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http://dx.doi.org/10.22755/kjchs.2022.55.3.120

A Study on Smalt Pigments Used in Large Buddhist Paintings in the 18th and 19th Centuries  

YUN, Jihyeon (Conservation Science Division, National Research Institute of Cultural Heritage)
KIM, Sojin (Conservation Science Division, National Research Institute of Cultural Heritage)
KIM, Gyuho (Dept. of Cultural Heritage Conservation Science, Kongju National University)
Publication Information
Korean Journal of Heritage: History & Science / v.55, no.3, 2022 , pp. 120-129 More about this Journal
Abstract
The purpose of this study is to analyze the chemical composition of smalt pigments used in 10 large Buddhist paintings in the Joseon Dynasty using energy dispersive X-ray spectroscopy, and to clarify the material and characteristics by observing morphological characteristics using polarized light microscopy and a scanning electron microscope. Through chemical composition analysis, the smalt of all 10 large Buddhist paintings is judged to be potash glass using SiO2 as a former and K2O as a flux. In addition to the components related to cobalt ore used as a colorant, the paintings were found to contain high levels of As2O3, BaO, and PbO. The smalt particles did not have specific forms, and were blue in color, with various chromaticity. In some particles, conchoidal fracture, spherical bubbles, and impurities were observed. Through backscattered electron images, it was found that the smalt from paintings produced in the early 18th century AD had a high level of As, but the smalt from paintings produced from the mid-18th century AD onwards exhibited various contrast differences from particle to particle, and there was smalt with high levels of As, Ba, and Pb. Through the above results, the large Buddhist paintings in the Joseon Dynasty are divided into three smalt types. Type A is a type with high As2O3, type B is a type with high BaO, and type C is a type with high PbO. Looking at the three types of smalt pigments by the period of production, although some in-between periods were not detected, type A was confirmed to have been used from 1705 to 1808, while type B and type C were shown to have appeared in 1750 and used until 1808. This reveals that only one type of smalt was used until the early 18th century AD, and from the middle of the 18th century AD, several types of smalt were mixed and used in one large Buddhist painting. Studies such as this research are expected to provide insights into the characteristics of the smalt pigments used to produce large Buddhist paintings at the time.
Keywords
Large Buddhist paintings; hoecheong; smalt; chemical composition analysis; microscopic observation;
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