Browse > Article

A Study on the Spatial Characteristics Shown in New York Five and Baroque Architecture - Focused on the Comparative Analysis of the Double Layer of New York Five Architecture and the Dome Structure with Double Shell of Baroque Architecture -  

Han Myoung-Sik (대구한의대학교 실내건축학과)
Publication Information
Korean Institute of Interior Design Journal / v.14, no.2, 2005 , pp. 63-71 More about this Journal
Abstract
The dome structure has been treated in two layers among the techniques that have formed the space in Baroque architecture and the light used to be manipulated to create the openness of space and the fantasy of atmosphere. Such an expression technique has influenced on the expression of space in the architecture of New York Five in the 1960s to 1970s and the concept of multiple space embellished with various layers has appeared in the architectural concept of New York Five; meanwhile, the common meaning with the technique of double layers and the ways of phenomenal expressions that have recognized the existence of space in the Baroque period has been achieved through the light, immaterial organism. It means that the existing concept of light limited simply to the plane elements of brightness and darkness has been treated as a formative element that has defined and adjusted the visual expansion and reduction of the space Itself and special existence and has been used as an element of the media of spatial structure. In addition, these elements have been treated as another solution for the emotional aspects of space. Therefore, this study compares the plastic and formative meaning of the Baroque architecture with that of New York Five in terms of the relation between space and light and examines them; in doing so, it will give a clue to understand various and new space expression techniques to many architects and space designers who have led modern architecture.
Keywords
바로크 건축;2중표피구조;뉴욕5건축;겹구조;
Citations & Related Records
연도 인용수 순위
  • Reference
1 Michael Graves, Buildings and Projects 1966-1981, (Rizzoli, New york, 1991)
2 Joan Okman, Richerd Meier, Architect, Rizzoli International Publications, 1984
3 임석재, 네오큐비즘과 추상픽처레스크, 북하우스, 2001
4 윤익영, 카라바조, 재원, 2003
5 Jurgen Jeodicke, 윤재희.지연순 공역, 건축의 공간과 형태, 세진사, 1995
6 이항성, 서양근세미술III, 문화교육출판사, 1964
7 Rolf Toman, Baroque, Konemann, 1998
8 Richard Meier, Richard Meier : Architect, Rizzoli, New york, 1991
9 윤재희.지연순 공역, 바로크, 로코코 건축, 세진사, 1993
10 임석재, 미니멀리즘과 상대주의 공간, 시공사, 1999
11 Gilles Deleuze, 이찬웅 역, 주름 라이프니츠와 바로크, 문학과 지성사, 2004
12 임석재, 신추상과 네오코르뷔지안 건축, 북하우스, 2001
13 이춘섭, 모더니즘 실내디자인, 형설출판사, 2003
14 Michael Hays, 봉일범 역, 1968년 이후의 건축이론, 시공문화사, 2003
15 임석재, 17세기말 프랑스의 크레코-고딕 아이디얼에 관한 연구, 대한 건축학회논문집, 제19권 12호, 2003
16 프레데릭 다사스, 바로크의 꿈, 시공디스커버리총서, 2000
17 김성일.김주연, 공간에 있어 모서리의 조형적 표현특성에 관한 연구, 한국실내디자인학회논문집, 제13권 2호, 2004
18 Rolf Toman, Baroque, Konemann, 1998
19 John Pile, 홍승기 역, 실내 디자인사, 서우, 2002
20 Bill Risebero, 서양건축이야기, 오덕성 역, 한길아트, 2000