdrawal behaviors of children in low-income families. To measure the effects of the singing program, the researcher compared the results of K-YSR and TRF withdrawal scales before and after the program. Finally, the researcher did research on the subjects' musical and non-musical behaviors related to withdrawal through a record of behavior observation. The results of this study were asfollows: First, after comparing the results of K-YSR and TRF withdrawal scales conducted before and after the singing program, the mean of the scores was decreased by 6.4 and 3.6 points respectively (p = .042). Second, an analysis of withdrawal-related behavioral changes in music activities after the program showed an increase in frequency of eye contact, as well as tone and volume of subjects' voices. The results of this study indicate that the singing program has positive effects on withdrawal behaviors of children in low-income familiesin addition, it is effective in alleviating withdrawal-related behaviors.

• Korean Journal of Environmental Biology
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• v.29 no.4
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• pp.296-304
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• 2011

This study was carried out to investigate the relation between water quality and structure of the aquatic ecosystem in the Lake Gachang from February to December in 2010. The annual mean COD (Chemical Oxygen Demand) in Lake Gachang was 3.5 mg $L^{-1}$, indicating, level II of environmental standards and the trophic state was mesotrophic. The seasonal succession of phytoplankton showed that Bacillariophyceae was mostly dominant species throughout the year except August. In case of zooplankton, rotifers dominate in the most seasons, but copepod (Nauplii) in August. The macrophyte plants showed diverse species composition consisted of 9 varieties, 77 species, 64 genera, 34 families and 24 orders. Surveyed species of macroinvertebrates were classified into 1 phyla, 2 classes, 4 orders, 7 families, 9 species. The macroinvertebrates showed FFG (Functional Feeding Groups) such as GC (Gathering-Collector) and SH (Shedder). A total of 42 species of fish was collected including $Zacco$ $koreanus$ and $Coreoperca$ $herzi$. In this study, we investigated environmental factors including pollutant source, load, water quality and distribution characteristics of biota such as phytoplankton, zooplankton, macrophyte plants, macroinvertebrates, fish.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 2022.10a
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• pp.127-130
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• 2022

This paper is a study on singing voice synthesis modeling using a generator loss function, which analyzes various factors that may occur when applying BEGAN among deep learning algorithms optimized for image generation to Audio domain. and we conduct experiments to derive optimal quality. In this paper, we focused the problem that the L1 loss proposed in the BEGAN-based models degrades the meaning of hyperparameter the gamma(𝛾) which was defined to control the diversity and quality of generated audio samples. In experiments we show that our proposed method and finding the optimal values through tuning, it can contribute to the improvement of the quality of the singing synthesis product.