1 |
J. Park. (2018). Doing Intersectional Analysis in the Era of Neo-Liberalism, Women's Studies Review, 35(1), 163-183.
DOI
|
2 |
M. Kim & E. Jeoun. (2018. January). Design and Life Kewords 2018, Design, 487, 51-57.
|
3 |
E. Kim & E. Jeoun. (2019. January). Design and Life Kewords 2019, Design, 475, 112-117.
|
4 |
G. Kim. (2018). Gender, Creation, and Economy, LetterSeed, 10(1), 12-19.
|
5 |
L. Kim. (2019). Web Archive of Feminist Design Studies. https://docs.google.com/spreadsheets/d/1ZOHNtNYdyDlUyDpjW4zPWa7kJWLjqixgx9omctXA8_8/edit?usp=sharing)
|
6 |
S. L. De Bretteville. (1974). A Re-examination of Some Aspects of the Design Arts From the Perspective of a Woman Designer. Arts in Society, 11(1), 114.
|
7 |
S. L. De Bretteville. (2018). Insights 2018: Sheila Levrant de Bretteville, Yale University/Sheila-Studio, https://www.youtube.com/watch?v=QY8d80tGal4
|
8 |
E. Lupton. (1993). Mechanical Brides: Women and Machines from Home to Office, New York: Princeton Architecture Press.
|
9 |
M. Scotford. (1994). Messy History vs. Neat History: Toward an Expanded View of Women in Graphic Design. Visible Language, 28(4), 367-387.
|
10 |
R. Joan. (1999). Design and Feminism: Re-Visioning Spaces, Places and Everyday Things. New Jersey: Rutgers University Press.
|
11 |
P. Kirkham. (2002). Women Designers in the USA 1900-2000: Diversity and Difference. New Haven: Yale University Press.
|
12 |
M. Son & Y. Lim. (1997). Study on Influence of Feminism toward Modern Fashion, Boksik 23. 261-282.
|
13 |
H. Cho. (1994). Advertisement Design on Feminist Perspective, Master dissertation, Kookmin University, Seoul.
|
14 |
H. Cho. (2007). Another Alternative, Feminist Design Study Methodology, Korea Basic Formative Art, 8(1), 585-596.
|
15 |
M. Lavin. (1993). Cut with the Kitchen Knife: Weimar Photomontages of Hannah Hoch. New Haven: Yale University Press.
|
16 |
S. L. De Bretteville. (1983). Feminist Design: at the intersection of the private and public spheres, Design and Society. London: The Design Council London, 86-93.
|