Browse > Article

A Study on Formative Characteristics of Organic Modernism Furniture Design - Chiefly focusing on mutual relationship with Modem Art -  

최병훈 (홍익대학교 목조형가구학과)
Publication Information
Korean Institute of Interior Design Journal / v.13, no.3, 2004 , pp. 153-161 More about this Journal
Abstract
Organic Modernism was inaugurated by Alvar Valto as an alternative plan to the formative limitation of Geometrical Modernism. It began to appear in the 1930s in the fields of Architecture, Furniture, Product Design and so on. It is known that began with organic formative language is closely related to surrealistic artists Andre Breton as well as other artists and sculptors in that era. Such Formative Language formalized a stream of Organic Modernism Furniture Design unique to the regional and cultural characteristics of Scandinavia. After crossing over to America, mass production of Furniture was born and new materials were linked by industrialization. The Characteristics of Organic Formation in Modern Art such as Three -Dimensional, Biological Morphological, Symbolical, Primitive, Fantastical, Non-Realistic, Incidental, Irregular, transmit to Furniture Design. They are as Characteristics especially with Three-Dimensional, Biological Morphological and Symbolical aspects. Histories of Art and design, there are some examples showing mutual Interchange between Functional and Artistic Character. This thesis also clarifies the Formative Relationship that the Furniture designers who pursued Functionality and Mass Production had obtained from Modern Artistic works and the Artists, through the process of comparing and researching the typical Artists and their works.
Keywords
유기적 모더니즘;현대미술;가구디자인;
Citations & Related Records
연도 인용수 순위
  • Reference
1 로즈마리 램버트, 김창규 역, 20세기의 미술, 예경산업사, 1991
2 정금희, 20세기 서양조각의 거장들, 도서출판 재원, 2000
3 필립 예나원, 한국미술연구소 역, 현대미술 감상의 길잡이, 시공사, 1994
4 신홍경, 현대 의자 디자인의 특성에 관한 연구, 한국실내디자인학회지13호, 1997
5 Diane & Bruce, Isamu Noguchi, Essay and Conversation, 1994
6 George Heard Hamilton, Painting and Sculpture in Europe 1880-1940,Yale University Press, 1993
7 Isamu Noguchi, The Isamu Noguchi Garden Museum, Harry N.Abrams, Inc., Publishers, 1987
8 잰슨 & A.F. 잰슨, 최기득 역, 서양미술사, H.W, 미진사, 2001
9 줄리언 프리먼, 최윤아 역, 미술의 유혹, 예담, 2003
10 Esbjorn Hiort, Finn Juhl, The Danish Architectural Press, 1990
11 정시화, 산업디자인 150년, 미진사, 2000
12 로베르 르네, 김정란 역, 초현실주의 1, 2, 열화당, 1990
13 Donald Albrecht, The works of Charles and Ray Eames: A Legacyof invention, Harry N. Abrams, Inc., Publishers, 1997
14 Surane Alexandrian, Surrealist Art, Thames and Hudson, 1970
15 Edward Lucie-Smith, Furniture: a Concise History, Thames andHudson, 1979
16 로잘린드 크라우스, 윤난지 역, 현대 조각의 흐름, 도서출판 예경, 1997
17 Francis Watson, The History of furniture, William Morrow & Company, Inc, 1976
18 Maurice Nadeau, The History of Surrealism, The Belknap Press of Harvard University, 1989
19 Jens Bernsen, Hans J. Wegner, Danish Design Center
20 Henry M. Sayre, A World of Art, second edition, Prentice-Hall, Inc., 1997
21 Poul Erik Tojner & Kjeld Vindum, Arne Jacobsen, Danish Design Center
22 장 뤽 다발, 홍승혜 역, 추상 미술의 역사, 미진사, 1990
23 Charlotte & Peter Fiell, 1000 chairs, Taschen, 1997
24 박영순, 의미분별 척도법에 의한 디자인 평가도구의 개발, 연세대학교박사논문, 1985