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The Study on the Doubleness of Rene Magritte appeared in the Architecture of O.M.Ungers  

이병욱 (동의공업대학 실내건축과)
김용승 (한양대학교 건축공학과)
박용환 (한양대학교 건축공학과)
Publication Information
Korean Institute of Interior Design Journal / v.13, no.1, 2004 , pp. 38-45 More about this Journal
Abstract
One of the prominent phenomena since 1960's is the diversity of concepts. It is to deny the standard of meta structure in judging value as a framework of truth understanding. M. Foucault says that we are living in a synchronous, parallel, and scattered epoch. In the architectural approach and interpretation of Ungers, such a phenomenon appears as multi-dimensional relations. The works of Ungers show the concrete manifestation of such thoughts since 1960's. He has exerted significant influence on German architecture through his book ‘Architecture as Theme’ and architectural works. His architecture has focuses on analogy and abstraction on the foundation of his well defined theory. As the features, it shows dialectic relations, mix of confrontation, interests in geometry and morphology. In this respects, the paper tries to find out the relationship between his architectural thoughts and the paintings of Rene Magritte in terms of the attributes of doubleness in the sense of a paradox. Ungers himself refers that he was directly influenced by Magritte.
Keywords
Ungers;
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  • Reference
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