1 |
Roy M. Prendergast, The Film Music : a neglected art : a critical study of music in film, pp. 213-216, 1977.
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2 |
Roy M. Prendergast, The Film Music : a neglected art : a critical study of music in film, p. 240, 1977.
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3 |
Hans Christian Schmidt, The Practices of Film Music, translated by Suk-Hee Kang, Gypmoondang Press, p. 213, 2001.
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4 |
George Burt. The Art of Film Music, Northeastern Univ. Press, pp. 47-50, 1994.
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5 |
David Raksin, Liner notes for Laura, RCA ARL1-1490, 1986.
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6 |
Hye-Seung Shin, The Manners of Composition In the Sequence of , Proceedings of The KAIS Fall Conference, pp. 531-534, 2010.
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7 |
Kyung-Eun, Goo. The Film and Music, Literature & Intellecture, pp. 181-185, 1993.
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8 |
Hye-Seung Shin, The Study of The Compositional Techniques of Alex North, Proceedings of The KAIS Spring Conference, pp. 531-534, 2010.
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9 |
David Raksin, Liner notes for Laura, RCA ARL1-1490, 1986, pp
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10 |
Gilles Mouelic, Translated by Park Ji Hee, Michel Cion The Film Music, Ehwa University Press, pp. 78-81, 2006.
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11 |
Roger Manbel.John Huntley, translated by Choi Chang Kwon. The Art of Film Music-The Function of Music in Film, Film Promotion Public Corporation, pp. 36-57, 1990.
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12 |
Gilles Mouelic, Translated by Park Ji Hee, Michel Cion The Film Music, Ehwa Univesity Press, p. 64, 2006.
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13 |
George Burt. The Art of Film Music, Northeastern Univ. Press, p. 170, 1994.
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14 |
Kyung-Eun, Goo. The Film and Music, Literature & Intellecture, p. 182, 1993.
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15 |
George Burt. The Art of Film Music, Northeastern Univ. Press, p. 86, 1994.
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