Browse > Article
http://dx.doi.org/10.7738/JAH.2022.31.4.045

The character and role of Gachiljang(假漆匠)  

Jang, Young-Joo (고려대학교 문화유산학협동과정)
Ryoo, Seong-Lyong (고려대학교 건축학과)
Publication Information
Journal of architectural history / v.31, no.4, 2022 , pp. 45-56 More about this Journal
Abstract
Gachiljang(假漆匠), along with Jinchiljang(眞漆匠), is an important craftsman who cannot be left out during the finishing process of wooden furniture and wooden buildings during the Joseon Dynasty. The current definition of Gachiljang does not properly explain the nature and role of Gachiljang. In many related terminology dictionaries, Gachiljang is defined as "artisan who dose the base paintwork of Dancheong." But an analysis of the Joseon Dynasty's Uigwe(儀軌) shows that Gachiljang appears frequently in works that are not related to Dancheong at all. Therefore the current definition seems to be inaccurate and need to be revised. Gachiljang is a name that contrasts with Jinchiljang, and he makes and paints Myongyu(明油). Just as Jinchiljang uses not only lacquer but also various pigments to paint colorful lacquer, Gachiljang also uses various pigments to decorate buildings or furniture in a fancy way and then finishs with a transparent paint. Even in the Dancheong(丹靑) work of the building, all the base painting and finish coating work will be in charge of Gachiljang, except for the paintings performed by the Whawon(畫員) or the Whasa(畫師).
Keywords
Gachiljang; Myongyu; Jinchiljang; Pyrolusite; Perilla oil; Drying oil;
Citations & Related Records
연도 인용수 순위
  • Reference
1 박지혜, 「한국유칠의 전통기법과 재현연구」, 중앙대학교 석사학위논문, 2010
2 Leslie Carlyle, Paint driers discusssed in 19th-century british oil painting manuals, Journal of the American Institute for Conservation, Vol. 38, 1999
3 문화재청, 「문화재수리표준시방서」, 2019
4 김삼대자, 「빛깔있는 책들 전통목가구」, 대원사, 1994
5 路化林 「中國古建築 油作技術」, 中國建築工業出版社, 北京, 2011
6 「탁지준절」
7 「일성록」
8 「대한제국 관보」
9 「경복궁영건일기」
10 「임원경제지」
11 「신증동국여지승람」
12 경기문화재단, 「화성성역의궤 건축용어집」, 2007
13 김삼대자, 「소목장 중요무형문화재 제55호」, 국립문화재연구소, 2003
14 국립문화재연구소, 「칠장 중요무형문화재 제113호」, 민속원, 2006
15 문화재관리국, 「무형문화재조사보고서」 제81호, 1970
16 여찬영 외, 「의궤용어사전1」, 경인문화사, 2012
17 阿部芳郞, 宮腰哲雄, 「生活工藝双書 漆 1」, 農文協, 東京, 2018
18 北京市建設委員會, 「中國古建築修健施工工藝」, 中國建築工業出版社, 北京, 2007
19 김현중, 「조선시대 옻칠 정책 연구」, 동방문화대학원 대학교 박사학위논문, 2017
20 C. A. Lathrap, Iodine Number and Refractive Index of Perilla Oil, Industrial and Engineering Chemistry, American Chemical Society
21 L.L. Carrick, Vegetable oil paints, The Journal of The American Oil Chemists' Society, 11, 1950
22 北野信焉, 木多貴之, 佐藤則武, 「初期の日光社寺建造物に使用された赤色塗裝材料に關する調査」, 保存科學 No.49, 東京文化材硏究所, 2010
23 「조선왕조실록」
24 이민우, 최고야, 이영종, 「XRD와 XRF를 이용한 무명이의 구성 성분 연구」, 대한본초학회지, 제33권 6호, 2018
25 「조선왕조의궤」
26 「경국대전」
27 北野信彦, 「建造物塗裝彩色史の硏究」 雄山閣, 東京, 2022
28 정종미, 「우리 그림의 색과 칠」, 학고재, 2001