• Proceedings of the Costume Culture Conference
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• 2004.04a
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• pp.133-136
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• 2004

과거 산업화 이후 남성중심의 사회에서는 남성들에게 남성다움과 강인한 가부장적 모습을 요구하였으며 이는 의복을 통해 보수적이고 엄격한 태도와 함께 강건한 외형의 스타일로 나타났다. 그러나 산업화 정보화와 함께 여러 가지 사회 문화적 환경 요인은 이러한 사회구조와 남성 패션에도 커다란 변화를 주었으며, 과거 고대부터 산업화 전까지도 그들이 입었던 스커트에 대한 착용을 열망하는 남성들이 등장하고 있다. (중략)

• The Journal of the Korea Contents Association
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• v.10 no.11
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• pp.102-112
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• 2010

This study is the secondary full-scale research of a TV drama writer, who has been out of scholarly pursuits. This study examines the Su-Hyeon Kim's differential and tendency in home-drama genre, who has been constructing a general idea of TV drama genre, namely a home-drama, and a melodrama. The purpose of this study is to reconsider the meantime both of exclusive evaluation by the functional measure of social norm, also by the feminism-based evaluation of her drama's supporting role of patriarchal gender ideology. By focusing on her recent highly popular home-drama (2008), this study shows that the writer used her own category grammar strategy of harmonizing both of convention and invention in genre. The conventions in genre are 'a big family', 'a pluralistic construction' 'a realism based on a everyday life', and 'a theme of love of a family with happy ending'. The invention in genre are 'a change of the 1st generation patriarchy', 'a change of the 2nd generation role of a housewife' and a change of the 3rd generation marriage customs'. Also this paper presents that the writer showed a humanistic tendency that pursues a recovery of both 'humanity' and 'love of family based on trusting', which have been destroying by capitalistic ideology, rather than discussing whether her tendency on the gender ideology of patriarchism is conservative or not.

• Cross-Cultural Studies
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• v.51
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• pp.193-212
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• 2018

This paper attempts to explore how Ang Lee depicts Asian and Western women in his films. We focus on two parts of his consciousness First, Ang Lee does not consider himself a feminist, he understands the world in terms of women who play societal roles. Second, Ang Lee's films reflect his identity in a juxtaposition model, in which he is a member of mainstream American society and also holds an onlooker's viewpoint at the same time. He depicts women, who are often marginalized or considered the minority, and their feminist ideals, as means that break down the authority of the father and the man, the traditional ideology, and the male dominant nationalism. Chinese women in movies divide apart traditional Chinese patriarchal ideology and male-dominated anti-Japanese sentiments. Also, the Western women in his films reveal the non-stereotypical appearance of Western society in the 1970s and 1980s, with daily tension, anxiety, abdominal pain and anger, silence and anxiety about homosexual husbands, and excessive obsession. The director's portrayal of women not only separates the male-centered and Western-centered discourse, but also reveals a self-division of internalized masculine patriarchal Asian thought consciousness.

• Proceedings of the Costume Culture Conference
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• 2003.04a
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• pp.82-82
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• 2003

패션은 그 시대의 정치, 경제, 사회를 반영하는 상징적 표현문화로 그 시대를 대변하며 다양한 형태로 변화되었으며, 개인의 이미지를 결정하고 사회적 역할을 상징적으로 나타내주는 하나의 수단이 되어왔다. 더욱이 현대 사회에 들어 의복이 우리 사회에 큰 비중을 차지하게 되면서 의복의 매력과 중요성은 날로 증가해가고 있다. 산업사회 이후 나타났던 남성중심 사회는 남성들에게 남자다움과 강인한 가부장적 모습을 요구하였으며, 이는 의복을 통해 견고하고 강건한 외형의 움직임이 없는 스타일로 고정되어 나타났다. (중략)

• Proceedings of the SOHE Conference
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• 2003.10a
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• pp.71-71
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• 2003

본 연구는 세계가 지향하는 양성평등사회의 구현을 위하여 가부장적 인식이 사고의 많은 부분을 차지하고 있는 남성 특히 아버지의 성역할에 대한 태도가 자녀에게 미치는 영향을 알아보고, 차별의 대상인 딸들은 아버지의 태도를 어떻게 인지하고 있는지를 파악함으로써 한국 사회의 뿌리깊은 사회문제의 근원이 되고 있는 성불평등의 원인을 밝히고, 양성평등을 위한 교육의 기초를 마련하는데 기초자료를 제공하고자 한다. 자료수집은 전라북도에 위치한 여자 중학교 1, 2, 3학년을 중심으로 이루어졌으며, 빈도, 백분율, 평균, 표준편차, 분산석, Duncan's multiple Range Test, 상관관계, 회귀분석을 사용하였다.

