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http://dx.doi.org/10.9717/kmms.2022.25.10.1475

Directed Identification, Synchronization by Aesthetic Recognition of Animation Field  

Lee, Hyun Woo (Dept. of Performance, Film, Animation., Graduate School, Sejong University)
Ryu, Chang Su (Dept. of Cartoon Game Motion., Yewon Arts University)
Publication Information
Journal of Korea Multimedia Society / v.25, no.10, 2022 , pp. 1475-1482 More about this Journal
Abstract
Mickey Mousing perfect match between animation sound and image was an aesthetic in the field of animation, but since the 2000s, works such as and released by producers such as DreamWorks and Pixar have expanded the perfection of synchronization to irony. It also influenced the identification system of sentiment. It is time to view the directing attempt of these elements as a factor that changed the new paradigm of narrative, and related research is needed. In this study, the scene of was analyzed as a case study for the synchronization of animation sound and image components and the boundary direction on the recognition of identification between reality and fiction. Aesthetic recognition of the research work is based on the premise of real time and space perception, and the audience can recognize in the conceptual world as an integrated art by playfully producing fictional time and space. The direct antithesis of synchronization and identification was drawn to maintain the curiosity of the next scene by repeating selective concealment and disclosure of information in the direction of conveying an unfamiliar and heterogeneous feeling to the audience.
Keywords
Animation Field; Aesthetic; Recognition; Identification; Synchronization;
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