Browse > Article
http://dx.doi.org/10.7230/KOSCAS.2014.36.619

Activation plans of the Cultural Exchanges between Korea' and the Czech Republic's Animation  

Park, Ki Bok (강원대학교 영상문화학과)
Publication Information
Cartoon and Animation Studies / v., no., 2014 , pp. 619-641 More about this Journal
Abstract
Animation is an important tool to establish the identity of mutually related countries, as cultural contents with the economic value. That is, it is necessary that the Korean animation should extend the previous boundary of exchange, for the status of representative cultural industry in the 21st century global market. Especially, to overcome the regionally prejudiced and unbalanced cultural exchange, the possibility of extension with Czech animation, which has not had an active exchange with Korea, will be considered and the efficient method will be proposed. The Czech Republic is geopolitically located in the center of Europe and its infrastructure like industrial construction, investment environment, human resources is outstanding among Visegrad Group. The Czech Republic has a remarkable cultural border-crossing phenomenon, and as a complex country of cultural and religious characteristics of eastern and western European, it is a powerful nation leading Central Europe. Therefore, the animation exchange of Czech and Korea is valuable in culture and economy of both nations. Through such an animation exchange of both nations, not only Korean animation secures the diversity of exchange but also insignificant cultural exchange after formal establishment of diplomatic relations in 1990, will be revitalized and international firm relationship of both nations will be established. Therefore, as an activation plan or cultural exchange of Korea and the Czech Republic, concrete plan like Stop Motion Animation Workshop is proposed.
Keywords
cultural exchange; Korean animation; Czech Republic; Stop Motion Animation; Workshop; puppet;
Citations & Related Records
연도 인용수 순위
  • Reference
1 http://gogumi.co.kr/bbs/board.php?bo_table=news&wr_id=25.
2 김윤아, "예술 애니메이션의 '장인-작가성' 연구: 이슈 파텔과 얀 슈반크마이에르를 중심으로",(2008).동국대 대학원, 연극영화학과 박사학위논문, 2008
3 김신규, 체코인의 정체성과 커뮤니케이션 방식, 동유럽발칸학 제6권 1호, 한국동유럽발칸학회, 2004, p.274.
4 김호.김재웅, "이지 바르타의 작품의 어둠의 상징성", 한국콘텐츠학회'07 Vol.7 No.9,(2007), p.21.
5 유선비, "체코인형극의 전통과 애니메이션", 동유럽 연구 제31권 (2012). p.80.
6 진경아, "얀 슈반크마이에르에 내재된 벤야민의 알레고리"(2009).
7 조중현, "얀 슈반크마이에르의 애니메이션 나타난 그로테스크 연구"(2009).
8 최아름, "한국과 체코의 문화교류 주요 콘텐츠 현황분석 및 활성화 방안2012", p.107-114.
9 국내제작 애니메이션 판정기준 정비방안 연구, 정보통신정책연구원 방송통신위원회, 2011,9 p.13.
10 VIP 리포트, 현대경제연구원 산업연구본부, 2013.09.05.
11 Jaroslav Olsa, jr, "SEVEN CZECH TRAVELLERS IN KOREA", p.174.
12 Global Competitiveness Index 2010-2011 rankings and 2009-2010 comparisons.
13 http://www.globalwindow.org/gw/overmarket/GWOMAL020M.html?BBS_ID=10&MENU_CD=M10103&UPPER_MENU_CD=M10102&MENU_STEP=3&ARTICLE_ID=5017804&ARTICLE_SE=20302.
14 체코 영화 배급사 협회(http://www.ufd.cz/).
15 체코 영화센터Czech Flim Center(http://filmcenter.cz/).
16 http://www.anifilm.cz.
17 http://www.the-numbers.com/market/production-method/Stop-Motion-Animation.