Browse > Article
http://dx.doi.org/10.9717/kmms.2017.20.11.1820

Application and Analysis of Handheld Camera Technique in 3D Animation  

Gu, Jing (Dept of Visual Contents, Graduate School of Dongseo University)
Jeon, Hyung Jin (Dept of Visual Contents, Graduate School of Dongseo University)
Pak, Hong Sik (Dept of Digital Contents Dongseo University)
Publication Information
Journal of Korea Multimedia Society / v.20, no.11, 2017 , pp. 1820-1827 More about this Journal
Abstract
With the development of 3D technology, image expression has been widely used in the field of 3D animation these days for the purpose of illustrating a certain image, feeling or status. In this paper, we examine how it affects to audiences' feelings and senses when we applied the handheld camera technique to other kinetic characteristics. In addition, we analyze the scenes which the handheld camera technique is applied into each characteristic from movie contents, present the kinetic characteristics of the handheld camera technique, and study the scenes that can apply this technique with 3D animation and its influence.
Keywords
Image Expression; Handheld Camera Technique; Movement Characteristics; Emotional Cognition; 3D Animation;
Citations & Related Records
Times Cited By KSCI : 2  (Citation Analysis)
연도 인용수 순위
1 S.W. Choi, “A Study on Characteristics of Camera Movement that is Expressed in 3D Animation and 2D Animation,” Korea Digital Design Council, Vol. 15, No. 2, pp. 278-287, 2015.
2 R. Barsam and D. Monahan, Looking at Movies, W.W. Norton and Company, New York, pp. 272, 2016.
3 H.W. Ko and D.G. Seo, “The Handheld and Steadicam Study on the Long-take Camerawork,” The Korean Entertainment Industry Association, Vol. 8, No. 1, pp. 67-72, 2014.
4 L. Giannett, Understanding Movies, Prentice Hall, Upper Saddle River, New Jersey 07458, pp. 112-123, 2001.
5 R. Arnheim, Art and Visual Perception, University of California Press, Oakland, Calif., pp. 367, 2004.
6 B. David and T. Kristin, Film Art: An Introduction, McGraw-Hill Education, New York, The United States, pp. 227-230, 2012.
7 B.A. Block, The Visual Story, Focal Press, Boston. pp. 172-174, 2007.
8 J.M. Boggs, The Art of Watching Films, McGraw-Hill Higher Education, New York, The United States, pp. 130-139, 2003.
9 J.C. McKeevs and K.D. Kim, Cinematography, Film Promotion Corporation, Hamburg, Germany, pp. 75-79, 1998.
10 C.J. Bowen and R. Thompson, Grammar of The Shot, Focal Press, Boston, pp. 104, 2015.
11 S.W. Choi, "Directing for Inducement of Audience's Point of Attention by Using Movement," Korea Digital Design Council, Vol. 12, No. 3, pp. 417-427, 2012.   DOI
12 S.J. Hwang, “A Study on Visual Cognitive Information about Object in 3D Animation Contents,” The Korean Society of Design Culture, Vol. 16, No. 2, pp. 522-528, 2010.
13 S.H. Hyun, "A Study on the Features for Filming and Directing of the Digital Stereoscopic Animation Films," Korean Society of Cartoon and Animation Studies, pp. 237-249, 2009.
14 B. Levin, "Creating PIPER: Pixar's Latest Short Film," Association of Computing Machinery's Special Interest Group on Computer Graphics and Interactive Techniques, pp. 12, 2016.
15 J.H. Oh and J.W. Kim, "A Study on the Characteristics of the Movement Image in the Experimental Short Animation Film : Centering on 'Snack and Drink' and 'The Battle of Kerzhenets'," Korean Society of Cartoon and Animation Studies, pp. 101-114, 2008.
16 J.H. Kim, "The Expression of Styles for the Ground Image of Animation," Journal of Korea Multimedia Society, Vol. 11, No. 2, pp. 206-213, 2008.