• The Korean Publising Journal, Monthly
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• s.242
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• pp.8-9
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• 1998

여성만도, 남성만도 아닌 양성이 정의롭고 평등하게 사는 사회를 만들자는데 이견이 있을 수 없다. 하지만 가치중립적으로 보이는 책 속에서 반페미니즘적 요소를 찾기는 쉽다. 그동안 횡행한 성차별의 역사가 너무 길었던 탓이다. 각계 9인이 페미니즘을 잣대로 최고와 최악의 책을 뽑았다. 최고의 책 가운데 중복되 답변은 없었지만 판단 기준은 대체로 일치한다. 정신이 살아 있는 인간으로서 여성의 목소리와 육체를 담고 있어야 한다는 점. 반면 얼마전 논란이 됐던 이문열의 "선택"은 여러 명에게 최악의 책으로 꼽혔다. 성적 불평등이 전제된 가부장사회에서 '자율적 선택'이란 또다른 성적 억압이라는 것이 공통된 평이었다.

• The Journal of the Korea Contents Association
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• v.16 no.8
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• pp.493-507
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• 2016

This study aims to examine the representations of elders in reality shows focusing on gender disparity by employing a textual analysis and audience interviews. According to findings, as for elderly men, various images are presented while as for elderly women, traditional gender images are mainly reproduced. In the audience reception, the audiences' understanding of genres and their preexisting gender perceptions have important roles on their interpretations in the ways of producing gender discriminated meanings.

• Cross-Cultural Studies
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• v.27
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• pp.291-317
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• 2012

Until now, the 'Ie' system, the distinct Japanese Family system, was dominantly recognized as the vestige of former feudal system. But as the research for gender-especially the family history-gets active, various aspects showing that 'Ie' is the modern product developed through thoroughly intended plans of Meiji government after latter-day. According to Ueno Chizuko, 'Ie' system is not at all a traditional feudal system, but it rather is the family revised by modernization, in other word, it is the Japanese version of modern family. This words began with it being the study of goodwill, and recognizing that 'Ie' is the creation of modernization, and as well as the need to listen to the new woman's inner voice under the Japanese patriarchal system. The most appealing characteristic of modern Japanese patriarchal system is that the it needs only the family members who are dedicated to the 'Nation'. With this, women were expected to submit to the authority and their roles, which are, as a wife and mother who obeys by supporting, preserving, and maintaining the patriarchal system. But as the new women themselves expressed their independence, these roles are hard to be expected. It was no other than new women's magazine Seito which arose against the Japanese patriarchal system. In this statement, careful observation was done on the novel based on tiny internal conflicts or the aspects of anguish, that could not have been illustrated enough after judging the significant issues of early modern liberalism of women based on new women's editorials, discussions, that were illustrated most directly and compressively. Through this, it was pointed out that Seito magazine is not consisted logically, and that reason for that is the female authors' different desires were tangled and it reflects the complicated situation of that period whether they were intended or not. Overall, unlike the literatures (men-centered) of same era, the genre of literature or the novel did not put them on prerogative place, and confirmation could be made once again that the women's writing aspects are related closely with gender recognition more than anything.

• Cross-Cultural Studies
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• v.51
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• pp.73-101
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• 2018

This essay deals with The Homeric Hymn to Demeter, a aetiological myth about the Eleusis Mysteria. The narrative of the hymn shows how Demeter, the goddess of grain, became the deity of the Mysteria. In the hymn, Demeter is characterized as a mother: She is the mother of Persephone and the motherlike nurse of Demophone. As the mother of Persephone and Demophone, the roles of are nursing and mediating. She care her children and linked the earth and the world below, the heaven of gods and the earth of mortals. Demeter the deity of the Mysteria by a mother. The and the maternity of Demeter is connected with patriarchal politics. Demeter in the hymn is not so much the goddess who derived her character from The Great Mother as the goddess who had been characterized the influence of Greek-patriarchy.

• 한국노년학
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• v.29 no.3
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• pp.1087-1105
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• 2009

This study is to look out the old Woman's decision that why they get divorced of the elderly and process of adaptation. So It provides them with practice intervention program. This study approach life history study of qualitative study. Data were collected from there three old women who have get divorced. Raw data were analyzed by Denzins analysis frame. According to research participant's marriage life were influence form patriarchal social system and they divorced for self-identity. But it was not an escape from patriarchal repression. The patriarchal repression from husband in context of family's level has extended to community. So At this study common theme of divorced elderly life that is "patriarchal based on culture system" and "break up life in cause by biased and oppression". The Author proposed self-helf group and intervention program for the divorced elderly women.